Theatre
Evita, London Palladium review - even more thrilling the second time roundWednesday, 30 July 2025
Would Jamie Lloyd's mind-bending revival of Evita win through twice in four weeks, I wondered to myself, paraphrasing a Tim Rice lyric from his 1978 collaboration with Andrew Lloyd Webber?This is the first Lloyd Webber musical I ever saw in its... Read more... |
Maiden Voyage, Southwark Playhouse review - new musical runs agroundWednesday, 30 July 2025
As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark Playhouse to launch a new musical that tells the tale of The Maiden. That was the boat, built and sailed by Tracy Edwards... Read more... |
The Winter's Tale, RSC, Stratford review - problem play proves problematicTuesday, 29 July 2025
There’s a deal to be made when taking your seat for The Winter’s Tale. It’s one the title alone would have signalled to the groundlings as much as those invited to rattle their jewellery upstairs back in the 17th century – it’s a fairytale, a... Read more... |
Brixton Calling, Southwark Playhouse review - life-affirming entertainment, both then and nowTuesday, 29 July 2025
What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really strong story stand on its own two feet. Like a late one at the Brixton Academy itself, this is a helluva night out.... Read more... |
Inter Alia, National Theatre review - dazzling performance, questionable writingMonday, 28 July 2025
Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal, the Hollywood superstar has chosen Inter-Alia, Suzie Miller’s follow up to her smash hit Prima Facie... Read more... |
A Moon for the Misbegotten, Almeida Theatre review - Michael Shannon sears the night skyThursday, 24 July 2025
Michael Shannon's long legs reach to the stars – or perhaps one should say the moon – in the Almeida's hypnotic revival of A Moon for the Misbegotten, the late Eugene O'Neill play that hasn't been seen in London since Kevin Spacey and Eve... Read more... |
Burlesque, Savoy Theatre review - exhaustingly vapidWednesday, 23 July 2025
"It all starts with a snap," or so we're told early in the decidedly un-snappy Burlesque, which spends three hours borrowing shamelessly and tediously from far-superior sources to arrive at an artistic dead end.Preceded by acres of press heralding... Read more... |
Don't Rock the Boat, The Mill at Sonning review - all aboard for some old-school comedy mishapsTuesday, 22 July 2025
Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema. Its extraordinary locations, caught just before London’s Docklands were transformed forever, speaks to a past world. But the... Read more... |
The Estate, National Theatre review - hugely entertaining, but also unconvincingSunday, 20 July 2025
The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to let white people know how badly non-whites treat each other. This provocative statement comes towards the... Read more... |
Poor Clare, Orange Tree Theatre review - saints cajole us sinnersFriday, 18 July 2025
What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons linen jackets, Church brogues and Mulberry shades? It’s 1987 and I do wear it well though…Chiara Atik’s comedy... Read more... |
That Bastard, Puccini!, Park Theatre review - inventive comic staging of the battle of the BohèmesThursday, 17 July 2025
Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the librettist in a race to stage the first production of La Bohème. The race was against Ruggero Leoncavallo, a composer Illica had once... Read more... |
Till the Stars Come Down, Theatre Royal Haymarket review - a family hilariously and tragically at warMonday, 14 July 2025
The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End transfer. Its title taken from an Auden poem urging people to dance till they drop, it’s probably the most passionate show in that... Read more... |
