BFI
Helen Hawkins
No Other ChoicePark Chan-wook’s outstanding black comedy is a rare treat, biting social satire delivered with immaculate slapstick touches. His everyman hero is Man-su (Lee Byung-hun), a jittery but deliriously happy man with a beautiful wife (superstar Son Ye-jin) and two children, one an accomplished cellist. Even his two dogs are handsome. And he loves his work at a paper manufacturer. Naturally, all comes crashing down when his company is taken over by Americans and a chunk of the workforce has to go, including him. As do his dogs, his nice car and many of his belongings. With his Read more ...
Pamela Jahn
You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the Berlin-based Yorkshireman, who plays a washed-up tennis player turned coach living on the Canary island of Fuerteventura in Jan-Ole Gerster's slow-burning psychological thriller Islands. "I'm sure it's great to drop the kids off for a while and enjoy some peace and quiet. But my idea of relaxation is quite different."No surprise there. Riley, 45, might have become a well-known actor, but, in his heart, he's always been a rock star. At least that's the Read more ...
Helen Hawkins
Taking its title from a Sonic Youth track whose lyrics describe someone who seems good on the outside but is bad inside, this debut feature from the Slovenian director Urska Djukic is a small miracle. Its 90 minutes deftly draw us into the psychology of pubescent teens in a fresh, often funny, always transporting way. The narrative focuses on Lucia (Jara Sofia Ostan), an introverted, daydreaming 16-year-old who has joined an all-girls choir at her Catholic school. When her mother arrives to collect her from choir practice, it’s clear Lucia is kept on a tight rein. Her mother deplores the Read more ...
Graham Fuller
On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in a shark-infested swimming pool teeming with naval mines. Thanks to Posy Sterling’s technically astounding performance – a whirligig of fluctuating, gut-level emotions – audience sympathy with Molly never flags. Despite her Cockney toughness, she’s a woman under the influence (of traumas galore), on the verge of a nervous breakdown, at the end of her tether.But as a frantic, flailing woman constantly going off the deep end, she harms her cause. More Read more ...
John Carvill
What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way, the “classic” aspect may be in the eye of the beholder, but “lost" is more easily quantified. Simon Perry’s slippery 1977 psychological thriller Eclipse certainly fits the bill, having languished unseen in the BFI vaults for nigh on half a century.Tom Conti plays Tom, twin brother to the deceased Geoffrey (also played by Conti), or “Big G” as he was known to everyone, including his son. Tom was present when Geoffrey died in mysterious circumstances, Read more ...
Tim Cumming
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up there with Perfomance and That’ll Be The Day.Like those films, it has grittiness running through it like barbed wire through a stick of Blackpool rock. It’s raw and dark; very dark. Not glam at all. And wrapped up in its singular brilliance is the grim rather than glam fact that Slade in Flame tanked at the box office and almost tanked the career of the band it – sort of – celebrated.There was one DVD release in the Noughties, which now goes for around £200 on Amazon. But Read more ...
Pamela Jahn
One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been described as a director of "slow cinema", which she regards as a compliment.Kulumbegashvili's intention is to create an imaginative space that uncovers the truths behind patriarchal expectations and misogyny, without ever limiting the viewer's experience or agency. Characterized by carefully crafted but disorienting compositions, her storytelling is fiercely confrontational.Her second feature, April, combines revealing social realism with Read more ...
Helen Hawkins
The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie and stablemate of the fictive biopic 20,000 Days on Earth, about Nick Cave, from the same film-makers. It’s one part arty documentary to two parts music video, both a daughter’s tribute to her mother and a singer’s elaborate way of promoting her latest album.Its subject, Geraldine Flower, was the aptly surnamed daughter of an Australian father and Dubliner mother who spent the years of her prime – the Swinging Sixties and discontented Seventies – relocating from Read more ...
graham.rickson
All We Imagine as Light focuses on the lives of three women in contemporary Mumbai; as shown by director Payal Kapadia, the city is arguably the film’s fourth major character. Kapadia eschews convention, her metropolis painted in muted colours with dark skies and heavy rain a constant.We first see Prabha (Kani Kusruti) on the long journey home to the cramped flat she shares with her younger colleague Anu (Divya Prabhu); as in many western cities, their key worker salaries aren’t sufficient to allow them to live a reasonable distance to their city centre hospital.Kusruti is an extraordinary Read more ...
Helen Hawkins
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output. So while there are no overt political allusions in director Dea Kulumbegashshvili’s April, at its core you sense a tacit and urgent debate about how to square your conscience with the “rules” that govern the country’s conduct.The heroine of the piece is Nina (Ia Sukhitashvili), an actual heroine of a sort. She’s an OB/GYN hospital doctor who risks her career by dispensing contraceptive pills and performing (illegal) abortions in remote villages for women in Read more ...
graham.rickson
Akira Kurosawa described his 1961 hit Yojimbo as a tale of “rivalry on both sides, and both sides are equally bad… we are weakly caught in the middle, and it is impossible to choose between the evils”. Toshiro Mifune’s nameless rōnin pitches up a run-down village purely by chance, tossing a stick in the air at a fork in the road to choose which direction to take.Though taking place in mid-19th century Japan, the sets reflect Kurosawa’s love of classic westerns, the scruffy buildings facing onto a dusty main street. The presence of a dog carrying a severed hand is a bad omen, a dispute over Read more ...
graham.rickson
Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various styles within a single film. Though highly rated by Japanese critics, this 1963 adaptation of an Ed McBain 87th Precinct crime novel has been long overlooked, High and Low taking in corporate politics, familial tensions and a thrilling race to catch an enigmatic villain.Kurosawa regular Toshiro Mifune plays Kingo Gondo, a senior executive at National Shoes. He's at odds with other board members seeking to cut costs by producing cheap, short-lived footwear (“shoes must Read more ...