CDs/DVDs
joe.muggs
Wolf Alice are a band who consistently over-deliver. Their presentation is so staid, their cited influences so safe (The Beatles! Blur!), their politics so “bad things are bad, m’kay?”, that they give every impression they’re going to be bland and generic.Yet over the past decade and a bit, they’ve consistently built a sound that is super distinctive: a kind of supersized shoegaze that allows their relatively straightforward songwriting to grow into something oceanic and dreamlike. It’s no wonder they fill stadiums, and it’s great that it’s not spectacle, personal soap operas Read more ...
Ibi Keita
Deftones’ Private Music arrives as the band’s long-awaited tenth studio album, carrying with it the weight of expectation built from nearly three decades of powerful records. Known for mixing aggression, atmosphere and vulnerability in equal measure, Deftones have rarely missed the mark. Sadly, this latest release does not live up to their impressive past.The album opens with “my mind is a mountain,” a track that shows flashes of the band’s trademark energy, and later presents “milk of the madonna,” another single carrying even more aggression and melody, making you wonder what happened to Read more ...
Kieron Tyler
A sticker on the cover of American Dust is says it’s “an ode to the beauty of the American Southwest,” specifically the High Desert area within the wider setting of California's Mojave Desert. North-East of Los Angeles, this region contrasts with the city’s urban and suburban sprawl by incorporating scattered settlements.Eve Adams lived in Los Angeles. Now resident in the High Desert, this landscape is primary to her fourth album. In contrast with its title and inspiration, American Dust is not a desiccated rumination on the impact of remoteness with sparse arrangements and instrumentation. Read more ...
graham.rickson
"Crazy comedy" was a recognised subgenre in post-war Czech cinema. Turn to this disc’s bonus features first and watch Michael Brooke’s video essay Those Crazy Czechs, an entertaining whistle-stop guide which piqued my curiosity about films such as You Are a Widow, Sir!, I Killed Einstein, Gentlemen! and How About a Plate of Spinach?Jindřich Polák’s time-travelling Nazis comedy Tomorrow I’ll Wake Up and Scald Myself with Tea has been reissued by Second Run, and it’s now followed by Václav Vorlíček’s Who Wants to Kill Jessie? Released in 1966 as Kdo chce zabít Jessii?, this features Read more ...
Guy Oddy
UK dub maestro and producer, Adrian Sherwood is hardly what anyone might call a slacker, but it’s 13 years since the release of his last solo album, Survival and Resistance. Those who have been eagerly anticipating more of his particular take on one of Jamaica’s greatest musical exports, however, need wait no longer.While The Collapse of Everything doesn’t offer too many surprises to those familiar with the On-U Sound, it does bring in plenty of other textures along the way. Smouldering, moody and intoxicating, it is an album that may not hit the extremes of some of Sherwood’s previous Read more ...
Thomas H. Green
The history of popular music is littered with bands who fulfilled everything needed to make it. Then fate kicked them in the teeth. Goofin’ good time Brit heavy rockers Dinosaur Pile-Up have had some rubbish luck.In 2019, after slogging the circuit for a decade, their fourth album was signed to Parlophone, they supported The Offspring and Sum 41 on US tours, and their new song “Back Foot” was an ebullient pop-metal classic. They were on the brink of breaking big.We all know what happened next. That virus closed the world. But, worse for the band, frontman Matt Bigland became seriously ill, Read more ...
Thomas H. Green
Who’d have guessed that a dude who first came to attention a decade ago guesting on a cheesy Chase & Status drum & bass track would likely now be heading for his third chart-topping album? Tom Grennan’s done well.His first two albums lent into singer-songwriter territory. His last one became playful. On his fourth, the convolutedly titled Everywhere I Went Led Me To Where I Didn't Want To Be, he’s aiming for the Olly Murs mountaintops.By Tom Grennan we mean Grennan, regular collaborators Dan Grech-Marguerat and Mike Needle, plus new associate, US mega-songsmith Justin Tranter. Between Read more ...
Tim Cumming
Emma Smith, one time Puppini Sister, has established herself over the past decade or so as one of the UK’s most compelling jazz singers, now signed to hip Brooklyn label La Reserve, with Bitter Orange, a new album of classics from the Great American Songbook. The 2024 Parliamentary Jazz Vocalist of the Year launched the album from the stage of Ronnie Scott’s over four sets across two hot, high-summer Soho nights.She’s got artistry and showbiz all sewn up in one body-sculpting outfit, and between songs delivered very funny, sassy and illuminating asides – best of which was a story about her Read more ...
Kieron Tyler
“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song is about a farewell. The album ends with “Sad Satellite,” where the titular heavenly object is used as a metaphor for distance, when the gap is increasing between the narrator and the subject: the latter a character who is “sucking me dry” and “took me for ride”.It’s not hard, then, to construe the tenth album from the Nashville-based Marissa Nadler as one permeated with partings – cleavages which create distance. If analysed, detachment can bring perspective Read more ...
Guy Oddy
Ricochet is Chicago punk veterans Rise Against’s 10th album and, unfortunately, one which suggests that despite a four-year break since Nowhere Generation, that they have hit that point where they are seriously struggling to maintain relevance. In fact, they would seem to be both short of anything special to say and for tunes to carry their message, such as it is.A quarter of a century ago, when Rise Against first appeared, they were a melodic hardcore punk band, mining much the same territory as Bad Religion and Green Day. Political, compassionate and speedy, but with catchy tunes that Read more ...
joe.muggs
It’s impossible to overstate how much the early 2000s records of Goldfrapp – the duo of Alison Goldfrapp and Will Gregory – set the tone for the whole rest of the 21st century. The electroclash scene had already ushered in an Eternal Eighties of electropop revival, but Goldfrapp professionalised it, added heavyweight songwriting skill and superstar vocal personality.They drew in the production gloss of precursors like Trevor Horn and William Orbit, instantly influenced existing stars like Kylie and Madonna, and created an updated template for synth pop that you can ear echoing through Read more ...
Tom Carr
For a band who started by entirely self-producing their own records and performing in basements, it has ended up being a long and storied career so far for The Black Keys. The blues-rock group, consisting of Dan Auerbach and Patrick Carney, began their career with their first five albums, from 2001 debut The Big Come Up through to 2008’s Thickfreakness, all playing in a modern blues rock wheelhouse.Distorted, heavily fuzzed guitar lines and Auerbach’s soulful warm vocals played over Carney’s frenetic, energetic drums; the duo quickly garnered a passionate following and renowned for their live Read more ...