thu 09/01/2025

Classical music

Liepe, National Youth Orchestra of Ireland, Cottis, NCH, Dublin review - a spirited shot at Shostakovich

There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to address climate change issues, was so bland and featureless it could have been composed by AI. Any one bar of...

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Best of 2024: Classical music concerts

As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I’ve sometimes started by celebrating youth, and it’s good to be able to do that in the shape of two...

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Davis, National Symphony Orchestra, Maloney, National Concert Hall, Dublin review - operetta in excelsis

In one sense it was a New Year’s Day “nearly”, just stopping short of giving us the already great Irish lyric-dramatic soprano Jennifer Davis in the music of the man she was born to sing, Richard Strauss. Berlin will witness her Arabella shortly,...

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Spence, Perez, Richardson, Wigmore Hall review - a Shakespearean journey in song

“O stay and hear,” sings Twelfth Night’s jester Feste in his song “O mistress mine”, “your true love’s coming,/ That can sing both high and low.” And loud and soft, earthbound and airborne, Heldentenor-grave and night-club frivolous: Nicky Spence’s...

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Best of 2024: Classical CDs

 I’m a sucker for a well-produced box set, and some of this year’s choices examples included celebrations of conductors Paavo Berglund (Warner Classics), William Steinberg (DG) and Louis Lane (Sony). The Berglund box contains no fewer than...

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First Person: cellist Matthew Barley on composing and recording his 'Light Stories'

For many thousands of years, humans have turned to art to tell stories about themselves and others because it feels good. It feels good because we sense that it helps us to understand ourselves, and the sharing of these uniquely human stories brings...

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The English Concert, Bicket, Wigmore Hall review - a Baroque banquet for Christmas

Enough is as good as a feast, they say. But sometimes, especially at Christmas, you crave a properly groaning table. At the Wigmore Hall, The English Concert, directed by Harry Bicket, concluded their festive Baroque banquet with Bach’s Magnificat...

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Classical CDs: Woden, waltzes and watchmaking

 Ravel: The Complete Works with Piano François-Xavier Poizat, Philharmonia/Simone Menezes et al(Aparté)Ravel was by no means a prolific composer but, including absolutely everything in his catalogue that includes piano, François-Xavier Poizat’s...

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Messiah, Wild Arts, Chichester Cathedral review - a dynamic battle between revelatory light and Stygian gloom

The Wild Arts Ensemble was founded by Orlando Jopling in 2022 to create a dynamic, pared-back style of performance in which, as he put it, the “costumes, set and props… can be packed up into a couple of suitcases that we can take with us on the...

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Messiah, Academy of Ancient Music, Cummings, Barbican review - once more, with real feeling

When does a concert become a ceremony? You generally visit the Barbican for art rather than ritual. Yet, during the Academy of Ancient Music’s performance last night, the bulk of a packed house still stood up for the “Hallelujah” that closes the...

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Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger

Connaught Brass is a quintet of twenty-something players rapidly establishing an enviable reputation, and on the evidence of what I heard yesterday that reputation is fully deserved: they really are superbly good. A well-stuffed Milton Court spoke...

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Classical CDs: Christmas 2024

 Trio Mediæval: Yule (2L)Pick of my Christmas discs is this sublime collection from Trio Mediæval on the Norwegian audiophile label 2L, reflecting yuletide’s origins in Northern European pagan culture. Imaginative and idiomatic-sounding...

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