CDs/DVDs
Lisa-Marie Ferla
When your albums tend to drop into a frenzy of anticipation after gaps of six or seven years, the creation of a certain mythology becomes inevitable. So much has been written in certain circles about Fiona Apple since the release of 2005’s Extraordinary Machine - an album which itself seemed certain to never see the light of day at one point - that it has become impossible to distinguish the music from the character - reclusive, frustrating, challenging.And yet the opening track to Apple’s fourth album (its poetic full title - The Idler Wheel is wiser than the Driver of the Screw and Whipping Read more ...
Tom Birchenough
In the English-speaking world we know most about France's Ursuline possessions of the 1630s through Aldous Huxley’s 1952 The Devils of Loudun, and of course through Ken Russell’s 1971 film The Devils. But a decade before Russell’s scandalous work, Polish director Jerzy Kawalerowicz treated the same subject in his 1960 film Mother Joan of the Angels, now re-released from Second Run in a restored version.Kawalerowicz was at the height of his powers, heading up the Kadr state film unit, which was the effective central axis of the Polish film school, that took off from the mid 1950s as political Read more ...
joe.muggs
Though he first came to public attention via the Los Angeles-based Brainfeeder psychedelic electronic hip hop collective led by Flying Lotus, 25-year-old producer Lorn comes from “the middle of nowhere in Illinois”, and it's easy to see in his music a less sunny disposition than many of his comrades. Most of the Brainfeeder crew have a loose-limbed funkiness to their sound and an accumulation of sonic detail that speaks of heat and humdity. But while Lorn shares their aesthetic of complex rhythms that slip off the grid, there's something chilly and chilling about his industrial-sounding Read more ...
joe.muggs
The formula is well established now. Take a hard-living, lately under-appreciated legend of music approaching the end of their life, give them a modern production sheen to highlight every crack and bit of grit in their careworn voice, stir in some lyrics of regret and redemption and Bob's your uncle. It worked spectacularly for Rick Rubin with Johnny Cash, and for XL Records' Richard Russell with Gil Scott Heron, and now Russell has teamed up with Damon Albarn to perform the same job on soul originator Bobby Womack.Unfortunately, the production isn't as modern or radical as it thinks it isIt' Read more ...
theartsdesk
David Bowie: The Rise and Fall of Ziggy Stardust and the Spiders From Mars 40th Anniversary EditionHoward MaleLet’s start with the bombshell. Yes, Ziggy is a landmark Seventies album but it’s not the masterpiece it should or even could have been, and no amount of remastering or repackaging can change that. For one thing, it simply doesn’t hold together as a concept album or rock opera. For another, the apocalyptic theme set up by the opening number “Five Years” is never followed through (and anyway, Bowie covered this whole area so much better on Diamond Dogs). Then there’s the sore thumb of Read more ...
Thomas H. Green
It has occasionally worked against Hot Chip that their first single – or, at least, the first to make any impact – was “Over and Over”. This 2006 song is such a perfect pop nugget, brutally reducing the appeal of club culture to a snappy yet celebratory couplet, that later work seemed wet in its shadow. Not that you’d know it from the music media adulation that attends the band. Consisting of five smart, geeky-looking blokes from London, they were quickly taken up by that same city’s taste arbiters, their clever electronic pop appealing to those observing the dance floor rather than on it.In Read more ...
graham.rickson
Five and a half hours of documentaries about beer and pubs. The temptation is to stock up on pork scratchings and consume the whole lot in one session, but this wonderful, handsomely-restored two-disc set is best savoured in several sittings. There’s a paradox in the fact that thousands of pubs have closed in recent years but the rate of alcohol-related illness has soared. We’re now getting more smashed than ever, but we buy our booze from Tesco and drink ourselves senseless at home.Roll Out the Barrel will make all but the hardest-hearted drinker shed a tear for what’s been lost, namely the Read more ...
David Nice
Only one of the five films in Artificial Eye’s selection is palpably a classic, a turning point in Ingmar Bergman’s early career. It’s flanked by curiosities spanning 11 of the master’s 59 years as a film-maker – two of them flaunting the beginner’s uneasy mixture of melodrama and realism, two later specimens making good use of the actresses who came to dominate his world. All have characteristic moments of intensity and will be welcomed by Bergman buffs keen to add to the substantial roster already available on DVD.The masterpiece is Sawdust and Tinsel, Bergman’s fantastical 1953 take on how Read more ...
Kieron Tyler
“We’re back together, easy money”. For anyone feeling a wee bit cynical about The Beach Boys' reunion, that lyric – from “Spring Vacation” – is likely to push them towards full-blown contempt. Although That’s Why God Made the Radio is defined by missteps, it’s worth persevering to the end.The album reanimates The Beach Boys’ brand to celebrate its 50th anniversary. Given that they formed and released their first single in 1961, it must be the anniversary of the first chart hit, 1962’s “Surfin’ Safari”. Reunited are three originals - Al Jardine, Mike Love and Brian Wilson - and Bruce Johnson Read more ...
Marina Vaizey
BOAC, BEA, and Britannia: the recent past is so near and yet so far. All have now disappeared from the national consciousness but, in these two DVDs, the flagship planes of the British Overseas Airways Corporation and British European Airways appear – in improbable colourways – bookending royal tours in stirring shots by British Pathé News or British Movietone as commissioned by the Central Office of Information, to be shown mostly abroad.So, too, the royal yacht sailing serenely into ports world wide, a safe haven and elegant entertainment venue for heads of state. The COI Collection Volume Read more ...
Adam Sweeting
Ever since their original collaboration on 1969's Everybody Knows This Is Nowhere, Neil Young and Crazy Horse have made music that sounded as old as the hills. Primitive and funky, they reduce rock to its raw materials, without flash or frills or any chords more complicated than a G7. For this new project (their first together since Greendale in 2003), Young has assembled a batch of elderly folk songs and traditional ballads and processed their simple chord structures through the Crazy Horse blender.Folk music connoisseurs will recognise several of these, even if Young has given himself Read more ...
graeme.thomson
Bob Dylan talked, after his 1966 motorcycle crash, about having to learn to do consciously what he once did instinctively. That quote kept popping into my head as I listened to One Day I’m Going to Soar, the fourth Dexys album and their first for 27 years. On the surface everything seems to be in its right place: the vigorous horns, the virile fiddles. Old hands “Big” Jim Paterson, Mick Talbot and Pete Williams are back on board, aiding and abetting Kevin Rowland’s eccentric yelp, rambling monologues, wry humour and lacerating self-doubt. But somehow it doesn't quite add up.The primary Read more ...