Ragdoll, Jermyn Street Theatre review - compelling and emotionally truthful

★★★★ RAGDOLL, JERMYN STREET THEATRE Compelling and emotionally truthful 

Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit 'Farm Hall'

Oh yes, I actually do remember Patty Hearst. She was the American publishing magnate William Randolph Hearst’s granddaughter, who, at the age of 19, was kidnapped by the ultra-left Symbionese Liberation Army in 1974. Some months after her abduction, a bank’s surveillance video showed her participating in a robbery.

Album: Boz Scaggs - Detour

★★★★ BOZ SCAGGS - DETOUR Smooth and soulful standards from an old pro  

Smooth and soulful standards from an old pro

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standards and a few other choice items including a song he wrote for his first album Boz Scaggs (1969) “I’ll Be Long Gone” and an Allen Toussaint song that was a hit for Southern Soul diva Irma Thomas, “It’s Still Raining”.

Doja Cat's 'Vie' starts well but soon tails off

While it contains a few goodies, much of the US star's latest album lacks oomph

Doja Cat is a fascinating one-off. She’s a rap-centric Californian artist whose background dips into everything from new age philosophy to skate culture. She’s the epitome of a 2020s singer who’s as much a social media phenomenon as a pop star (and has also been featured artist on tunes by almost everyone).

Honey Don’t! review - film noir in the bright sun

★★★ HONEY DON'T! A Coen brother with a blood-simple gumshoe caper

A Coen brother with a blood-simple gumshoe caper

The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms around them. Telling stories of distemper in the American heartland, with the occasional drive-by hit on Old Hollywood, they defined indie cinema for a generation and then perhaps single-handedly released it from its ghetto and merged it into the mainstream. 

Album: Eve Adams - American Dust

Taking inspiration from the Californian desert

A sticker on the cover of American Dust is says it’s “an ode to the beauty of the American Southwest,” specifically the High Desert area within the wider setting of California's Mojave Desert. North-East of Los Angeles, this region contrasts with the city’s urban and suburban sprawl by incorporating scattered settlements.

Album: Alex Warren - You'll Be Alright, Kid

★ ALEX WARREN - YOU'LL BE ALRIGHT, KID Plastic-bombastic TikTok pop euphoria for the emotionally incontinent

Plastic-bombastic TikTok pop euphoria for the emotionally incontinent

The best-selling single so far this year in the UK is Californian singer Alex Warren’s “Ordinary”. It stayed at the top of the charts longer than any song this decade. If you’re not familiar, imagine the lyrical mood and production of Hosier’s “Take Me to Church” filtered through the bombast of early Bastille, and supercharged with Warren’s Christian faith and love for “worship music”.

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Is the Canadian polymath hiding behind his exquisite production and arrangement skill?

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English and Yemeni heritage, he came of musical age in the Bohemian hotbed of 1990s Berlin with a close-knit bunch of other Canadian ex-pats, including Peaches, Chilly Gonzales and Feist.

Weather Girl, Soho Theatre review - the apocalypse as surreal black comedy

A Californian weather girl copes with fires inside and outside her head

Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at last year’s Edinburgh Fringe, mirroring the path taken by Phoebe Waller-Bridge’s creation. But the new show is a much tougher assault on modern mores.

Noah Davis, Barbican review - the ordinary made strangely compelling

A voice from the margins

In 2013 the American artist, Noah Davis used a legacy left him by his father to create a museum of contemporary art in Arlington Heights, an area of Los Angeles populated largely by Blacks and Latinos. But his Underground Museum faced a problem; it didn’t have any art to put on display and none of the institutions approached by Davis would loan him their precious holdings.