Film
Tom Birchenough
Chilean director Pablo Larrain has described Neruda as a “false biopic”, and it’s a film that surprises on many levels in its presentation of Pablo Neruda, the great poet who is his country’s best-known cultural figure. It captivates for the scope of its invention, its ludic combination of reality and artifice, poetry and politics, as well as the contradictions of its central character.Larrain's last film Jackie was also a biopic with a difference, but Neruda goes further in every sense. It’s also something of a departure from the director’s earlier works, such as No and Post Mortem, which Read more ...
Nick Hasted
“But when did you become an object of pity?” Nick Cave asks himself. Brighton’s streets have become an obstacle course of concerned strangers and acquaintances, in the arms of whom he may find himself collapsed, crying. Such indignity was his grief’s smallest cost, after his 15-year-old son Arthur fatally fell from a cliff in 2015.One More Time with Feeling was released in cinemas last year, in a complex 3D process. Watched at Cave’s favourite cinema in his adopted hometown Brighton on its muggy opening night, it felt oppressively intense and increasingly raw, with the 3D adding hallucinatory Read more ...
Thomas H. Green
The Brighton Festival, which takes place every May, is renowned for its plethora of free events. The 2017 Festival is curated by Guest Director Kate Tempest, the poet, writer and performer, alongside Festival CEO Andrew Comben who’s been the event's overall manager since 2008 (also overseeing the Brighton Dome venues all year round). This year the Festival’s theme is “Everyday Epic”.“Kate has this sense of the arts being important through the everyday of our lives,” Comben explains, “at the same time as acknowledging that, for everyone, things can take on epic proportions, whether that’s Read more ...
David Nice
No-one has ever matched costume drama to psychological depth quite like Luchino Visconti. Much of it has to do with what Henry James termed a "divided consciousness": as a nobleman who became a communist in World War Two and was relatively open about his homosexuality, Visconti was able to depict the warped opulence surrounding Ludwig II of Bavaria with a meticulous eye for detail and composition, while analysing the causes of his dramatic decline as a despised outsider (and no, Ludwig was not mad; Visconti was among the first to say so).There's little of the hysteria and excessive Read more ...
David Kettle
The harsh metallic rasp of a cigarette lighter; a glamorous, vulnerable prostitute in distress; a noble lone crime-fighter standing dejected in the rain. All the familiar tropes of noir are present and correct – in fact, almost self-consciously ticked off – in this entertaining thriller from Pete Travis (Dredd, Endgame). But they’re in a jarringly unfamiliar context: this is modern-day, grimy, multi-ethnic west London – located specifically with mentions of Scrubs Lane and Kensal Rise tube station – with its relentless gentrification, luxury housing developments sprouting all around, small- Read more ...
Markie Robson-Scott
“What if I’ve made a terrible mistake?” Angie (a flirty, engaging Elizabeth Moss) is about to give birth to psychiatrist RD Laing’s baby, and you have to agree that it’s not the wisest plan. She’s confiding in one of the disturbed residents of Kingsley Hall, Laing’s experimental psychiatric community in east London where therapists and patients lived communally, anti-psychotic drugs and ECT were outlawed and LSD (and going to the pub) was part of the cure.Angie, an American psychologist, is drawn irresistibly to Laing’s charisma, Paisley shirts and velvet suits. She moves in with him and the Read more ...
Sarah Kent
Revolution - New Art for a New World film starts well: the opening shot (main picture) is of young women painting white letters onto a red banner. “We all knew what to paint,” says the voice-over. “Bread, Work, Vote, but the message was ‘Women of the World Unite!’” These were the words of Liubov Popova, one of Russia’s many brilliant women artists; her enthusiasm came from the conviction that after the revolution women would have greater opportunities. “Everyone was going to have equal rights, and that included artists,” she predicted, since they were “building a new life and a Read more ...
Nick Hasted
Ben Wheatley’s sixth film in a prolific, unpredictable career is a shoot-‘em-up in the most literal sense. Setting a superb international cast led by Brie Larson and Cillian Murphy down in a big, grim warehouse, he lets them blast bits off each other for 70 of Free Fire’s 90 minutes. After Wheatley’s most obviously ambitious film, his J.G. Ballard adaptation High-Rise, suggested narrative structure wasn’t always his and co-writer/editor Amy Jump’s strength, this locked-room massacre focuses his skills.The set-up is a gun deal gone wrong in 1978’s USA, a period high on lurid disco fashion and Read more ...
Jasper Rees
Of all the major sports, boxing has much the most distinguished filmography. Of course that’s to the Homeric nature of the contest. With the honourable exception of Raging Bull, the best fight films are at least semi-fictionalised, from Rocky to The Fighter. The dramatised lives of Rocky Marciano, Muhammad Ali, and Jack Dempsey were less of a knockout, which is why there shouldn’t have been high expectations about Bleed For This, a biopic which tells the story of Vinny Pazienza, a world champ whose career was cut short by a car crash in which he broke his neck.Mystifyingly, the story is much Read more ...
Tom Birchenough
A decade ago Romanian director Cristian Mungiu took the Palme d’Or at Cannes for 4 Months, 3 Weeks and 2 Days, a gruelling abortion drama set in the dying days of the Ceauşescu dictatorship. The cold intensity of that film made it a key work in the remarkable movement that came to be known as the Romanian New Wave, which directed a pitiless eye at the reality of the country as it struggled to throw off the burden of decades of Communism. Back at Cannes last year with his new film Graduation (Bacalaureat), Mungiu won the Best Director award. Graduation is set in the Read more ...
Adam Sweeting
The Japanese Ghost in the Shell phenomenon is celebrating its 25th birthday, and already has a long history in manga cartoons and animated movies. Now Hollywood has clambered aboard, though this live-action version, finally helmed by British director Rupert Sanders, has taken 10 years to reach the screen.There’s been some controversy about the casting of Scarlett Johansson as the central character, The Major, with some onlookers contending that it’s an outrage to hire a Caucasian superstar instead of a Japanese actress. Others (including Mamoru Oshii, who directed the 1995 Japanese anime Read more ...
Graham Fuller
Two Rode Together (1961) depicts the humanising of Guthrie McCabe (James Stewart), a corrupt, mercenary border town marshal, as it builds to a denunciation of white racism. John Ford, who made the film as a favour to Columbia Pictures (and for a $225,000 salary), considered it “crap”. Yet it was a key transitional work in his career – and the bridge between his late masterpieces The Searchers (1956) and The Man Who Shot Liberty Valance (1962). As such, the new Masters of Cinema dual format release is a must-own for Ford and Western fans.McCabe grudgingly accepts a commission from an army Read more ...