Theatre
Jasper Rees
There’s a song in the musical version of Legally Blonde, in which peroxide ditz Elle celebrates her impending good fortune. “Oh my god, oh my god, you guys,” she sings exultantly as she prepares to accept her beau’s proposal of marriage. Since leaving the role at the start of 2011, Sheridan Smith has continued hollering the words more or less non-stop. Oh my god Trevor Nunn just texted to offer her a part. Oh my god Dustin Hoffman just left a voicemail. Oh my god look who’s been cast as Titania in A Midsummer Night’s Dream by Michael Grandage.Smith can make the rare claim to have won Olivier Read more ...
kate.bassett
They’re eating out of the palm of his hand. Or so he thinks. Stephen Bellamy is a spin doctor, only 25 years old but already a hotshot in American electioneering. At the off, in Beau Willimon’s fictionalised drama about modern-day Machiavels, Bellamy is presuming to manipulate the press, in Iowa's primary, with hubristic confidence. Two Democratic presidential candidates are going head-to-head. It's Morris versus Pullman and, in order to keep Morris leading in the polls, Bellamy and his boss – the campaign manager, Paul Zara – are about to dish some dirt on Pullman, without any qualms.In Read more ...
aleks.sierz
In playwriting, there’s near-perfection, perfection and oh-my-God-how-I-wish-I’d-written-that. Terry Johnson’s Hysteria, which was first staged at the Royal Court 20 years ago, is definitely in the OMG category. Subtitled “Fragments of an Analysis of an Obsessional Neurosis”, it is now a contemporary classic, and deservedly so. Both a demented farce and a serious study of psychoanalytical theory, both surrealistic and feminist, both arty and troubling, it is also a fantastically brilliant entertainment.The date is 1938, and we are in the study of Sigmund Freud, who has fled Nazi Vienna and is Read more ...
aleks.sierz
Since his arrival about a decade ago, Dennis Kelly has proved himself to be a master of versatility. He has written in-yer-face shockers such as Osama the Hero and Orphans, elaborate experiments in theatre form such as Love and Money, sprawling epics including The Gods Weep, the paranoid fantasy Utopia for Channel 4 and the deliciously heartwarming Matilda the Musical. Now making his belated debut at the home of British new writing, the question is: which style will he adopt?The answer is a bit of this and a bit of that in what must be the weirdest play of the year. The Ritual Slaughter of Read more ...
Tom Birchenough
It’s hard to imagine much upstaging Martyn Jacques, the indomitable falsetto frontman of the Tiger Lillies. The gaping mouth of an enormous mythical fish that seems to have swum straight from the canvases of Hieronymus Bosch, projected right across the stage in their new show Rime of the the Ancient Mariner, comes close. The show is a glorious visual cabinet of curiosities that enthrals on all its surreal fronts, a version of madness that matches the lonely voice of Coleridge’s mariner with the sadness of Jacques’ lyrics and music – and the lyrical dominates here over the raw fury that the Read more ...
theartsdesk
Revivals of Ibsen’s greatest plays come round thick and fast, and audiences may sometimes need an extra incentive to re-enter his world. A new staging of Ghosts supplies just such an inducement: a mouth-watering double dose of iconic Norwegians.This production, presented by Rose Theatre Kingston and English Touring Theatre, will draw on designs for the play by Ibsen’s compatriot Edvard Munch. The artist, subject of a hugely popular exhibition at Tate Modern last year, supplied set designs for a production of Ghosts in Berlin in 1906 by the great director Max Reinhardt. Read more ...
David Nice
Shallow in its cartoonish whizz through the tergiversations of a troubled reign, hugely energetic in its language and structured storytelling, Marlowe’s horrible history is never less than compelling and challenging at the National. It may have found its best match yet in the collapsible bric-à-brac pageantry of Joe Hill-Gibbins’ vivid, in-your-face production.Another director who’s found a theatrical niche down the road at the Young Vic, where Hill-Gibbins is an Associate Artist, likes to call it "the art school" as opposed to the National’s "grammar school". Well, this is definitely art- Read more ...
Jasper Rees
Who is Terry Johnson? For a period of two decades between, say, 1982 and 2003, he was predominantly a playwright. He was sufficiently successful at it that for a period in 1995, three of his plays were on in the West End at once. But the plays have slowly dried up – the last was in 2006 – and nowadays he is very largely a director. His latest gig as a director is a 20th-anniversary revival of his play Hysteria!If the plays have stopped coming it’s because Johnson's enthusiasm for writing about deceased cultural icons has run out of steam. Much of his best work exhumes dead geniuses and/or Read more ...
Jasper Rees
David Frost, who has died at the age of 74, was a character. The obituaries will tour the entirety of his career as swinging young presenter of TW3, as the first transatlantic celebrity of the gogglebox who gave his name to a sugary brand of Kelloggs cereal, and as a lifelong thorn in the side of Peter Cook. Then there was Through the Keyhole and the TV-am cataclysm later followed by his Sunday morning resurrection on the BBC. Above all, though, it falls to vanishingly few interviewers to see themselves fictionalised as a character onstage. And it was in this capacity that I once had the Read more ...
Jasper Rees
Hysteria is back. Terry Johnson’s comedy was written for the Royal Court in 1993, and for its 20th anniversary it is being revived at Hampstead Theatre. It is a homecoming in a sense: the play is set in the Hampstead home of Sigmund Freud, where he receives unexpected visits from Salvador Dalí and a young woman who cannot keep her clothes on. Freud will be played by Antony Sher.The intimate nature of a psychoanalytical exchange would seem to make Doctor Freud an ideal subject for theatre. In fact he has many more screen than stage credits. Indeed, if you scroll through this edition of Listed Read more ...
Caroline Crampton
Could you choose between love and knowledge? Between a life of acceptance and affection, and one of self-improvement and learning? These are the questions that Jessica Swale's new play Blue Stockings poses again and again.For the women who provided the inspiration for this play – the students of Girton College, living on the cusp of the twentieth century – this is not a hypothetical question. To choose to study at Cambridge is, for them, to choose the life of an outcast over the possibility of marriage and a family. In 1896, when the action takes place, a campaign is underway to attempt to Read more ...
Sam Marlowe
It’s as dazzling as a neon-lit cityscape and nearly as sprawling: Lucy Kirkwood’s epic new drama is rich, riveting and theatrically audacious. A co-production with Headlong, the tirelessly inventive touring company founded by Rupert Goold, it feels like an early statement of intent for Goold’s upcoming tenure as artistic director of the Almeida, which begins this September. Fizzing with wit and intelligent ideas, it’s handled with impeccable flair by director Lyndsey Turner. The results are stunning.The play’s title is drawn from Niall Ferguson’s book The Ascent of Money, in which he Read more ...