CDs/DVDs
Kieron Tyler
A few hurdles need jumping before grappling with the essence of Teenage Fanclub’s 11th album. Endless Arcade is their first without bassist and founder member Gerard Love. He, alongside Norman Blake and Raymond McGinley, was one of the band’s songwriters. And this is their first with former Gorky's Zygotic Mynci mainstay and solo artist Euros Childs in the line-up on keyboards. Blake and Childs made the Jonny album together in 2011. Childs has recorded a fair amount of other collaborations but joining Teenage Fanclub in 2019 was a different type of commitment. Following this arrival, TFC Read more ...
Daniel Baksi
The website of the National Crime Agency offers the following definition of County Lines: “[it is] where illegal drugs are transported from one area to another, often across police and local authority boundaries (although not exclusively), usually by children or vulnerable people who are coerced into it by gangs. The ‘County Line’ is the mobile phone line used to take the orders of drugs.” This definition does not feature in County Lines (2019), Henry Blake’s first film of feature-length, newly released on Blu-ray and DVD. Nevertheless, it does hold a conceptual relevance for this Read more ...
Nick Hasted
Merseyside rock’s taste for glowing lysergic locales defines The Coral’s tenth LP, Coral Island, a double concept album which makes them the house band in a seedy fairground full of sepia memories and sawdust spirits. Put this Island on the map with the acid-blot evocations of The Beatles’ concept single “Penny Lane”/“Strawberry Fields Forever”, and “Villiers Terrace”, the 1980 address where Echo & the Bunnymen first found the hot glow of youthful imagination and excess.Keyboardist Nick Power’s linking narration is voiced by singer/co-writer James Skelly’s 85-year-old grandfather Ian Read more ...
Thomas H. Green
Chances are many will not have heard of Gojira. At best, as a music lover, theirs may be a name seen among the line-up of metal festivals. As ever with metal, perceived as niche but with a vast audience, this is misleading. Gojira are globally successful, quarter of century into their career, with proper hit albums under their belt. They are also that rare thing, a French heavy metal band.Fortitude is their seventh studio album and follows on from their most successful, 2016’s Magma. That album was an excoriating affair, built around the response of brothers Joe and Mario Duplantier, frontman Read more ...
John Bungey
“I'm growing old,” laments Tom Jones as his 40th studio album draws to a close. Sir Tom is “growing dimmer in the eyes” and “drowsy in my chair”. These blunt observations are not sugared with the mordant humour that, say, Randy Newman or the late Leonard Cohen might apply to a bad case of codgerdom. The only apt listener response to the song "I'm Growing Old" is: “Well you're 80, I guess you are.”Jones's days as a hip-swivelling knicker magnet are fast receding in time's rearview mirror. However, elsewhere on this album Jones does everything in his power to contradict the notion that he'll be Read more ...
Barney Harsent
When Laurence Binyon wrote: “Age shall not weary them, nor the years condemn…” he was, of course, talking about the fallen soldiers of World War One, not Amherst’s premier hardcore grunge punks. However, on hearing Sweep It Into Space, Dinosaur Jr.’s fifth album since their unexpected 2007 rebirth, it could easily apply to J Mascis, Lou Barlow and Murph.A lot has been written, much of it here, about the trio’s glacial evolution since their 1985 debut, and Sweep… certainly has all the familiar ingredients perfectly preserved in its slowly shifting ice. There’s heavy Read more ...
Graham Fuller
There are moments in Straight Shooting (1917), the first feature directed by John (then "Jack") Ford, when its star Harry Carey (1878-1947) exudes a naturalism that the famous Western actors who followed him, most notably John Wayne, strove to emulate.When Carey's character Cheyenne Harry is looking confidingly at the camera, his surly almost-smile is millimetre-perfect in its grudgingness and sense of the ironic. His unsteadiness and glazed expression when drunk convey that bizarre mix of hyper-selfawareness and dimmed comprehension everyone knows when they've had two or three too many. In Read more ...
Kieron Tyler
Although it is not solipsistic, Flat White Moon is Field Music’s most personal, most revealing, warmest-sounding album so far. David and Peter Brewis have opened up. Their ninth studio album together opens with a seeming declaration. “Orion from the Street” has a drum pattern, bubbling, whooshing sounds and weaving, treated guitar unambiguously alluding to The Beatles’ “Tomorrow Never Knows”. Field Music have never before so directly acknowledged an element of their musical autobiography in their own compositions.There are more nods to The Beatles. “When You Last Heard from Linda” has shades Read more ...
mark.kidel
Toumani Diabate, master of the 21-string kora, along with some other Malian musicians, collaborated on a symphonic concert at London's Barbican Centre in 2008. The orchestra in question were the London Symphony, who have often been open to working with musicians from outside the classical field. The recording has now become available, and joins a number af Toumani's adventurous collaborations that have included the flamenco group Ketama, jazz trombone-player Roswell Rudd, and the blues singer Taj Mahal.The classical music orchestra produces a very specific sound that has attracted musicians Read more ...
joe.muggs
AJ Tracey is one of Brit rap’s aristocracy now. Along with the likes of Stormzy, Dave, J Hus and lately Headie One, he is massively bankable, with streams in the tens of millions for singles, sellout shows in Alexandra Palace, and radio ubiquity. It’s the kind of sustained success that completely eclipses anything achieved by the previous generation of grime musicians, but also, because it’s uncharted territory it poses all kinds of questions about musical identity and about what happens next. And this, Tracey’s second full album, embodies many of these questions.Its structure is interesting Read more ...
Tom Birchenough
The term most often used about Berlin director Angela Schanelec’s filmmaking seems to be “elliptical”, and her latest film, I Was at Home, But..., which won the Best Director award at Berlinale 2019, is no exception. Approaching it is like an associative process – you absorb elusive hints, as much from visual elements as from any suggestion of story, trying to gradually assemble something, almost like creating a mosaic. Except that Schanelec determinedly avoids endorsing any final picture: links are left open, and narrative, such as it is, is very much secondary to mood.And the mood of I Read more ...
Thomas H. Green
11 Past the Hour opens with its title song, a delicious, twangy, string-laden Nancy Sinatra Bond theme that never was. The album closes with a lyrically empowered torch song, “Never Look Back”, which rises and rises over a marching band drum tattoo and swelling orchestration. Its enormousness is hard to argue with. Unfortunately, in between these two, Imelda May’s sixth album is a bit of a stinker.May is a likeable, intriguing artist, also one of Ireland’s biggest recent musical success stories. She spent years building a career as a rockabilly revisionist, her visual image well-defined, Read more ...