CDs/DVDs
Thomas H. Green
Virtual “mixtapes” are not proper albums. Their purpose is often to whet the appetite. Nowhere is this more so than in US hip hop and right now Lady London’s new teaser is much-vaunted.Off the back of a couple of hot tunes that woke her peers to her talents (“Money Over” and “Never”), the new 33-minute, 13-track collection collates and polishes freestyles that have appeared on various platforms, as well as adding a couple of new ones. The content varies in quality, but the delivery and style never does.Zaire Stewart – AKA Lady London – hits her mid-20s having achieved much. She has self- Read more ...
mark.kidel
In my teens, I was one of the budding cinephiles who ran the Film Club at my boarding school. Once a month, we’d rent an arthouse movie. The films would be projected on the Saturday night.Ingmar Bergman’s The Seventh Seal (1957) was a revelation. As we staggered out of the packed hall, still haunted by the unforgettable shot of Death leading those whose fate he'd announced, in silhouette on the crest of a windswept hill, there was a spontaneous wave of elation: the entire audience clamoured to see the film again the next day. This was the first time in my life that I'd ever watched a film Read more ...
joe.muggs
This is just boggling. The Japanese rock trio Boris have been together in the same lineup for over a quarter of a century – and it’s longer still since their original formation – but they’re outdoing themselves record by record. Their last record, NO, was the most energetic record they’ve ever made. Where they’re best known for floaty dream pop and sludgy, doomy, lava-flow-like noise churning, NO is a 1000mph fusion of thrash, punk and classic metal, a glorious rage against a world of fear and torpor in the COVID age. And now, only six months later, comes another album, and in dramatic Read more ...
mark.kidel
There is a sense in which Elvis Costello emerged as a recording artist fully grown, with that unique vocal mix of vulnerability and insolence, savvy and often brilliant lyrics. Although he has never stopped experimenting, always with the logic of a musical connoisseur, it was all there, one could say, with “Less Than Zero”, his timeless first single on Stiff.From the start, he was as comfortable with electrifying rock (see “Pump It Up”) as with heartfelt yet unsentimental love ballads (“Alison”). And he is in fabulous form on his new album The Boy Called If, a series of vignettes in which he Read more ...
Tim Cumming
The first set of Spell Songs, The Lost Words, was inspired by nature writer Robert Macfarlane and artist Jackie Morris’s spell-spinning mission to bring back those ‘lost words’ from the natural world that had been excised from children’s dictionaries, set to the rich and varied music of kora player Seckou Keita, singer-songwriters Karine Polwart, Julie Fowlis and Kris Drever, harpist Rachel Newton, cellist Beth Porter, composer Kerry Andrew and multi-instrumentalist Jim Molyneux.Acclaimed on record and a triumph on stage, with the players spinning musical silver and gold as Morris created new Read more ...
Kieron Tyler
Although Storm Queen begins forcefully with the suitably tempestuous “Heaven,” the most affecting track on the second album from Melbourne’s Grace Cummings is the sparse, reflective “Two Little Birds.” The two performances capture the opposing poles defining Cummings: whether to go full-bore with her malleable voice, or whether to keep it direct within a delicate instrumental framing.“This Day in May,” the ninth track, takes both approaches with highs and lows comparable to Leonard Cohen’s now played-out “Hallelujah.” It’s followed by the title track, which has the stately, windswept majesty Read more ...
Guy Oddy
It has been claimed by a good many commentators over the years, that an album of cover versions suggests that an artist is running out of steam and inspiration. Jazzers normally get a pass on this one as they are far more inclined to improvise rather than merely copy – but where does this put Chan Marshall and her Cat Power outfit, a quarter (or so) of whose recorded output is cover versions?Well, as far as Covers is concerned, things don’t look great. It’s four years since Wanderer, Marshall’s last collection of (almost all) original tunes, so she might have been expected to come up with Read more ...
Thomas H. Green
Disclaimer: it’s a little unfair I’m reviewing Kiefer Sutherland’s third album. He seems alright, left-ish for an American, done his time in the bad boy lane, sense of humour, tried his hand at this and that, even as a rodeo-rider, and has entertained plenty onscreen. Although I’d never heard his music until this month, I knew he’d played everywhere from the Grand Ole Opry to far-flung Glastonbury marquees. Unfortunately, the reason I’m reviewing this is I understood from all I’d read that he made whisky-soaked country. This shows you should be careful what you believe. Kiefer Sutherland Read more ...
Barney Harsent
A Life in the Day is the second album from Bed Wetter, nom de plume of DJ, producer and experimental artist Geoff Kirkwood. Perhaps best known for his dancefloor-centred productions under the Man Power moniker, Kirkwood’s thoughtful and committed approach to his art has often seen him venture into uncomfortable territory and work within self-imposed boundaries – from a spell as Artist in Residence for the Sage Opera House and Concert Venue to his music subscription service that promised fans an EP a month for the duration of 2021.During the UK’s second big lockdown, roughly a year ago, the Read more ...
Liz Thomson
So, it’s been another world-beating year. Known unknowns and unknown unknowns – at least two people have set Donald Rumsfeld’s 2002 Pentagon musings to music, and I’m sure I’m not alone in finding his words rather useful. Indeed, it’s not hard to imagine Bob Dylan writing something similar, back in the day.Amid the hideous unknowns, amid the existential crises in which we ineluctably still find ourselves, it is inevitable that we reach out to old friends. Bob Dylan turned 80 in May (my new edition of Bob Dylan: No Direction Home by Robert Shelton, the New York Times journalist who wrote Read more ...
Guy Oddy
I think that it would be fair to assume that Angus Stone likes the odd toke on a big, fat joint. Certainly, the music of his alter ego Dope Lemon has been infused with a hazy, hippy, laidback groove throughout both his previous albums, Honey Bones and Smooth Big Cat, and his latest release is no different.That’s not to say that there is anything stale about Rose Pink Cadillac. In fact, it’s a perfect album for chilling out with the one you love and dreaming about hot summery days spent relaxing in the sunshine and soaking up some rays with nothing particularly important trying to muscle in on Read more ...
peter.quinn
After watching so many gigs through a computer screen, it was a joy to hear live music again in familiar haunts – from Ronnie Scott’s and the Southbank to Grand Junction, Paddington – in 2021. It made you appreciate anew not only the high-wire artistry and unfolding musical conversations happening on stage, but also the collective thrill of that shared "in the room" experience.No album more aptly epitomised that sense of musical communication, risk-taking and acute listening than pianist Eliane Elias’s Mirror Mirror, which featured Elias in alternating duets with Chucho Valdés and the late Read more ...