biopic
Mank review – David Fincher’s brilliant, bitter-sweet paean to Hollywood’s Golden AgeWednesday, 02 December 2020
For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw virus-conscious punters back to the big screen. The assertion was always fanciful, the pandemic being too long a... Read more... |
The Best Films Out NowMonday, 05 October 2020
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in... Read more... |
Director Marjane Satrapi: ‘The real question is do you like everyone? No? So, why should everyone like you?’Friday, 20 March 2020
Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and... Read more... |
Dark Waters review - an ominous drama with plenty of backbone, but not enough fleshFriday, 28 February 2020
Watching Dark Waters, the latest film from director Todd Haynes (Carol, Far from Heaven), I kept thinking — what’s the opposite of a love letter? The film is based on the work of Rob Bilott, a real-life lawyer who uncovered a corruption scandal so... Read more... |
Mr Jones review - a timely testament to journalismFriday, 07 February 2020
While the horrors of Hitler’s rule are well documented, Joseph Stalin’s crimes are less renowned, so much so that in a recent poll in Russia he was voted their greatest ever leader. This chilling fact made acclaimed director Agnieszka Holland feel... Read more... |
A Beautiful Day in the Neighborhood review - an emotionally honest biopicSaturday, 01 February 2020
The role of Fred Rogers in A Beautiful Day in the Neighborhood was made for Tom Hanks – and he excels in it. Rogers’ sixth cousin, Hanks has at his fingertips the compassion and warmth that made the zipper-cardigan-clad American children’s... Read more... |
Just Mercy review - soul-stirring true story about race and justice in AmericaFriday, 17 January 2020
Just Mercy, the latest film from Destin Daniel Cretton (Short Term 12), is based on a New York Times bestseller. It has a star-studded cast. It’s emotionally moving as well as intellectually accessible. But it’s no easy film to watch. “They can call... Read more... |
Bombshell review – powerful, to a pointThursday, 16 January 2020
With Harvey Weinstein about to go on trial, the timing is particularly apt for a film that outlines the fall from grace of another media giant who used his powerful position to sexually victimise women. The late Roger Ailes was the CEO of the right-... Read more... |
Seberg review - lightweight script, heavyweight performanceFriday, 10 January 2020
It’s 1968, and Seberg leaves her husband, Romain Gary (Yvan Attal) and son, Alexandre (Gabriel Sky) for an audition in Hollywood. She seems happy to be going. Touching down in LAX she joins a group of black activists, led by Hakim Jamal (Anthony... Read more... |
Official Secrets review – powerful political thrillerThursday, 17 October 2019
Early in the political drama Official Secrets, Keira Knightley’s real-life whistleblower Katharine Gun watches Tony Blair on television, giving his now infamous justification for the impending Iraq War, namely the existence of weapons of mass... Read more... |
The Last Tree review - young, angry, and black in '90s UKTuesday, 01 October 2019
Putting a radical spin on a fish-out-of-water story, The Last Tree explores troubling aspects of the African diaspora experience in an England riddled with xenophobia and black-on-black racism. Shola Amoo’s semi-autobiographical second feature is... Read more... |
Hotel Mumbai review – Dev Patel shines in harrowing real-life dramaThursday, 26 September 2019
Like recent films about the Anders Breivik terror attacks in Norway, Hotel Mumbai unavoidably raises questions of taste. Do audiences really need to be subjected to harrowing recreations of real-life suffering, when the events themselves... Read more... |
