Reviews
Matt Wolf
The habit of art - a favourite topic of late, or so it would seem - gets a pummelling in The Line, a sort of Several Decades in the Atelier with Edgar (as in Degas) that would defy even Stephen Sondheim to shake a wordy and dour play into impassioned life. Henry Goodman brings his customary fervour to an assignment whose published text is dedicated to him, but Timberlake Wertenbaker's bitty drama seems like a blueprint for the TV mini-series that in different televisual times would surely lie in wait.Until that happens, we have an Arcola Theatre premiere that is Read more ...
Ismene Brown
Elisabeth Leonskaja, who turned 64 on Sunday, is one of the last links to a grand school of Russian pianism where technique meant the marshalling of piano possibilities into a positively orchestral array of expressive means. Often noted in harness with Sviatoslav Richter, with whom she frequently played, Leonskaja deserves renown of her own. Her all-Chopin recital last night at the Wigmore Hall had a splendour and focus that was truly of the Russian tradition, fervent in feeling, masterly in discipline, a serious line in beauty.All-Chopin programmes aren’t that common, surprisingly, Read more ...
Adam Sweeting
Low-budget horror movie, comprising supposedly "found" video footage depicting freaky supernatural events... it's Blair Witch 2! Indeed, writer/director Oren Peli has taken discount film-making to new extremes, using his own home in San Diego as his sole location, restricting the cast to five (I can't even remember the "Girl on Internet" mentioned in the cast list), and bringing the piece home for a ridiculous $15,000.Thanks to some cunning marketing, including special midnight screenings (so spooky!) and some viral internet action, Paranormal Activity's earnings have already breached Read more ...
Russ Coffey
Charm. Lisa Hannigan has it in bucketfuls. An unusual charm, like her unique take on her self-styled “plink plonk rock”. Something homely, warm and very unshowbiz. Whereas her American counterparts might lose themselves in fad diets and obscure activism, Hannigan knits and writes blogs on her favourite recipes. She shouldn’t be a pop star at all. One might be tempted to describe her as being “girl next door”, except nobody really lives next door to anyone this cute and talented.Until her Mercury nomination Hannigan was mainly known in this country as the “girl who used to sing with Damian Read more ...
Adam Sweeting
Thanks to the shenanigans of Brit-art superstars like Messrs Emin and Hirst, Art has become a lucrative appendage of pop culture, so it’s only logical that it should be given its own version of X Factor, with a bit of Apprentice-style authoritarianism bolted on for good measure. In School of Saatchi, a panel of judges sifts through a long list of hopefuls who are whittled down to 12, then six, then finally to the chosen one who will be installed in a London studio for three years under Charles Saatchi’s patronage.Saatchi (“one of the most influential and enigmatic figures in the world of Read more ...
joe.muggs
There are occasional days when the Royal Festival Hall really feels like the people's palace it was always meant to be – and yesterday, with its free concert of live improvisation mixed with dubstep and electronica in the RFH bar, was absolutely one of them. Rave kids, pensioners, parents with babes in arms and some particularly energetic school-age children all proved that given the right context music the border between “challenging” music and entertainment is more porous than some might like to believe.
And it was rather impressive how challenging the curators of the event were willing Read more ...
peter.quinn
Watching some jazz musicians play live, you're made acutely aware of the intense effort that goes into their performance. Conveying a non-verbal message that roughly translates as “this shit is really hard, you know”, tell-tale signs include the pained rictus of deep concentration, the sotto voce grunts, groans and exhalations, and the self-communing, head-down-to-the-floor mode adopted for solos of five minutes or longer.Observing Esperanza Spalding's sunny disposition in the hallowed confines of Ronnie Scott's, on the other hand, you get the impression that she's barely breaking a sweat. Read more ...
Veronica Lee
How do you make a road movie set in several European countries for just £1million? Set it inside your lead character’s head and use strikingly inventive visual imagery to conjure a world full of the weird and wonderful, that’s how. And if the previous sentence rings a bell for The Mighty Boosh fans, it’s because Paul King, the BBC television comedy’s director, wrote and directed Bunny and the Bull, his first feature. He shot the film entirely in studios in London and Nottingham, and he tells the story with the kind of richly detailed, dreamlike shots that Boosh fans will instantly recognise. Read more ...
graham.rickson
The violin figure which opens Jonathan Dove’s delightful Swanhunter evokes Stravinsky’s L’Histoire du Soldat. The allusion is surely deliberate. Like L’Histoire, and in contrast to Pinocchio, Dove’s large-scale Opera North commission of two years ago, Swanhunter is a 70-minute, chamber-sized work designed for performance in small venues.Like Pinocchio, Swanhunter is designed as an opera for children. Opera North has an excellent education department performing outreach work across the region, and they have been supporting activities and workshops in the towns where the production will tour to Read more ...
peter.quinn
Melodically rich, harmonically daring, rhythmically subtle, pianist Gwilym Simcock's quartet piece, “Longing To Be”, which kicked off last night's Queen Elizabeth Hall gig was one of the most jaw-dropping performances I've heard at this year's London Jazz Festival. Opening with an expansive, über-romantic solo from the pianist in free time, the piece unfolded quite beautifully with the layered introduction of Yuri Goloubev's bowed bass, James Maddren's understated percussion and Klaus Gesing's haunting soprano sax.Both bassist and drummer are members of Simcock's trio that features on his new Read more ...
howard.male
Why aren’t more bands like Transglobal Underground? This is not a fatuous question. After all, we live in a joyously multicultural society so one would expect more ethnic influences would have seeped into the mainstream by now. But no, apart from some African guitar riffs adding a veneer of ethnicity to the occasional white college-boy rock group, and some bangra beats spicing up the odd dancefloor hit, the UK and US pop scene seem on the whole to remain hermetically sealed against such exotic musical DNA.Having said that, within the world music scene itself there are plenty of bands these Read more ...
David Nice
A vain, capricious girl sends her lunk of a suitor on a quest for the best ruby slippers in the world, while said lunk's mother, the village witch, cosies up to the Devil. It's a whimsical Christmas Eve tale, exuberantly narrated by Nikolay Gogol in his Ukrainian-based Evenings on a Farm near Dikanka; but you wouldn't think there would be much room for pathos and sentiment. Trust Tchaikovsky to favour the heartfelt and the melancholy in his very characteristic early opera Vakula the Smith, revised at the height of his powers as what the Royal Opera - appealing, perhaps, to dangerous renascent Read more ...