CDs/DVDs
Tom Carr
Flick through my 2022 Spotify Wrapped playlist and those who know me best won’t be surprised by what they find. Architects, the UK’s preeminent metal group who grapple with progressing their sound further on the classic symptoms of a broken spirit – check. Foals, the indie delights who continue to sweep all before them, and adorned new, summery vibes with latest album Life Is Yours. Check.Also present are Alexisonfire, Rolo Tomassi, and Zeal & Ardor among many others, but all indicative of how my go to listens span the spectrum of hardcore and metal, to straight edged indie/rock. Though Read more ...
Kieron Tyler
Some of what’s nourishing the debut album by Sweden’s Dina Ögon is evident. A Bossa Nova jazz-pop essence evokes Brazil’s Quarteto em Cy. There’s a trip-hop undertow. Vocal lines bring to mind Free Design. Less easy to pinpoint is a melodic sensibility which seems to be derived from local traditions; echoing the sort of fusion pioneered by Jan Johansson’s Jazz på svenska and Merit Hemmingson when she reframed folk music on the Svensk folkmusik på beat albums.It’s likely Dina Ögon – the name translates as “your eyes” – are mindful of all or some of this, but what they’ve come up with doesn’t Read more ...
Graham Fuller
This is not a rehash of my Skinty Fia review, but smoke from the same grate.Asbury Park, New Jersey, 5 October – we've driven down from NYC to see Fontaines DC play hopefully most of their blistering third album at the Stone Pony venue. Bruce Springsteen and Southside Johnny played here in the Seventies. It's legendary – and bad news for we arthritics. The stage is not at the end of the narrow hall opposite the entrance and the bar but runs along a side wall, so the audience is squashed and stretched in front of it. Naturally wanting to get as close as we could to the Irish quintet Read more ...
Nick Hasted
Aaron Moorhead and Justin Benson deal in the modern eerie and truly weird, placing relationships under supernatural pressure with unsettling empathy. Where genre-schooled peers such as Ti West and Adam Wingard splice post-slacker, naturalistic conversation with skin-flaying horror, Moorhead and Benson scare with cracks in reality, reflecting quietly broken protagonists.Styled as Moorhead & Benson, Benson writes, Moorhead is cinematographer, and the pair co-direct, produce, edit and sometimes star. Their self-sufficient cult has led to Marvel TV work on Moon Knight and Loki, but their Read more ...
Liz Thomson
One of popular music’s greatest songwriting talents released her final album back in January. The Light at the End of the Line was Janis Ian’s first album of all-new material in 15 years, and it was planned as a stage-setter for her swan-song tour, US dates scheduled through to the end of the year, European concerts to follow. Then Ian got hit by a particularly nasty form of laryngitis that meant she could no longer sing.I’m so glad I got to see her New York show just a couple of weeks earlier but to think I will never see her play live again makes me very sad. If you never saw her – well, Read more ...
graham.rickson
The BBC’s A Ghost Story for Christmas series first consisted of eight short films broadcast between 1971 and 1978, five of which were adaptations of short stories by MR James.Shot on 16mm film instead of videotape, most were directed by documentary maker Lawrence Gordon Clark. Itching to move into drama, Clark had persuaded the controller of BBC to let him make an adaptation of James’s The Stalls of Barchester Cathedral. And, despite a tiny budget, the 45-minute film is a triumph. The chills are suggested rather than explicitly shown and offset with black humour, Robert Hardy’s Archdeacon, Read more ...
peter.quinn
Bolivian marching powder, sexual violence, fraud. As the actions of the present kakistocracy edged ever closer to that of a lost Brian De Palma film script, it was to music that we turned once again for beauty and the best of humanity.With stunning recorded sound plus an irresistible communion between singer and band, Lizz Wright’s Holding Space was the most transporting album I heard this year. Recorded live in Berlin on the final date of her 2018 European summer tour, the material ranged from her 2003 Verve debut, Salt, to her most recent studio album, 2017’s Grace.Cécile McLorin Salvant’s Read more ...
Barney Harsent
It’s always hard to choose one album to spotlight come the annual Best Ofs, and 2022 has given us an extraordinary embarrassment of riches to choose from – the bountiful bastard…January brought with it a small but perfectly formed under-the-radar gem in Bed Wetter’s A Life in the Day. A deeply personal piece, it saw producer Geoff Kirkwood removing his Man Power mask and letting us in to his world of gorgeous, atmospheric sound sculptures.Andy Bell’s Flicker followed. A double album of wide-eyed eclecticism, Bell’s second solo outing felt simultaneously new and nostalgic. It was, without Read more ...
mark.kidel
I am a sucker for Malian singers. I have been ever since I made a couple of films there at the end of the 1980s. According to ancient tradition, the jalis, and other singers have a mission: to open the hearts of those who hear them, and to fill them with healing and courage. Thirty years on, Rokia Koné keeps the flame going and touches me in the same way. Her first solo album, the highpoint of the year for me is, a collaboration with US producer Jacknife Lee, who brings to the combination exquisite taste and a profound complicity with West African soul. He is always at the service of the Read more ...
Guy Oddy
2022 was, without any shadow of a doubt, the year when live music once again managed to provide an arena for music lovers to come together for shared magic and the occasional joyous evening after the main wave of Covid had passed us by. A place for heads to spin and for hips to swing.This was helped by a festival season that was generally kind to campers and by a relaxation of the draconian travel rules that had stymied international artists from visiting the UK during the last couple of years. WOMAD especially proved a significant highlight, particularly with the UK debut performance by Read more ...
Kathryn Reilly
I hate Alex Turner. Ever since he and his spotty crew upended my rather dull existence in 2005 (courtesy of not entirely legal streaming services) I have been in his thrall. But everyone loved Whatever People Say I Am, That's What I'm Not and most people moved on. But bear with me, reader. In my defence, I had reached rock bottom a few years before, ending up being hospitalised. And kind of given up on music (I was “too old”, I told myself). But I turned a corner, got out and eventually found a great job working with fabulous people. Then, shortly after I’d discovered “The Ritz Read more ...
joe.muggs
It’s been a shit year. Global horrors from Kiev to Karachi and Tehran to Texas all somehow feeling too close for comfort, and even closer to home heatstroke, frostbite, floods, strikes, impoverishment, the grinding realisation that pestilence is a long term way of life now…I’ve never been so glad of the extreme privilege of just being able to keep my head above water, but even given that there’s been misery, grief, regret and a whole heap of grinding tedium. Which in turn means I’ve never – and I mean this most vividly: NEVER – been so glad to have music and the rich culture and subculture Read more ...