21st century
Do Ho Suh: Walk the House, Tate Modern review - memories are made of thisFriday, 02 May 2025
A traditional Korean house has appeared at Tate Modern. And with its neat brickwork, beautifully carved roof beams and lattice work screens, this charming dwelling looks decidedly out of place, and somewhat ghostly. Go closer and you realise that,... Read more... |
Much Ado About Nothing, RSC, Stratford - Messina FC scores on the bardic football fieldTuesday, 29 April 2025
Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic. Picking the right players is critical. There’s never enough money, because everything that comes in this season is spent... Read more... |
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck you upFriday, 18 April 2025
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and, more recently, Graham Norton’s bonhomie. Until you catch proper sight of the room’s walls that is, which are not, as you... Read more... |
Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängersFriday, 04 April 2025
The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the... Read more... |
Manchester Collective, RNCM review - exploring new territorySaturday, 15 March 2025
Manchester Collective, now very much a part of the establishment world of new music, are still enlarging their territory. For this set, performed in Leeds and Manchester and repeated in Liverpool, Nottingham and the Southbank Centre, they are... Read more... |
Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powderMonday, 03 March 2025
The railways that we built in India may be well known, but I bet you’ve never heard of the Customs Line, a hedge that stretched 2,500 miles across the subcontinent all the way from the River Indus to the border between Madras and Bengal – the... Read more... |
Second Best, Riverside Studios review - Asa Butterfield brings the magicWednesday, 05 February 2025
Your response to Barney Norris’s one-man play, based on David Foenkinos’s bestselling novel as translated by Megan Jones, probably depends on which of the Gens is yours. The Gen Zs might turn a nose up, Joanne Rowling something of a discredited... Read more... |
An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring trueSaturday, 25 January 2025
In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks out, with just a little too much flattery hanging in the air, leaving the interrogation in the hands of the up-and-... Read more... |
The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revivalMonday, 13 January 2025
There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to say about how the world is changing, perhaps more accurately, how our perception of it is changing. Both are true of... Read more... |
Best of 2024: Visual ArtsMonday, 30 December 2024
I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate... Read more... |
Nocturnes review - the sounds of the rainforest transport you a remote region of the HimalayasMonday, 09 December 2024
If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often filled with moths of every shape, size, colour and pattern while the sound of flapping, fluttering and... Read more... |
Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our timesSaturday, 07 December 2024
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I properly felt their terrible beauty was on the Isle of Man ferry in the middle of the Irish Sea, its voids still vivid half a century on.... Read more... |
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