Theatre
Deaf Republic, Royal Court review - beautiful images, shame about the wordsSaturday, 06 September 2025
The Ukraine war is not the only place of horror in the world, but it does present a challenge to theatre makers who want to respond to events that dominate the news. And which make us all feel powerless, including our leaders. Instead of staging a... Read more... |
Laura Benanti: Nobody Cares, Underbelly Boulevard Soho review - Tony winner makes charming, cheeky London debutFriday, 05 September 2025
Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently charmed playgoers at this summer's Edinburgh Festival: the comedienne perhaps best known in some circles... Read more... |
The Pitchfork Disney, King's Head Theatre review - blazing with dark energyThursday, 04 September 2025
Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s sensibility, a drama that had a direct influence on Sarah Kane, Mark Ravenhill and Jez Butterworth, and... Read more... |
Born with Teeth, Wyndham's Theatre review - electric sparring match between Shakespeare and MarloweWednesday, 03 September 2025
The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with teeth", a sign of both his monstrosity and his readiness to snarl and bite.Modern technological analysis... Read more... |
Interview, Riverside Studios review - old media vs new in sparky scrap between generationsSaturday, 30 August 2025
The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice; now it’s back as a stage play, adapted and directed by Teunkie Van Der Sluijs. It’s a modern Oleanna, but with less savagery... Read more... |
Fat Ham, RSC, Stratford review - it's Hamlet Jim, but not as we know itThursday, 28 August 2025
$8.2B. That’s what can happen when you re-imagine Hamlet.I doubt that writer, James Ijames, had The Lion King’s box office in mind when he set out to create a Deep South, black and contemporary version of Shakespeare’s drama of familial dysfunction... Read more... |
Juniper Blood, Donmar Warehouse review - where ideas and ideals rule the roostThursday, 28 August 2025
Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic drama, which premieres at the Donmar Warehouse, he examines our anxieties about food, farming and the... Read more... |
The Gathered Leaves, Park Theatre review - dated script lifted by nuanced characterisationMonday, 25 August 2025
The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the shifting values of an indifferent world. Adrian Noble’s sensitively observed production investigates what happens... Read more... |
As You Like It: A Radical Retelling, Edinburgh International Festival 2025 review - breathtakingly audacious, deeply shockingMonday, 25 August 2025
There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh International Festival audience, event-goers who’ve forked out a fortune to be fed high culture carefully... Read more... |
Edinburgh Fringe 2025 reviews: Refuse / Terry's / SugarSaturday, 23 August 2025
Refuse, Assembly George Square Studios ★★★★Maks works as a bin man in a small Ukrainian town. His little son might get picked on at school and told he’s smelly because of his dad’s occupation, but Maks is content with his lot, his soulmate of a wife... Read more... |
Faustus in Africa!, Edinburgh International Festival 2025 review - deeply flawedFriday, 22 August 2025
What new light can the age-old legend of Faust selling his soul to the devil shed on colonialism in Africa, slavery, the rape and destruction of the natural world, the exploitation and murder of the continent’s people? It’s a question you may well... Read more... |
Edinburgh Fringe 2025 reviews: Imprints / CourierThursday, 21 August 2025
Imprints, Summerhall ★★★★Keep your wits about you for this appropriately tricksy, sometimes elusive but beautifully put together show from young company the Palimpsest Project. For a work that’s ultimately about memory, Imprints is just as... Read more... |
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