Reviews
Tom Birchenough
It’s hard to imagine much upstaging Martyn Jacques, the indomitable falsetto frontman of the Tiger Lillies. The gaping mouth of an enormous mythical fish that seems to have swum straight from the canvases of Hieronymus Bosch, projected right across the stage in their new show Rime of the the Ancient Mariner, comes close. The show is a glorious visual cabinet of curiosities that enthrals on all its surreal fronts, a version of madness that matches the lonely voice of Coleridge’s mariner with the sadness of Jacques’ lyrics and music – and the lyrical dominates here over the raw fury that the Read more ...
Graham Fuller
How we look at and value art, the stuff we accumulate around us, and our daily surroundings; how we look at and communicate with each other (or avoid doing so in the digital age); and if we do or don't see: these are some of the themes explored in Museum Hours, an immersive docufiction made in Vienna by the experimental, socially progressive Brooklyn filmmaker Jem Cohen.Just as João Rui Guerra da Mata and João Pedro Rodrigues's The Last Time I Saw Macao investigates the former Portuguese colony via a thin neo-noir tale about a search for a gang-targeted drag queen, Museum Hours deploys a Read more ...
David Nice
It’s not because I lament the annual end of a love-hate relationship with the Albert Hall that the last few days of Proms feel rather melancholy. A bittersweetness lies rather in the drawing-in of evenings, however hot it is, so late night Schubert for one and then two pianos seemed like an appropriately introspective way of saying farewell this year.Imogen Cooper – why on earth she’s not a dame is a big mystery, though perhaps not if you look at the honours set-up – can always be relied upon to draw you in to the light-fading of late Schubert. Sure enough, after the startling summons Read more ...
Tim Cumming
The Green Note had put up a Sold Out sign on Monday night when Josienne Clarke and Ben Walker stepped in to play a sometimes mesmerising set on the little stage by the door. It’s a great venue that a lot of big artists have stepped inside to test their real stature, and Clarke and Walker have a future that could see them grow their audience in the way that some of their heroes - Sandy Denny, Richard and Linda Thompson, Nick Drake, Bert Jansch, June Tabor – have done with three simple but rare ingredients: a compelling voice, dextrous guitar work and great songs.There were a few Sandy Denny Read more ...
edward.seckerson
It was too little too late to redress the scant attention gives to Verdi’s bicentenary at this year’s Proms but the “Maltese Tenor” – Joseph Calleja – arrived with an eleventh hour offering of low-key Verdi arias and joining him was the Milanese orchestra bearing the composer’s name. Calleja’s growing legions of fans were much in evidence, of course, more Maltese than Italian flags, but what can they have made of the music stand which came between them and their hero? Five arias, one of which he will have sung a zillion times, and still – despite the presence of TV cameras – the music was Read more ...
Jasper Rees
Scientists may have found a cure for insomnia. It’s thinking up names for television detectives. Have you noticed how elephant-tranquilisingly dull they are? Alec Hardy and Ellie Miller. Len Harper. Denise Woods. Tony Gates, Steve Arnott and Kate Fleming. Sergeant Geoff Plank. DS Fiona Photofit. Oh go on then, couple of ringers in there, but the rest have lately been busting crime on a mainstream channel near you (see sidebar to ID them all).Apparently they end up with these vapid non-names because the plausible ones are all taken by real coppers already. The TV companies are not allowed to Read more ...
Stuart Houghton
Most Real Time Strategy (RTS) games follow a basic template - explore and forage for resources, build a base, generate some units, fight, repeat. This formula is tweaked and expanded upon by games like StarCraft, Command & Conquer and Age Of Empires and sometimes slimmed down to create the subgenre of Tower Defence games, where the key to victory lies mainly in the placing of fixed turrets along a path of approaching enemies.Rymdkapsel is all of this, and less. Not that we are complaining - with its stripped-bare gameplay and starkly functional graphics, this is RTS at its most elemental Read more ...
David Nice
Shallow in its cartoonish whizz through the tergiversations of a troubled reign, hugely energetic in its language and structured storytelling, Marlowe’s horrible history is never less than compelling and challenging at the National. It may have found its best match yet in the collapsible bric-à-brac pageantry of Joe Hill-Gibbins’ vivid, in-your-face production.Another director who’s found a theatrical niche down the road at the Young Vic, where Hill-Gibbins is an Associate Artist, likes to call it "the art school" as opposed to the National’s "grammar school". Well, this is definitely art- Read more ...
Kieron Tyler
In the half light of a small medieval church tucked behind London's St Pancras Station, a figure in white plays melancholy songs at a grand piano to the accompaniment of a cellist and violinist. This chamber ensemble had an audience of 84. The atmosphere of this special concert contrasted starkly with the close, humid and overhot day which led up to it.Denmark’s Agnes Obel had arrived in London to perform a month before the release of her second album, Aventine. Taking its name from one of Rome’s seven hills, the songs on the album – even in this live setting – already feel ageless. They Read more ...
Joe Muggs
It's always nice when musical events of an overtly academic bent are taken away from the academy: when high-falutin' or exploratory music is made to stand on its own. All right, this show demonstrating new technical innovations by musicians affiliated with the Goldsmiths College Computer Music courses hadn't come that far, being some couple of hundred yards along the road from the college, but the Amersham Arms backroom is more used to rock gigs and raves. Dark, rough and ready with a hefty sound system and no seating, the first act starting well after 9pm, it signalled immediately that this Read more ...
Emma Dibdin
The question of what makes a romance click on screen – what combination of elements goes into creating that indefinable spark between two projected faces – is one of the most eternal for filmmakers. David Lowery’s wistful, lyrical neo-Western has just over 10 minutes to make you invest in doomed lovers Bob (Casey Affleck) and Ruth (Rooney Mara) before fate and justice do them part, and succeeds with breathtaking ease.Their snatched moments together, like most of Lowery’s film, settle over you like half-remembered dreams, images that burrow deep into your subconscious and re-emerge Read more ...
Lisa-Marie Ferla
I can’t have been alone in my struggle to keep the two of them straight in my head: there’s the one set in the east end of London, in which a former BBC Spook tries to track down Jack the Ripper; and then there’s the one set in the east end of London, in which a former BBC Spook tries to track down a modern-day killer inspired by Jack the Ripper. When Rupert Penry-Jones, dressed in suave black tie like the James Bond he never was, arrived at the book launch that kicked off this fourth series of Whitechapel, it took a few minutes - and a bit of stylised violence in an alley involving a kid in Read more ...