21st century
Gerhardt, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review - calm and clear conductingMonday, 30 January 2023
Ben Gernon’s calm and clear way of conducting an orchestra (something he once told me he’d observed in the work of his mentor, Colin Davis) is good to watch and, I would guess, welcomed by those he directs. Since his time with the BBC... Read more... |
All the Beauty and the Bloodshed review - superb documentary about a campaigning artistFriday, 27 January 2023
A film telling just the story of photographer Nan Goldin’s campaign against Purdue Pharmacy would have been worth the ticket price alone.But Laura Poitras’s documentary All the Beauty and the Bloodshed offers so much more. It moves between two... Read more... |
More than Ever - an idyllic way of dyingFriday, 20 January 2023
We’re told from childhood that it’s rude to stare at people, but sometimes it’s hard to extinguish that desire and sitting in a dark cinema can provide the perfect opportunity. If seing Vicky Krieps in Hold Me Tight and Corsage left you... Read more... |
Albums of the Year 2022: Fontaines DC - Skinty FiaThursday, 29 December 2022
This is not a rehash of my Skinty Fia review, but smoke from the same grate.Asbury Park, New Jersey, 5 October – we've driven down from NYC to see Fontaines DC play hopefully most of their blistering third album at the Stone Pony venue. Bruce... Read more... |
Top 10 Films of 2022: ConclusionFriday, 23 December 2022
The Arts Desk’s movie reviewers voted The Banshees of Inisherin the best film released in the UK in 2022. Here are our choices for the top 10 with the names of their directors: 1. The Banshees of Inisherin (Martin McDonough)2. Aftersun (... Read more... |
Albums of the Year 2022: Rokia Koné and Jacknife Lee - BamananThursday, 22 December 2022
I am a sucker for Malian singers. I have been ever since I made a couple of films there at the end of the 1980s. According to ancient tradition, the jalis, and other singers have a mission: to open the hearts of those who hear them, and to fill them... Read more... |
Sebastian Scotney's Top 10 Films of 2022Wednesday, 21 December 2022
Movie-watchers are wallowing in the back catalogues. I hunted down theartsdesk's readership stats for the film reviews I’d written this year. Top of the list was not a new release at all, but the new extras-loaded Blu-ray version of Bertrand... Read more... |
Graham Fuller's Top 10 Films of 2022Friday, 16 December 2022
Empires rise and fall; every dog has its day. The increased awareness of and need for diverse voices – together with the series-driven streaming revolution – has made Hollywood less relevant now than it has been at any time since the industry... Read more... |
Saskia Baron's Top 10 Films of 2022Thursday, 15 December 2022
I struggled to find enough features this year for a top 10, probably because Covid’s long shadow made it harder for filmmakers to get interesting work on screen. But there are several documentaries with fascinating characters, untold stories,... Read more... |
Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophileWednesday, 14 December 2022
Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a surface-level summary of the seven genres he describes. I was wrong to worry,... Read more... |
Rimini review - crooner without a conscienceSaturday, 10 December 2022
The cartoonist Gerald Scarfe – or his equally mordant forebear George Cruikshank – couldn’t have drawn a seedier Eurotrash excrescence than the crooner, Richie Bravo, who dominates Ulrich’s Seidl’s Rimini.A hasbeen still purveying his Eighties-style... Read more... |
Hold Me Tight review - Vicky Krieps mesmerisesFriday, 09 December 2022
Mathieu Amalric's Hold me Tight (Serre moi fort) keeps springing surprises. Perhaps the first is the title. It sounds like an invitation to settle down with the popcorn to enjoy a light French film dealing with intimacy. Not even... Read more... |
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