New music
mark.kidel
Jon Hopkins navigates the territory between avant-garde electronic and beat-driven dance music with brilliance. There’s plenty here to make you want to get up and move, but as much to persuade you lie down and let the symphony of textures and timbres open you ears and take you on an inner adventure.Hopkins claims that his 2013 album “Immunity” was an MDMA trip, while this new one evokes the rollercoaster of an out-and-out psychedelic experience. Hardly surprising then that this isn’t a party album, and even less background music. While there are moments of irresistible sweetness and stillness Read more ...
peter.quinn
Hosted by Jazz FM presenters Chris Philips and Jez Nelson on UNESCO’s International Jazz Day, rising stars and international icons were honoured at the fifth Jazz FM Awards on Monday night.A Grammy winner earlier this year for her remarkable 2CD set Dreams and Daggers, watching Cécile McLorin Salvant silence a capacity crowd at Shoreditch Town Hall with her vivdly dramatic reading of “The Peacocks (A Timeless Place)”, accompanied by regular pianist Aaron Diehl, was one of the evening’s standout moments. It followed her acceptance of International Jazz Artist of the Year.Sax player Read more ...
Javi Fedrick
It’s been nearly 30 years since Gaz Coombes’s former band Supergrass released their first brash single “Caught by the Fuzz”, and he hasn’t stopped making great indie music since. His second solo album Matador received a Mercury Prize nomination in 2015, setting the bar high for World’s Strongest Man but, with its emotional complexity, melodic grace, and classically Coombes-ian soundscapes, it easily surpasses these expectations. As always, Coombes manages to cover a lot of ground across the album. “Shit (I’ve Done It Again)” calls to mind Radiohead’s more tragic, dramatic side, whilst “ Read more ...
Bernard Hughes
I’m not sure what exactly this event was – orchestral concert, electronic dance music gig or multimedia extravaganza – but however you define it, I loved every mad minute. Anna Meredith (b 1978) is one of the most successful contemporary classical composers of her generation but revels in crossing genre divides, and this event delighted in smashing boundaries with breathtaking confidence.Meredith, whose starry classical CV includes pieces in the 2008 Last Night of the Proms and the recently announced First Night of the 2018 Proms, has a taste for the unusual or technically challenging, not Read more ...
Thomas H. Green
The opening couplet on Plan B’s new album runs thus: “What the hell have I got to be grateful for?/Can’t be the money as I wasn’t trying to make no more.” One appealing aspect of singer-actor-MC Ben Drew is that he’s spiky, emanating a certain rage. It’s good to see that, after six years away, it’s still there. However, Heaven Before All Hell Breaks Loose, is no Ill Manors, Drew’s 2012 film/album polemic about underclass Britain; instead, steeped in old soul and imaginative production, this is a rip-roaring 21st century pop album, and a very good one.Where Plan B’s last album in this vein, Read more ...
Kieron Tyler
In terms of chart statistics, Julian Cope’s period with Island Records looks pretty good. He issued four albums with the label and all of them charted. Saint Julian (issued in March 1987) peaked at 11, My Nation Underground (October 1988) stalled at 42 but Peggy Suicide (March 1991) and Jehovakill (October 1992) climbed to 23 and 20 respectively. Not bad.Yet Jehovakill became his last album for Island and, in 1994, he signed with the Chrysalis Records subsidiary Echo for whom Autogeddon climbed to a 16 position. The chart statistics tell part of the story.With Island, the release schedule was Read more ...
Guy Oddy
Awaken is the debut album by German heavy rockers Confusion Master, a combo of relative unknowns from Rostow who are straight out of the blocks with an unashamed tribute to early Black Sabbath. Loaded with slow and low grooves that come on like a storm of rolling thunder powered by high-grade herbs, spoken word film samples and slabs of heavy psych, it’s powerful stuff that is more than enough to reanimate the inner 14 year-old metal-head in anyone.Gunnar Arndt’s distorted guitars, largely unintelligible vocals from Stephan Kurth, that are buried deep in the mix and Stephen Gottwald’s slow Read more ...
howard.male
In an impressive pop royalty hat-trick, the title track features Brian Wilson, Pharrell pops up on “I Got the Juice”, and Prince helped source sounds for “Make Me Feel”. So does Kansas City gal Janelle Monae’s third album live up to expectations set by such a high calibre of contributors? Indeed, it does. Although, as impressive as it is, when Ms Monae insists on “Take a Bite” that she’s "not the kind of girl you take home to your mother", you might not be wholly convinced. But what’s a one-time prim tuxedoed girl to do in a pop world full of bouncy Beyoncés? Basically, either find her own Read more ...
Peter Culshaw
Maen, a member of the rap collective Sa’aleek, was working one night in their small makeshift studio in the Qalandia refugee camp near Ramallah. He dozed off, only to find the studio door had been concreted over and he was trapped. It took fellow band members 36 hours to dig him out, but Maen didn't seem that worse for wear. As studio disaster anecdotes go, that takes some beating... Palestinian musicians tell you of many difficulties, not just anarchic building in the camps, notably that there are at least eight different travel documents, allowing different rights of movement. One Read more ...
mark.kidel
Van Morrison has always been drawn as much to jazz as anything else. There is a natural swing to his voice, and his phrasing, melisma and familiar vocal mannerisms have always suited the medium well, from early excursions on Astral Weeks, through the jazzy feel of "Moondance" and his most recent albums.Although he could from the start deliver fierce blue-eyed rhythm and blues with a visceral force that put Mick Jagger and Eric Burdon to shame, he was always as much at ease in cooler and more sophisticated territory, as he demonstrated in last year’s big band jazz album Versatile.Joey Read more ...
Thomas H. Green
Blossoms are the latest inheritors of the massive-in-Manchester mantle that has, so often in the past, translated into massive-almost-everywhere ubiquity. That their eponymous 2016 debut album was a chart-topper shows they’re on the way, although they’ve not yet mustered a single that’s thrown them to the next level. The surprise when they first appeared was that, although they look indie and have fans such as Ian Brown of The Stone Roses, their sound was a blend of polished yacht-rock and electro-pop, more The Killers than New Order. With Cool Like You, the rock aspect is almost gone. This Read more ...
Thomas H. Green
There’s a regular problem with techno albums. The DJ-producers who make them are usually so deeply embedded in club techno that when it comes to making a long-form collection, leaving the dancefloor and showcasing variety, they’re incapable. What, to them, sounds like a sonic adventure, to the rest of us sounds like a series of four-to-the-floor bangers that, after a couple, grows quickly monotonous, however good they’d have sounded at 3am in strobe-strafed Belgian warehouse darkness.Holland-living Brit Oliver Way, however, has some success evading this particular curse. Way, after all, has Read more ...