2000s
Gary Naylor
Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill occasionally, as we dissected figures rather than bodies, ghosts lingering, as they do. Of course, Brutalism would shun such foolishly romantic notions, one of its key practitioners, Le Corbusier, famously remarking, “Architecture or revolution”. And with the white heat of technology still burning bright, he provided the template for the Park Hill Read more ...
Saskia Baron
Timing is everything. The release of Ali Abbasi’s Holy Spider at a time when the world’s attention is turned to the treatment of women in Iran should win it more ticket sales than his previous (and far better) film Border managed in 2019.That superb Swedish allegory on racism and misogyny sprang from the imagination of writer John Ajvide Lindqvist. Holy Spider is drawn from Iranian media coverage of the serial killer Saeed Hanaie. In 2000-2001, Hanaei went on a murder spree in the holy city of Masshad, strangling 16 prostitutes. A married man and jobbing Read more ...
Kieron Tyler
In December 1977, the music weekly Sounds included an article about the County Durham punk band Penetration. By Jon Savage, it was headlined The Future Is Female. The same four words would be used by the band for their promotional badges.Penetration were fronted by Pauline Murray. In the article, an unidentified male band member is quoted as saying “we’ve never considered Pauline as anything different from just another member of the group – why should she be any different? It's person to person that's important..."Pauline Murray said “I just feel as though I'm a boy. (laughter). Nooooo. You' Read more ...
Robert Beale
Manchester's champions of contemporary music, just stripped of support by Arts Council England, are undaunted and last night continued doing what they do best. A small ensemble of virtuoso players brought a large and appreciative audience at Hallé St Peter’s a set of four challenging pieces, with a world premiere and a UK premiere among them.Challenging, because the music was all complex and in each case spoke a language of its own – but rewarding, too, because of the sense of exploration and the sheer ingenuity of the sounds being heard. Two of these were by young composers championed Read more ...
Robert Beale
Is Artificial Intelligence pointing the way to musical composition in the future? The BBC Philharmonic, conductor Vimbayi Kaziboni and colleagues at the Royal Northern College of Music made a case for it in this concert.The highlight of the college’s Future Music festival, the programme celebrated the fifth anniversary of PRiSM (the centre for Practice and Research in Science and Music) at the RNCM, and also the supposed centennial of the orchestra itself. It presented two works by Emily Howard, PRiSM’s director: Antisphere (from 2019) and Elliptics, a setting of a poem by Michael Read more ...
Bernard Hughes
This is the third time I’ve heard Path of Miracles live this year and I’d happily hear it another three times before Christmas. I reviewed the amateur Elysian Singers sing it in February, and the BBC Singers took it on for the first time in May – but last night’s triumphant version by Tenebrae was surely the best of the lot. This is a profound and moving piece, symphonic in its scope, surely one of the masterpieces of the recent choral repertoire, back where it started, with Tenebrae.Joby Talbot's Path of Miracles, which describes the medieval pilgrimage to Santiago de Compostela, was Read more ...
Gary Naylor
Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite making sense, things floating in and out of memory. A watchmaker (himself somewhat loosely tethered to reality) tells her that she needs to get it back as a lost hour wields great power and can fall into the wrong hands. Lisa embraces her quest and travels to the strange land of Dissocia.It’s a convoluted framing device, but it gets Anthony Neilson to where he wants to go in his cult hit of 2004, given a timely revival by Emma Baggott at the Theatre Royal Read more ...
Kieron Tyler
On the cover of The Hit Parade’s Pick Of The Pops Vol.1 it says “London’s No.1 Pop Group.” Underneath, a strapline states “File under: C86 twee Sarah Sixties pop.” Obviously, irony is at play with some of this – from the band name to the album title and the top pop group boast. The suggested categorisation might be nearer the mark.Pick Of The Pops Vol.1 is a vinylisation of a Hit Parade comp first issued in 2012. Back then, there were 20 tracks. Now, it’s 14. Picking these particular pops must have been tough as The Hit Parade formed in 1984 and since then there’s been seven albums and, Read more ...
Tom Carr
When the pandemic closed in, Canadian experimental indie rock troupe Arcade Fire were on the cusp of heading into the studio to record their new album. COVID had other plans. But rather than pause, the husband and wife duo of Win and Regine Butler continued to work on more songs together. As they admit, this has ended up being the longest time they’ve spent writing for an album.The result, WE, is a concise, 40 minute LP that explores the experience of living through a pandemic: the first side is emotive and dark, tinged with isolation and fear; the latter half brighter and celebratory, Read more ...
Gary Naylor
Mark was teased about the fallout shelter at the bottom of his garden by his co-workers (that wasn’t the only thing – every friendship group has a target for micro-aggressions) but his foresight pays off when terrorists explode a suitcase bomb on a Friday evening. Louise, hungover after her leaving do, wakes up down there, Mark having rescued her from the rubble and sealed the door against the radiation. She faces 14 days locked down with him waiting for the air to clear.When the director Lyndsey Turner planned her revival of Dennis Kelly’s 2005 two-hander, she could hardly have expected the Read more ...
Robert Beale
This is a story of an innocent who finds herself unexpectedly in a strange, unknown world. The same could be true for those in its audience.Scottish academia sets great store by the significance of folk tradition, and many are the books and papers on every aspect of the subject. It’s this that forms the background to The Strange Undoing of Prudencia Hart – the study of balladry, in particular – and a little gentle spoofing of that academic oeuvre gives the show its kick-off point.This may come as a bit of a surprise to those who don’t inhabit its world. It certainly did to me when I once Read more ...
Robert Beale
The youthful New Zealand-born conductor Gemma New and British cellist Laura van der Heijden between them set the Hallé quite a challenge at this concert.The music was all written in the past 75 years or so – by classical measures that’s pretty recent – and not by any means standard repertoire. And, written for large orchestra in complex scoring in each case, it made considerable demands. They rose to almost all of them with passion and skill and won a generous reception for their efforts. The newest was first: Icarus, by Lera Auerbach (written this century). It’s based on the famous Read more ...