2000s
Thomas H. Green
Things do not look promising at 8.55 PM. Half the 1500-capacity Engine Shed is curtained off. The venue is still far from full. The crowd is mostly between their 30s and their 50s, lots of couples. The lights are on. The vibe is lacklustre. Mumbled chat and pints. It’s ex-Kasabian frontman Tom Meighan’s acoustic RAW show and it doesn’t seem likely he’ll be able to turn this around. But, within ten minutes of hitting the stage, he most certainly has.Guitarist Chris Haddon, appears first, then Meighan, a wiry, bewhiskered figure in black, cropped hair, a padlock on a chunky chain around his Read more ...
Sarah Kent
Rose Wylie’s paintings are a blast of fresh air. Direct, anarchic, exuberant and determinedly daft, they make a mockery of the self-importance that so often infects the art world.Now in her nineties, she had to wait a long time before being able to spend time in the studio. Having studied at Folkestone and Dover School of Art, she married the artist Roy Oxlade, had three children with him and stopped painting in order to bring them up. In those days, it was normal practice for the man to be the Artist and the woman the Housekeeper while often also being his model, muse an assistant. Then Read more ...
Sarah Kent
Some exhibitions make you feel inspired, others perplexed. Lucian Freud: Drawing into Painting at the National Portrait Gallery left me feeling battered and bruised – as if I’d been hit by a wrecking ball.The show doesn’t start out that way. In the early 1940s, Freud spent several years perfecting his drawing technique. At first, he used a mapping pen, which produces clear, sharp lines perfect for detailed observation.In a luminous self-portrait from 1947 intended as a book illustration, he uses a variety of marks to create the impression of a three-dimensional head. A shock of wiry hair Read more ...
Kieron Tyler
The stylish gentlemen pictured above are Crimson Earth, a band active from 1970 to 1976. Regardless of their longevity, the Dorset-based outfit failed to attract national attention and didn’t release any records. There was an audition for EMI, local media support and a deal with a Bristol booking agency but cigars were not forthcoming.Even so, a 1972 tape of the band has been disinterred and one track from it – the explosive, irresistible “Heathen Woman” – was included earlier this year on the agenda-setting Yeah Man, It's Bloody Heavy!!, an extraordinary, wild-ride compilation of never- Read more ...
Joe Muggs
One of this year’s best music books, Songs in the Key of MP3 by Liam Inscoe-Jones, paints a picture of musicians of the “streaming era” having a different relationship to the past, compared to those of… well, the past. He shows how artists like Dev “Blood Orange” Hynes have adapted to mass availability of culture by indulging not in nostalgia for something vague, but using the endless micro detail at their fingertips for reconstructing, picking up unfinished business, creating “alternative presents” from which new lineages might branch off.So it is with a lot of this year’s best records. Read more ...
Sarah Kent
The title of Joy Gregory’s Whitechapel exhibition is inspired by a proverb her mother used to quote – “you catch more flies with honey than vinegar” – and her aim is to seduce rather than harangue the viewer.  It’s a good stratagem, especially if you are pointing to things your audience may prefer not to consider. And Gregory’s images can be beautiful (the seduction); but in order to avoid a diatribe, she often approaches her subject obliquely and quietens her voice to a whisper, requiring the viewer to pay close attention and hone in on the message. If most photographers use the Read more ...
Thomas H. Green
Demi Lovato is impressive on many fronts. She’s a Noughties Disney tween star who’s become an outspoken activist in an America where it’s increasingly dangerous to be one. She’s lived a rollercoaster ride of a life, rampantly exploring sexuality, drink and drugs amid chaos, abuse and serious mental health calamities, and she’s overcome the worst of it.Alongside all that, unlike most of her Disney child star peers, she’s maintained a successful career, both as a film and TV actor, and as a singer who, for well over a decade-and-a-half, has consistently taken her albums Top 10 in the UK and US Read more ...
Kieron Tyler
The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-marks review from NME on its 2004 release – and widespread praise in general – it is not an album instantly shouting “cult item.” Nonetheless, as the reissue and a tie-in reformation of the band show, there is a residual affection.Playing These Were The Earlies confirms why. From its opening seconds, it sets itself up as top-notch modern psychedelia, with references – some overt, some subtle – to The Beach Boys, Love and, more contemporaneously, Mercury Rev. A Read more ...
Sarah Kent
This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the Royal Academy. Celebrating Kerry James Marshall’s 70th birthday, The Histories occupies these grand rooms with such joyous ease and aplomb that it makes one forget how rare it is for blackness to be given centre stage.“I’m trying to establish a phenomenal presence that is unequivocally black and beautiful,” explains Marshall. “What I’m trying to do in my work is establish presence with a capital P.” And boy does he succeed! Gallery after gallery is filled with pictures that Read more ...
Sarah Kent
When in the 1990s, Jenny Saville’s peers shunned painting in favour of alternative media such as photography, video and installations, the artist stuck to her guns and, unapologetically, worked on canvases as large as seven feet tall. While still a student at Glasgow School of Art, she painted Propped, 1992, one of the most challenging and memorable female nudes in the history of art (pictured below right). This enormous painting confronts you on entry to her retrospective at the National Portrait Gallery, and it is still a knock out. Perching awkwardly on a tiny pedestal is a Read more ...
Sarah Kent
I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the beauty of her huge oil pastels; rivulets of bright colour shimmied round one another in what seemed like a joyous celebration of pure abstraction.Yet hidden within this glorious maelstrom of marks were brick-like shapes representing teeth; Jones is fascinated by mouths and the dentures that, literally and metaphorically, guard these entry points to our interior being.The 34-year-old is the first living artist to show in the main exhibition space at the Dulwich Read more ...
Sarah Kent
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the Japanese artist Yoshitomo Nara and the combination of turquoise walls and oversized paintings of cute kids turned my stomach over. Kitsch has that kind of power.It can also command high prices on the international market and Nara’s pictures sell for vast sums. In 2019 Knife Behind Back, a slick rendition of a grumpy girl in a red dress, sold at auction for £20 million. Since then, his prices have shrunk to a mere £9 million – still not bad for a product that Read more ...