CDs/DVDs
Kieron Tyler
Dory Langdon: My Heart is a HunterAs a singer-songwriter, Dory Previn’s reputation rests on the extraordinary quartet of albums she made for United Artists in the opening years of the Seventies. This, her debut album, was issued in 1958. Commenting on his reaction to hearing “The Lady With The Braid” from 1971’s Mythical Kings & Iguanas for the first time, Jarvis Cocker said “I remember very vividly first hearing this record. I had moved to London. I was living in this squat and I was trying to put a curtain rail up. I was listening to the radio and it’s one of those moments where Read more ...
Thomas H. Green
What is the point of Sheryl Crow? She’s been around for decades but to what purpose? What makes her art worthwhile? She seems a liberal sort, does good things for decent causes, keeps interesting company, but everything she touches turns to US FM radio easy. She likes the smell of rock’n’roll but never looks to have mired herself in it which, making the kind of music she does, country-tinged blues-rock, rather misses the point. She’s a nice, pretty, all-American cheerleader who’s ended up centre stage via hard work, networking and shopping mall anthems such as “All I Wanna Do” and, God help Read more ...
Katie Colombus
In a world where men still dominate the voice-over industry, one woman triumphantly defies the odds. Lake Bell’s directorial debut in which she also stars is a satirical sort-of feminist exposure of this little-known strand of the film world, cushioned by light romantic comedy.Bell plays Carol Solomon, an eccentric, slightly hopeless heroine who strives to break into this unfamiliar showbiz niche as a voice-over artist, only to end up competing with her famous father Sam Soto (played with perfectly enunciated self regard by Fred Melamed). Despite her endearing flaws she overcomes vanity, Read more ...
Kieron Tyler
Croz is everything a David Crosby album should be. That’s not to say it’s the sound of laurels being rested on or evidence of an artist coasting and returning to default settings. Rather, that instead it’s a statement of who this man is and why he is unique. The album – his first solo outing in 20 years – is crammed with jazzy arrangements and melodic shifts. The warm yet spare instrumentation is sympathetic and instantly identifiable as Crosby’s. The lyrics, observational and personalised, are never predictable. And his voice, still bell-like and pure, is as seductive as it has ever been. Read more ...
Guy Oddy
Warpaint, the all-female four-piece band from Los Angeles, introduced themselves to the UK in 2010, with the release of their debut album, The Fool. While not the most dynamic set of tunes, there was spirit and atmosphere, and the song-writing talents of Theresa Wayman and Emily Kokal generated fans in both the music and mainstream press. The band was even nominated for the BBC’s Sound of 2011 award after “Shadows” received plenty of airplay on Radio 1.The eponymous second album takes a different tack, with many of the songs apparently being written by the whole band through jamming and Read more ...
Nick Hasted
The “Good War” was so vast and intricate, its moral perspectives shift according to dozens of national points of view. 1944: The Final Defence lands us in the middle of Finland’s second battle for national survival against the Soviet Union, whose 1939 invasion had been startlingly defeated. The Finns were among the eastern nations who, caught between a rock and a hard place, then joined Nazi Germany in its 1941 invasion of the Soviet Union. In June 1944, D-Day meant little to Finns as the Soviets rolled back in, battering their defenders towards a line around the village of Tali.Tali-Ihantala Read more ...
Kieron Tyler
Damien Jurado last surfaced as one of Moby’s collaborators on the Innocents album. From the sound of Brothers and Sisters of the Eternal Son, Beck might have been a more logical musical partner. Texture-wise, Jurado’s new release sits alongside Sea Change-era Beck as well as the dense, fuggy atmosphere of his own last outing, 2012’s Maraqopa.Like that album, Brothers and Sisters of the Eternal Son is produced by Richard Swift. He has become integral to helping Jurado move from the lo-fi folkie he was characterised as to becoming an auteur breaching musical barriers. The songs are lyrically Read more ...
mark.kidel
Ed Harcourt – with his vulnerable tenor vocals – treads the knife-edge between melancholy and self-indulgence, romantic yearning and comfort-zone sentimentality. At his best, he delivers literate songwriting, with poetic imagery that is inspired and imaginative rather than contrived. At his weakest, the sombre colours of his emotional palette and the meandering introspection grow wearisome, and soon grate.His new mini-album, mercifully concise (at 28 minutes) in this time of digital ramblings that far exceed the useful rigours imposed by last century’s LPs, is billed as a stab at Read more ...
Kieron Tyler
Small Faces: Here Comes the Nice - The Immediate YearsWhen theartsdesk last covered Small Faces’ reissues in May 2012, the review concluded “the Deluxe Editions are probably (who knows what might lurk in obscure archives?) the last word on these albums.” As anticipated and as revealed by this box set, more did indeed lurk in obscure archives. Moreover, the appearance of Here Comes the Nice calls into question just what half of those Deluxe Editions of the band’s four albums used as their sonic source materials. This new release boasts that it is “all sourced and remastered from recently Read more ...
Guy Oddy
It is almost 20 years since Mogwai emerged into the post-rock scene with their particular brand of ambient art rock. In recent years, they have also dipped into producing soundtracks for French television’s Les Revenants (which appeared in the summer of 2013, as The Returned, on Channel 4) and Douglas Gordon and Philippe Pareno’s film Zidane: A 21st-Century Portrait. However, they have never strayed far from their dreamy, fuzzy (yet not necessarily mellow) and largely instrumental style. Indeed, Rave Tapes sees them continue to press on in that direction with no radical change. In fact, Read more ...
Graham Fuller
Released here last month, nearly five years after it was issued in America, The Age of Kings is a five-disc glory. It comprises the BBC production of Shakespeare's eight English history plays – Richard II, both parts of Henry IV, Henry V, the three parts of Henry VI, and Richard III – which were broadcast live to three million viewers from the Riverside Studios and the then new Television Centre between April and November 1960.The series – a repository of classical Shakespeare, made in the days before fascist uniforms became a wardrobe option for Richard III and his henchmen – was Read more ...
Lisa-Marie Ferla
It was almost a decade ago, when that Mercury-winning Antony and the Johnsons album was everywhere, that I learned that there was no such thing as critical consensus. The writers who raved about the album were correct in that Antony Hegarty’s voice gave me chills, but they were the chills of a morning shower with a boiler malfunction rather than of rapture. Post Tropical, the second album from James Vincent McMorrow has received similar reviews and performs in what, from the opening bars of single “Cavalier”, could almost be the same voice. But as the song, and the album, starts softly to Read more ...