fri 24/01/2025

avant-garde

The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to say about how the world is changing, perhaps more accurately, how our perception of it is changing. Both are true of...

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Best of 2024: Visual Arts

I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate...

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Albums of the Year 2024: Meemo Comma - Decimation of I

I don’t really want to talk about this year. Genuinely.It’s been so horrific on the macro scale with deranged Fascism and the effects of rampant and undeniable climate change looming everywhere you look – and on the personal level I’ve been been...

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Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight

On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by Julia Holter.The opener was Nyokabi Kariüki, an experimental musician who played with loops, found...

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Jon Fosse: Morning and Evening review - after thoughts

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive single thought, uttered always in a characteristically...

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ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

Picture this: framing the stage are two pearlescent clouds which, throughout the performance, gently pulsate with flickering light. Behind them on a giant screen is a spinning globe, its seas twinkling like a million stars.Suddenly, this magical...

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Album: Ded Hyatt - Glossy

This record keeps you guessing. It starts off with “Hybrid Romance”, an ambient piece that’s very pretty but has swooping glassy synths that crack and fracture and could easily be about to break into some super jagged Berlin deconstructed club music...

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10 Questions for Black String’s Youn Jeong Heo

The first K-Music festival landed in London for than a decade ago, and has brought an eclectic range of bands and musicians from Korea to the stages of the capital, whether that’s the sorrowful storytelling tradition of Pansori, the sonic attack of...

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Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiere

For men, navigating through life whilst maintaining strong friendships is not easy (I’m sure the same can be said for women, but Yasmina Reza’s multi-award winning play, revived on its 30th anniversary, is most definitely about men). What brings...

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Album: Laurie Anderson - Amelia

Laurie Anderson is what Leonardo da Vinci would have hailed as una donna universale: inspired by science and technology, she's wide-ranging artist, a writer, film-maker, and explorer. She has a remarkable gift for story-telling, and her latest...

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We Out Here Festival 2024 review - generations of weirdness and wonder

I won’t give it loads about the atmosphere and attendees at We Out Here – suffice to say that in its fifth edition, it has maintained all the strengths I mentioned last year, with the added benefit of slicker-operating infrastructure having ironed...

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The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punch

Before a word is spoken, a pause held, we hear the seagulls squawking outside, see the (let’s say brown) walls that remind you of the H-Block protests of the 1980s, witness the pitifully small portions for breakfast. If you were in any doubt that we...

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