1970s
Kieron Tyler
After scoring a hit in 1966 with the distinctive folk-pop of her jazz-inclined debut single "Walkin' my Cat Named Dog," US singer-songwriter Norma Tanega (1939–2019) seemed to melt away. Three follow-up 45s weren’t hits. Her album wasn’t a strong seller. Latterly, though, one of its tracks, “You're Dead,” has been heard as the theme of the TV and cinema versions of What We Do In The Shadows.There was, despite the lack of subsequent commercial success, a second album. I Don’t Think It Will Hurt If You Smile was recorded in the UK and issued in 1971. Sales were low and it ostensibly attracted Read more ...
Kieron Tyler
“German space rock group is already shooting up the charts with their debut US LP. One of few continental groups able to make this musical mode attractive in the US.” That, in full, in its 1 March 1975 issue, was US music business paper Billboard’s review of the single of Kraftwerk’s “Autobahn.”Three weeks later, with the single at 75 on its charts, Billboard went into it a little more. “With all the German avant-garde groups knocking vainly at US doors for the past five years, Kraftwerk is the first to make it. The extra ingredient appears to be the hypnotic prettiness of its synthesizer Read more ...
graham.rickson
In Jewish folklore, a golem is an inanimate clay figure, brought to life when a magic word is placed inside its mouth. Piotr Szulkin’s dark 1979 film debut makes reference both to this legend and to Gustav Meyrink’s unsettling 1914 novel, moving the action forward from the latter’s fin-de-siècle Prague to a geographically non-specific dystopian future.Tomasz Kolankiewicz’s booklet essay describes Szulkin and co-screenwriter Tadeusz Sobolewski’s struggling to adapt the Meyrink, Szulkin’s Golem ultimately becoming “a philosophical riddle about our true identity”, clearly alluding to “the day-to Read more ...
Mary, Queen of Scots, English National Opera review - heroic effort for an overcooked history lesson
David Nice
Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers; sometimes an instant classic emerges. But to revive a music drama that hardly made waves back in 1977? Thea Musgrave’s Mary, Queen of Scots has some strong invention, and whizzes you through historical bullet points so quickly that there’s no chance to get bored. But does it deserve a company giving it their all?It certainly deserved better dressing-up than it gets from designer-director Stewart Laing. This looks like one of those black-box Read more ...
Kieron Tyler
Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the band spilt in 1974. A 2017 reunion album featured former Sex Pistol Paul Cook on drums. “Sophistication,” from Sharks' 1974 second album Jab It In Yore Eye, had an insistent riff Mick Jones repurposed for The Clash's “Should I Stay or Should I go.”There is more to Sharks’ aftermath, but the dovetailing with what would become British punk rock is, on the face of it, unlikely. Sharks were a band born from the aftershocks of the late sixties Read more ...
Kieron Tyler
On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of bracingly straight-ahead Brit-punk with a headstrong freshness undiminished by time. But whatever the impact, The Lurkers were never a main-agenda band, and the Peel session was an adjunct to their discography.The Peel session has resurfaced on a 12-inch, clear-vinyl EP as part of the Beggars Arkive series of releases: an archive exercise digging into Beggars Banquet, the label The Lurkers were on. Available as a stand-alone release, the record is Read more ...
Kieron Tyler
“A band you’re gonna like, whether you like it or not.” The proclamation in the press ads for the New York Dolls’ debut album acknowledged they were a hard sell.At this point, in July 1973, the band was a New York phenomenon. There had been an anti-climactic brush with the UK in October and November 1972, some Boston shows and one-off dates in Ohio and Pennsylvania, but otherwise they had played only to audiences in the city and the nearby boroughs in which they had formed.If wider audiences were “gonna like” proto-punk glam outfit the New York Dolls, it needed more than what they had done so Read more ...
Kieron Tyler
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning in tone. The song’s opening lyrics convey dislocation: “You and I travel to the beat of a different drum.”“Different Drum,” the September 1967 single by an outfit dubbed Stone Poneys Featuring Linda Ronstadt, was immediate, had a country edge and was written by Mike Nesmith – then best known as a member of The Monkees. The band had already issued Read more ...
Kieron Tyler
A reissue can be an aide-mémoire, a reminder that a record which has been off the radar for a while needs revisiting, that it deserves fresh attention.In that spirit, this column has looked at straight vinyl reissues of albums of varying styles, from various periods; from the well-known to those which attracted barely any consideration when they first surfaced. In the latter category, there is the reissue of Horizoning by the Canadian folk-inclined singer-songwriter Stefan Gnyś whose sole album had, until 2024, never advanced beyond the 12 two-sided acetate discs which were specially cut in Read more ...
Kieron Tyler
One of last year’s major joys was the box set version of Hawkwind's Space Ritual, an 11-disc extravaganza which made the great live album, originally issued in May 1973, even more great. Now the two studio albums which preceded it – X In Search Of Space and Doremi Fasol Latido – have become similarly packaged, though less colossal, box sets.X In Search Of Space – also known as (X) In Search Of Space – was released in October 1971. Hawkwind’s second album, it came out when the band were still an underground attraction, a band lacking traction with the mainstream music scene. They were popular Read more ...
Kieron Tyler
The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All have been previously reissued multiple times and none are scarce in any form. Anyone wanting any of these albums presumably already has a copy. Nonetheless, it’s good that these makeovers sustain the profile of Cale’s idiosyncratic take on art-rock.The Academy in Peril was originally issued in July 1972. Cale’s third solo album after his 1968 departure from The Velvet Underground, it followed-up March 1970’s Vintage Violence and April 1971’s Terry Read more ...
Kieron Tyler
“Let's walk down memory lane the Magazine way. Let's regurgitate fifth-rate Low [the David Bowie album] period pieces. Let's plonk plonk plonk with ponderous sub-Pink Floydery. Let's do the wallpaper waltz. This is not pushing back the barriers. It's frighteningly bland conservatism.”So said Garry Bushell in his March 1979 Sounds review of Magazine’s second album Secondhand Daylight. He went on. “'Silly Thing' [the single by the rump Sex Pistols] is one hundred times more exciting. 'Unconventional People' [the then-recent Royal Rasses single] is one hundred times more relaxing. [Sham 69’s] ' Read more ...