Berlin
Undine review - respecting the nymphWednesday, 07 April 2021
Illogical in its twists and turns, elusive as a fading dream but not stylistically dreamy – Christian Petzold’s optimistic romantic tragedy Undine is a ciné-conundrum par excellence. It seems, at first glance, a dismayingly insubstantial work for... Read more... |
Classical CDs: Big symphonies, archlutes and the healing power of the violaSaturday, 13 March 2021
Bach: The English Suites Paolo Zanzu (harpsichord) (Musica Ficta)I’m a recent convert to Bach keyboard music played on harpsichord, having recently immersed myself in the Erato box set containing Zuzana Růžičková’s Bach recordings made in the... Read more... |
Levit, Berlin Philharmoniker, Paavo Järvi, Digital Concert Hall review - optimal light and darkTuesday, 09 March 2021
It seems right that (arguably) the greatest orchestra in the world has (unarguably) the best livestreaming and archive service. Thanks to a vital musicians’ Covid testing set-up, the Berlin Philharmoniker is even more supreme online now that it can... Read more... |
Berlinale 2021: Petite Maman review – magical musings on the parent-child relationshipSaturday, 06 March 2021
Hot on the heels of her 2019 triumph Portrait of a Lady on Fire, Céline Sciamma’s fifth feature continues a perfect track record; this is yet another gorgeous and perceptive film, told from a determinedly female perspective but with a wisdom... Read more... |
Deutschland 89, Channel 4 review - the Wall comes down, what next?Saturday, 06 March 2021
Joerg and Anna Winger’s gripping drama of East Germany, a loose portrait set over the final decade of that country’s existence, has reached its culmination, and this first episode of Deutschland 89 landed us right in the unpredictable maelstrom of... Read more... |
Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missingThursday, 04 March 2021
A word about grief. Many of us have learned a lot about it this past year; many knew about it before that. When someone we love dies, we grieve. This is normal. This is human. It is agony, but it’s not actually a mental illness. Having Paul, the... Read more... |
Berlinale 2021: Bad Luck Banging or Loony Porn review – cheeky, timely and very provocativeThursday, 04 March 2021
The Romanian director Radu Jude invariably serves spicy satire that challenges his compatriots to face historical crimes and present failings. The latest is an erudite and daft, raunchy and knockabout, endlessly provocative film that, for sake of... Read more... |
Classical CDs Weekly: Kirill Petrenko, Avi Avital, RavelSaturday, 28 November 2020
Berliner Philharmoniker/Kirill Petrenko: Music by Beethoven, Tchaikovsky, Franz Schmidt, Rudi Stephan (Berliner Philharmoniker Recordings)Kirill Petrenko’s supposed indifference to making recordings is overstated: there’s a whole load of stuff... Read more... |
The Same Sky, More4 review - Cold War thriller from both sides of the Berlin wallFriday, 30 October 2020
“Make contact with the left eye - it is a direct pathway to the emotions. Then make yourself scarce so that the desire in her can grow.” This fine flirting advice comes from a Stasi officer to his students, preparing them for a honey-trap mission to... Read more... |
Classical Vinyl Weekly: Bruckner, SmetanaSaturday, 05 September 2020
Bruckner: Symphony No. 7 Berliner Philharmoniker/Bernard Haitink (Berliner Philharmoniker Recordings)Bruckner symphonies rarely include fast tempi and never feature Stravinskian changes of metre, but they do need conductors with enough stamina... Read more... |
Album: Rui Ho - Lov3 & L1ghtFriday, 04 September 2020
A new and very strange kind of pop music has bubbled up over the past half-decade plus. It’s internationalist, rooted in both underground electronics and the most populist styles, bound up with playful but sometimes terrifying ultra high definition... Read more... |
Moses und Aron, Komische Oper Berlin, OperaVision review – complex and powerful memorialThursday, 06 August 2020
Barrie Kosky’s production of Moses und Aron was staged at the Komische Oper Berlin in 2015 to mark the 70th anniversary of the liberation of Auschwitz. Schoenberg’s opera is philosophical and open to a variety of interpretations. Kosky emphasises... Read more... |
