CDs/DVDs
Kieron Tyler
The final track of Samana’s third album is titled “The Preselis,” after the west Welsh mountain range – the place antiquarians suggested as the source of Stonehenge’s blue stones. The song’s opening lyrics are “The blue stones, they grow over me, Carved into mountains, the blood of need.” Later, the words “anima” and “animus” are repeated before the song ends with the recurring refrain “Lay the body down.”Dovetailing a tenet of Jungian psychology – anima, the female unconscious of a male, and animus, the male unconscious of a female – with notions of an evocative landscape firmly places Read more ...
Veronica Lee
The most striking thing about the 1976 documentary (restored and re-released by the BFI) is just how polite Billy Connolly comes across as. Not that he's impolite now, but the raucous stage presence and vibrant chatshow interviewee was yet to fully form.Murray Grigor's film, which follows Connolly's first gigs in Ireland in 1975, shows the comedian long before he achieved the national treasure status he now enjoys. The Dublin and Belfast dates came just after Connolly's appearance on Michael Parkinson's chat show had made him an overnight star, and backstage in Dublin the Glaswegian frets Read more ...
Guy Oddy
Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the vibes of a one-man Rat Pack with a dash of the legendary Lee Hazelwood, his music certainly doesn’t have much in common with mainstream tastes.The former Magazine bassist and Bad Seed’s new album is a stylish and charismatic collection that draws on gospel, classic soul, blues and jazz through a widescreen cinematic lens that may be mature, but certainly isn’t square. Louche but sharp, Cut to Black is by turns atmospheric and soulful but wholly witty Read more ...
Tim Cumming
So Billie Eilish’s new album has had its worldwide midnight release, dropping at midnight wherever you are kiddos, and taken as a whole it’s like some dark, heavy, low-hanging semi-forbidden, semi-erect fruit that you want to bite into, chew and swallow.Eilish, who composes and records with her brother Finneas O’Connell, has said of this third album that she hopes all of us listeners would have the focus and linger time to be able to sit down and listen to its songs chronologically and all the way through so that it “hits you hard and soft both lyrically and sonically, while bending genres Read more ...
Thomas H. Green
It’s a long way to the middle. Jack Savoretti has worked hard to get there. He’s grafted. His first album, 2007’s Between the Minds, hinted that his musical DNA bestrode early-Seventies Los Angeles, those Topanga Canyon strummers and such, but melded to something much more BBC Radio 2. It took a while for his core audience, the Dermot O’Leary mum-core massive, to find him. A nice fella and a looker, by about five years ago, they had. His last two albums were chart-toppers. But now he’s challenging the fanbase with an Italian language album. “Challenging” may be the wrong word. Miss Italia is Read more ...
Nick Hasted
Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect chitter, and the camera’s slow turn and rise into vast vistas. It’s also a colonial reckoning, setting out themes of violent incomprehension and fractured souls. Like the gaze of France (Cécile Ducasse), her child surrogate in this 1957 tale, Denis’ initial African vision is enigmatic and unblinking.Chocolat is framed by the adult France (Mireille Périer, pictured below), returning to Eighties Cameroon to seek her old colonial home. Modern Read more ...
graham.rickson
Glance at The Holdovers’ synopsis and you might suspect that Alexander Payne’s latest effort is a slice of lightweight seasonal schmaltz. Yes, it is set at Christmas, and contains tear-jerking moments, but Payne and screenwriter David Hemingson throw so much more.The period detail has been much commented on, the early 1970s setting recreated with unfussy aplomb. Even the opening credits look vintage, the film’s digital footage processed to look like grainy analogue. Early scenes give little sense of where Payne will take us; what looks like a high-school comedy with a large cast quickly Read more ...
mark.kidel
It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008. She has lived through so many changes since, and, even though her signature is still very much in glorious evidence, Lives Outgrown represents a step forward and deeper than the moody indie pop of Out of Season her last solo outing, made with with Rustin Man (Paul Webb) of Talk Talk.This is a brave mid-life album from a woman who doesn’t shrink from darkness. Beth Gibbons sang vocals for Henryk Górecki’s Symphony No.3 (“Symphony of Sorrowful Songs”) in 2019, as if that still and Read more ...
Liz Thomson
Having moved out of her mother’s apartment aged 15 to become “an emancipated minor” and set up her own record label, Righteous Babe, just four years later, every step of Ani DiFranco’s life has been determinedly – some might say ferociously – independent. Alt-folk, alt-rock – the labels don’t matter. What counts is her commitment and steadfastness during the course of a career that’s seen her on the righteous side of so many battles, in the US and beyond. She raised $47,500 to enable New Orleans musicians to replace their lost instruments after Hurricane Katrina. She’s worked with the Guthrie Read more ...
Thomas H. Green
Anniversary is Canadian singer-songwriter Abigail Lapell’s sixth album (if we include last year’s lengthy EP of lullabies). Her success has not reached much beyond her native land, as is often the way with Canadian acts, but she’s a proven talent, one who deserves a higher international profile. Anniversary consists of 11 poetic folk-country meditations on love. However, anyone seeking musical representations of euphoria, joy and lust should look elsewhere for, lovely as it often is, the default setting here is a rich melancholia.The album is co-produced by her countryman Tony Dekker, of Read more ...
joe.muggs
The buildup to this album offered quite a bit of hope. The promo blurb with it talks about “cutting loose, trying new things… hark[ing] back to their gritty origins… freed from any expectations.” Most glaringly, it says it’s “the album the band says they’ve always wanted to make” – perhaps, along with the plaintive album title, a tacit admission that their heart hasn’t really been in the modern day AOR they’ve been pumping out every since the strained “woah-woahs” (“millennial whoops”) of “Use Somebody” and “Sex on Fire” blasted them into the mainstream in 2008.The thing is, the Nashville Read more ...
Guy Oddy
Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms. Featuring electric awisha lute, guembri, percussion and castanet-like qraqeb rather than more mainstream instruments, they tackle subjects like gender inequality and call for unity and tolerance – while getting hips swinging and feet stomping in a frenzied groove.Swaken is Bab L’Bluz’s second album and features Yousra Mansour’s emotive vocals and riff-heavy awisha lute backed by a giddy trance-rock sound that owes as much to Led Zeppelin’s heavy Read more ...