Reviews
Matt Wolf
There are a lot of cheerful people in the world, most of them outside the United States. That's the startling conclusion of Michael Moore's pointed comic jeremiad Where to Invade Next, in which American cinema's premier schlub decamps overseas to encounter numerous life- and work-related lessons that our ketchup-loving conqueror wants to take back home.What surprises isn't Moore's view of present-day America, which is unexceptional in its assessment of a hard-scrabble country ruled by multiple iniquities – not least the overriding potency of money, and a signal inability to face up to the Read more ...
graham.rickson
Opera North’s ongoing Ring isn’t taking up much of the chorus’s time, which presumably is one of the reasons that many of its members have decamped half a mile east to collaborate with the West Yorkshire Playhouse in an eye-popping new staging of Sondheim’s Into The Woods. That opera companies can and should stage Sondheim is vindicated by this production: the musical values are superb, my only niggle being that James Holmes’s excellent pit players are hidden offstage. The tricksy ensemble numbers are dazzling, with every word and melodic line thrillingly clear.James Brining sets the opening Read more ...
Mark Sanderson
In the middle of the last century the worst thing that could be said about a working-class housewife was that she had “run off with a black man”. Well, the Queen of France, no better than she ought to be, has had it off with a black man (in fact her pet dwarf). Last week’s opening episode of Versailles ended with Louis XIV (George Blagden) setting eyes on the resulting black baby for the first time.The second episode immediately picks up the baby and runs with it – all the way to a blind wet nurse from whose breast the sinister henchman Marchal (Tygh Runyan) plucks it before attempting Read more ...
Mark Sheerin
As if to signal a coming of age, this year's Whitstable Biennale has a theme: The Faraway Nearby. And so for the first time artists have a guiding idea with which to post-rationalise their work. Until now, the 10-day festival of visual art has staked out broad territory with performance, film and emerging talent. So perhaps an equally broad theme was needed to ensure that works comprised of fan letters, a lecture tour in a car park and a new flavour of ice cream could cohere as a successful biennale. And as we gear up for a referendum about our place in Europe and consider the ongoing refugee Read more ...
alexandra.coghlan
If you needed further proof of the intelligence, the thoughtfulness of Daniil Trifonov’s musicianship, the programme for his four-concert residency at the Wigmore Hall would go a long way towards providing it. How many young soloists of Trifonov’s standing would choose to turn song-accompanist for an evening of lieder? And how many, having done so, would deliver so generous and self-effacing a performance?The evening belonged, as it should, to baritone Matthias Goerne. Having crafted a sequence of songs opening with Berg’s Vier Lieder Op.2, moving through Dichterliebe, Michelangelo settings Read more ...
edward.seckerson
It has taken six years – and Michael Crawford – to bring Richard Taylor and David Wood’s poetic musicalisation of LP Hartley’s The Go-Between to the West End stage. And before the tired old debate begins as to what it is – opera? musical? play with music? – let it be said that what really counts for something here is the storytelling.Richard Taylor is a composer who loves the music of words almost as much as he loves music itself. He finds in them a songfulness, an expression, that is all about blurring the boundaries between speech and song. It isn’t important to him when someone sings but Read more ...
Barney Harsent
Never in the field of human voting has so much been demanded of so many by so few... Triggered by a moment of prime ministerial hubris and made reality by a Tory leadership bid and the relentless UKIP catcalls, the referendum is putting control of our EU membership into the hands of a British public who are heavy on emotion, but light on facts.Not that this is surprising. When predicting the future, points tend to be moot, and this has meant that both campaigns have been based largely on fear and self-interest. The one thing that has shone through so far is a horrible disregard for the Read more ...
David Nice
"Better than Puccini," raved one Tweeter after the final rehearsal of Opera Holland Park's season-opener. Nonsense: "nearly as good as Puccini" is the best any of his Italian contemporaries could hope for; that applies to Leoncavallo and the Cilea of Adriana Lecouvreur. Mascagni is more arthritic in his sense of movement – think of how long the plot of Cavalleria Rusticana takes to get going – and sometimes strives hard for those orchestral effects which seem so natural in Puccini. But Iris is at least half-interesting, unlike an OHP stinker, Zandonai's Francesca da Rimini, and it's Read more ...
Gavin Dixon
The Orchestra of the Age of Enlightenment is 30 years old, and last night it celebrated in style. The orchestra has a long association with the music of Weber, who became iconic of their pioneering work in presenting 19th-century repertoire on period instruments. His greatest work received an impressive performance last night, one that demonstrated the many virtues of their unique approach to the work of the Romantics. But it wasn’t all a success, and was let down by a surprisingly modest staging concept from the usually ambitious David Pountney.The music of the opera is framed by Pountney in Read more ...
Marina Vaizey
The accelerating glorification, in the West at least, of the handmade is a fascinating phenomenon, perhaps a subliminal fight back against overwhelming industrialisation and the age of the robots. And perhaps nowhere is the admiration and commercial possibility accruing to the handmade artefact more evident than in British companies who can label themselves as By Royal Appointment. Four such enterprises, ranging from a two-man band in a country manor to a full-scale factory, are the subject of this series, with the silver and goldsmithing of The House of Benny, Steinway pianos and John Lobb Read more ...
Marina Vaizey
Pure euphoria! The lady, a mere 87, her stature diminutive, her hair and lipstick a blazing scarlet, is a painter, but also a draughtsman, a sculptor, a creator of environments and installations, a performer, a designer of objects and clothing (affordable too at UniQlo) an illustrator, a writer, a poet, and an all-round polymath. Kusama has lived by choice for nearly 40 years in a psychiatric hospital in her native Japan, working indefatigably.It is typical that her work remains accessible even though the grand installations and large paintings are only available to an institution, gallery or Read more ...
Ed Owen
When Marnie Was There is the latest production by Japan’s animation powerhouse Studio Ghibli, and the first since the retirement of its creative genius Hayao Miyazaki. An adaptation of the Joan G. Robinson novel of the same name, it’s a confident and powerful account of a young girl’s search for identity.The book, written in 1967, is infused with the growing public interest in psychology. R D Laing’s classic text The Politics of Experience and The Bird of Paradise, which puts forward the idea that madness stems from people living in an insane world, was published the same year, and Robinson's Read more ...