Film
Graham Fuller
In John Ford’s rueful 1946 allegory about the human cost of America’s new role as global peacekeeper, Wyatt Earp (Henry Fonda) agrees to clean up Tombstone, Arizona, as a pretext for revenging his teenage brother's murder by Old Man Clanton (Walter Brennan) and his rustler sons.Ford dodges many facts about the real Earp clan’s politically driven feud with the Cochise County ranchers’ faction, which erupted inconclusively in the 1881 OK Corral gunfight. Frank Perry’s revisionist Doc (1971) comes closer to the skimpily documented truth but lacks My Darling Clementine’s mythic resonance and Read more ...
Tom Birchenough
An affectingly restrained Australian drama of adolescent development coloured by the repercussions of a parent undergoing gender transition, 52 Tuesdays may initially seem understated in its exploration of the balances (and imbalances) of family relationships under stress, but finally achieves something rather deeper than its innovative broken-up narrative style at first suggests.The film’s title is explained by first-time feature director Sophie Hyde’s decision to divide her story into weekly sections (filmed just that way, once a week over the course of a year, with cast only given notes Read more ...
Jasper Rees
Marshland is set on possibly the last section of the Andalusian coastline which doesn’t have high-rise condos planted all over it. Imagine the Kentish marshes of Great Expectations, but with a harsh sun cracking the parched earth, while overhead the sky throngs with geese and flamingos. It’s in this inhospitable corner of Spain that young women keep disappearing, apparently lured away to the big city, never to be heard from again.Two detectives team up to investigate the disappearance of a pair of sisters. Both policemen wear extravagant moustaches, for this is 1980, with Francoism a recent Read more ...
Demetrios Matheou
Wrocław is Poland’s fourth most populous city, once described as "The Venice of the North", due to its location on the River Oder, its tributaries and numerous bridges. That description is misleading, of course, a touch of unfortunate hyperbole; on the surface, Wroclaw is a charming but unremarkable city.And yet if one looks beyond the late-gothic market square, the focal point for the city’s tourism, there is a different, more vibrant energy here, never more so than at the end of July, when the New Horizons Film Festival exerts its pull on Poland’s younger cinephiles, who flock to the Read more ...
Tom Birchenough
Don’t on any account be late for the first couple of minutes of the woolly mammoth that is Russian director Alexei German’s last film, Hard to Be a God, since the opening narrative voiceover gives a rare suggestion of explanatory background to a work that, put mildly, does not greatly trouble itself, over a lumbering length of just under three hours, with much in the way of plot explication.That opening snatch gives a gist of the wider context that German and his co-scriptwriter (and now widow) Svetlana Karmalita largely discarded from the eponymous 1964 novel by Arkady and Boris Strugatsky Read more ...
Tom Birchenough
Indian documentarist Anand Patwardhan is far less known outside his native country than he deserves to be, and his 2002 film about nuclear proliferation on the subcontinent War and Peace (Jang aur Aman) is a good introduction to a filmmaker who has been tackling issues of fundamentalism for more than four decades.There’s no direct link to Tolstoy here, although War and Peace’s opening scenes reprise the assassination of the Russian writer’s Indian disciple, Mahatma Gandhi. The episode serves as a reminder of how Gandhi’s vision of independence has been hijacked by the growing nationalism of Read more ...
emma.simmonds
People who live in glass houses should be careful who they antagonise. That's the superficial starting point of The Gift, the directorial debut of actor Joel Edgerton, who takes the cuckoo-in-the-nest thriller template – which became ubiquitous in the early '90s with films like Pacific Heights, Unlawful Entry, Single White Female and The Hand That Rocks the Cradle – and, by introducing psychological depth and a streak of social conscience, fashions an intriguing morality tale.Jason Bateman (pictured below right) and Rebecca Hall play Simon and Robyn; prompted by his fancy new information Read more ...
Adam Sweeting
Stepping in for Brad Bird, who helmed 2011's Mission: Impossible – Ghost Protocol, director Chris McQuarrie has brought a high-speed sheen and effortless technical assurance to this fifth outing for the franchise. In so doing, he at least partially erases memories of his previous directing job with its star Tom Cruise, 2012's misfiring Jack Reacher. Perhaps it's a shade lighter on the mind-warping trickery-within-chicanery effects seen in previous Missions, but on the other hand the interplay between the characters achieves a lightness of touch rare in your average blockbuster, and the script Read more ...
Kieron Tyler
Urban streets are littered with bodies. Barricades constructed from cars are ablaze. The national broadcaster works behind security suitable for a prison camp, Fearful old people live communally in underground warrens. Gangs roam cities, while in the countryside the hippy-like Planet People chant and wander, looking for sites from where they can ascend to salvation on another, mythical planet.Professor Bernard Quatermass arrives in this chaos from his Scottish retirement retreat to take part in a TV show marking the moment when Russian and American space projects become one. He sees the Read more ...
Graham Fuller
Dziga Vertov’s narrativeless “city symphony” Man With a Movie Camera celebrates the modernity and energy of the post-Bolshevik Revolution metropolis – a composite of Kharkov, Kiev, Moscow and Odessa filmed over three years. Propaganda for the harnessing of machinery in the building of the Soviet Union’s future, it was much more besides – a masterpiece of avant-garde experimentalism and, fleetingly, an unexpected critique of the continuing class struggle.Inspired by Constructivism’s creed of art with a social purpose and its photo-montage techniques, Vertov’s poetic documentary was partially Read more ...
graham.rickson
Improbably described by the French archivist and critic Henri Langlois as “the greatest technician and the greatest poet of British cinema”, it seems incredible that Richard Massingham isn't better known. A doctor by training, his first shorts were made in the early 1930s as a weekend hobby, and he began shooting promotional and training films to make a living. Twenty two of them are collected here: they’re all highly watchable, the best combining rare technical skill with sardonic humour. Massingham‘s bumbling, childlike everyman stars in many of them, with a series of one-minute 1940s Read more ...
Adam Sweeting
The boxing movie has been a gift to filmmakers virtually since the dawn of cinematic time. In 1932 Jimmy Cagney was swinging for the title (and the gal) in Winner Take All, but some say 1947's Body and Soul, starring John Garfield as boxing champ Charley Davis, is the one most of the other screen boxers are indebted to, from Sly Stallone's Rocky to Robert De Niro's Jake LaMotta in Raging Bull.Antoine Fuqua's Southpaw isn't likely to set a new benchmark in celluloid pugilism, despite contusion-evoking verisimilitude in the fight scenes (Jake Gyllenhaal, playing the central character Billy "The Read more ...