wed 25/12/2024

Beethoven

Classical CDs: Sonnets, wolves and creation myths

 Beethoven for Three – Symphonies 2 and 5 Emanuel Ax, Leonidas Kavakos, Yo Yo Ma (Sony)I’m all for small-scale Beethoven. Liszt’s piano transcriptions hit the spot for me, and the composer’s anniversary year welcomed several superb discs...

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Colli, Bournemouth SO, Scaglione, Lighthouse, Poole review - drama and romance

The Drama and Romance of the Bournemouth Symphony Orchestra’s promotional hook for this concert signalled a heady musical mix. Appropriate for the stark contrasts of mood central to Wagner’s Tannhäuser Overture and Beethoven’s Piano Concerto No. 4,...

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Grosvenor, SCO, Emelyanychev / Osborne, RSNO, Usher Hall, Edinburgh review - two orchestras in pursuit of innovation

Two pianists; two concertos; two orchestras. It is not often that Edinburgh’s most venerable concert hall plays host, on consecutive nights, to two of our national orchestras offering strikingly similar programmes.While the Scottish Chamber...

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Classical CDs: Violins, timpani thwacks and a symphony of iron and steel

 Gidon Kremer: The Warner Collection (Warner Classics)The words of dedication in Gidon Kremer’s autobiography, Between Worlds (2003) are chosen with care. The book is, he wrote, for “all those who are seeking their way”. The Latvian-born...

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Takács Quartet, Wigmore Hall review - intimate letters and holy songs

The Takács Quartet is hard to pin down. The group was founded in 1975 in Budapest, but since 1983 has been based in Boulder, Colorado. Cellist András Fejér is the only remaining founding member, and the violist, Richard O’Neill, only joined in 2020...

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Classical CDs: Rediscovered orchestral jazz, natural trumpets and non-seasonal chamber music

 Leo Sowerby: Paul Whiteman Commissions & other early works Andy Baker Orchestra, Avalon String Quartet (Cedille)Chicago’s Leo Sowerby (1895-1968) is remembered chiefly as a prolific composer of sacred scores, a Pullitzer-Prize winning...

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First Person: director Frederic Wake-Walker on Glyndebourne's new 'Fidelio'

2016Dear Diary, I’ve just had a meeting with Glyndebourne about directing a new production of Fidelio. I realise it’s one of the hardest operas in the repertoire to direct but I’m so swept up in Beethoven’s vision, the power of the music and the...

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Geniušas, SCO, Emelyanychev, Usher Hall, Edinburgh review - glorious return to a much-missed venue

This concert almost had me in tears before a single note was played because it marked (joy!) the first classical concert to take place in the Usher Hall since it was shut in March 2020. She has been closed for eighteen long months, but she hasn’t...

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Leeds International Piano Competition Finals, Leeds Town Hall review - a hi-tech, low carbon musical celebration

It’s easy to forget that what you see in a competition final isn’t always the full story, the jury members’ votes in this case based on what had gone on in the earlier rounds. The 20th Leeds International Piano Competition began its final stages in...

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Crowe, BBCSSO, Volkov, BBC Proms review - shining light on history and heritage

Minds in Flux is the largest of this season’s Proms commissions, and last night it afforded a rare chance for UK audiences to hear work of George Lewis outside the often insular new-music and avant-garde improvisation circuits. As a trombonist-...

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Benedetti, National Youth Orchestra, Heyward, BBC Proms review – stirring sounds of change

In a normal year, the National Youth Orchestra of Great Britain descends mob-handed on the Royal Albert Hall for a Prom that complements the sheer quality of the young musicians’ work with joyful, raucous, roof-raising quantity. I recall a...

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Brauss, BBC Philharmonic, Gernon, BBC Proms review - surprises and miracles in store

Two nights after the Scottish Chamber Orchestra had brought the first great E flat major symphony to the Proms – Mozart’s 39th – a serendipitous change of programme on Tuesday gave us the second: Haydn’s “Drumroll”. An equally serendipitous change...

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