Theatre
Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as the state succumbs to stormsThursday, 20 February 2025
The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first thought. My second was, “Ah, yes”.Sure enough, Akhila Krishnan’s video and Adam Cork’s sound floats us on a sea of troubles,... Read more... |
Richard II, Bridge Theatre review - handsomely mounted, emotionally mutedSaturday, 22 February 2025
Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising Jonathan Bailey taking time out from his ascendant celluloid career to return to his stage roots in Richard II.His director, Nicholas Hytner,... Read more... |
Backstroke, Donmar Warehouse review - a complex journey through a mother-daughter relationshipSaturday, 22 February 2025
The theatre director Anna Mackmin has written and directed an extraordinary play about a mother and daughter relationship: extraordinary because it puts the audience inside the maelstrom of these characters’ lives, forcing us to focus on how we... Read more... |
Otherland, Almeida Theatre review - a vivid, beautifully written take on the trans experienceFriday, 21 February 2025
“Who’d be a woman?... Who in their right mind would choose all that?” The question comes towards the end of a conversation where two former lovers are comparing notes on their tumultuous recent past.One of them, Jo, has just had a baby. The other,... Read more... |
Much Ado About Nothing, Theatre Royal Drury Lane review - this shamelessly hedonistic production is a triumphThursday, 20 February 2025
Over the last few months, celebrity-driven West End productions have suffered some inglorious crashes. So there was a certain degree of trepidation at the opening night for this star vehicle for Tom Hiddleston and Hayley Atwell. For five... Read more... |
East Is South, Hampstead Theatre review - bewildering and unconvincingWednesday, 19 February 2025
Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you are a believer or not, it’s hard to deny the attractions of religion for billions around the world. Sounds portentous? Yeah. Okay, you’re... Read more... |
Unicorn, Garrick Theatre review - wordy and emotionless desireMonday, 17 February 2025
Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn, is about radical sexuality and desire. It’s already made a big splash by being put straight on in the West End,... Read more... |
More Life, Royal Court review - posthuman tragedy fails to come aliveSaturday, 15 February 2025
I always advocate in favour of more sci-fi plays, and over the past decade there have been a gratifying number of them. But one essential element of any futuristic fantasy must be its power to convince. And it is precisely this that is missing from... Read more... |
Three Sisters, Sam Wanamaker Playhouse review - Chekhov's anatomy lesson on the human conditionFriday, 14 February 2025
Russia.It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to our own, yet so very different. You feel it in Moscow, where I spent a week exactly 40 years ago. Like London, it is a vast city,... Read more... |
Churchill in Moscow, Orange Tree Theatre review - thought-provoking language and power gamesThursday, 13 February 2025
Playwrights who work for decades often acquire a moniker. In the case of Howard Brenton, who began his career as a left-winger in the turbulent 1970s, the name is The History Man. Over the past decade, or so, he has written brilliantly about... Read more... |
The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytellingMonday, 10 February 2025
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through what the author describes as a collective consciousness. Perhaps the most satisfying thing about Eline Arbo’s... Read more... |
Elektra, Duke of York's Theatre review - Brie Larson's London stage debut is angry but inertFriday, 07 February 2025
We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to account for the uptick, therefore, in Greek drama, which includes not one but two Oedipi, various adaptations of Antigone,... Read more... |
- 1 of 327
- ››
