2000s
Music Reissues Weekly: Cherry Stars Collide, Waves of DistortionSunday, 14 May 2023
In July 2007, an article in The Guardian expressed surprise that shoegazing was influencing a series of current musicians, Blonde Redhead, Deerhunter, Maps and Ulrich Schnauss amongst them.“You could hear the heady, woozy influence of a style of... Read more... |
Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this showTuesday, 11 April 2023
Chinese artist, Ai Weiwei has created an extremely beautiful installation at the Design Museum in which the disparate elements play their part in creating a powerful overall message. On one level the exhibition is about design, but it also... Read more... |
Album: The Zombies - Different GameThursday, 30 March 2023
There’s something charmingly unassuming and humble about The Zombies. Nowadays their 1968 second album Odyssey and Oracle regularly figures in all time greatest albums lists, but it was a flop at the time and its reputation grew through a gradually... Read more... |
The New Electric Ballroom, Gate Theatre, Dublin review - fantasy and memory hauntingly interwovenThursday, 09 March 2023
Commuting between London and Dublin has its fascinations.10 days ago, I saw for the first time at the Southwark Playhouse’s Elephant Theatre, heart in mouth during most of it, Enda Walsh’s The Walworth Farce, his first Edinburgh Festival Fringe... Read more... |
Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woesTuesday, 21 February 2023
Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill... Read more... |
Holy Spider review - problematic portrait of an Iranian serial killerFriday, 20 January 2023
Timing is everything. The release of Ali Abbasi’s Holy Spider at a time when the world’s attention is turned to the treatment of women in Iran should win it more ticket sales than his previous (and far better) film Border managed... Read more... |
Music Reissues Weekly: Guerrilla Girlsǃ - She-Punks & Beyond 1975-2016Sunday, 01 January 2023
In December 1977, the music weekly Sounds included an article about the County Durham punk band Penetration. By Jon Savage, it was headlined The Future Is Female. The same four words would be used by the band for their promotional badges.Penetration... Read more... |
Psappha, Hallé St Peter’s, Manchester review - pioneers of today’s music undauntedFriday, 18 November 2022
Manchester's champions of contemporary music, just stripped of support by Arts Council England, are undaunted and last night continued doing what they do best. A small ensemble of virtuoso players brought a large and appreciative audience at... Read more... |
BBC Philharmonic, Kaziboni, Manchester review - music of the future?Tuesday, 01 November 2022
Is Artificial Intelligence pointing the way to musical composition in the future? The BBC Philharmonic, conductor Vimbayi Kaziboni and colleagues at the Royal Northern College of Music made a case for it in this concert.The highlight of the... Read more... |
Path of Miracles, Tenebrae, Short, St Martin-in-the-Fields review - a modern choral classicFriday, 21 October 2022
This is the third time I’ve heard Path of Miracles live this year and I’d happily hear it another three times before Christmas. I reviewed the amateur Elysian Singers sing it in February, and the BBC Singers took it on for the first time in May –... Read more... |
The Wonderful World of Dissocia, Theatre Royal Stratford East review - wild trip gets a welcome revivalSaturday, 24 September 2022
Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite making sense, things floating in and out of memory. A watchmaker (himself somewhat loosely tethered to reality)... Read more... |
Music Reissues Weekly: The Hit Parade - Pick Of The Pops Vol.1Sunday, 31 July 2022
On the cover of The Hit Parade’s Pick Of The Pops Vol.1 it says “London’s No.1 Pop Group.” Underneath, a strapline states “File under: C86 twee Sarah Sixties pop.” Obviously, irony is at play with some of this – from the band name to the album title... Read more... |
