Reviews
fisun.guner
Lizzie Siddal, Pre-Raphaelite muse and model for John Everett Millais’ 1852 sensation Ophelia, died a tragic death aged 32 from a laudanum overdose, the Victorian’s opiate of choice to which she had become addicted in her final years. Jeremy Green’s new play explores her relationship with Gabriel Dante Rossetti, who, with Millais and William Holman Hunt, formed the original PRB triumvirate. Artist and model eventually married, but only after the heat of Rossetti’s ardour had considerably cooled, leaving her devastated by his emotional rejection and thwarting her own ambitions to become an Read more ...
David Nice
“Translated Daughter, come down and startle/Composing mortals with immortal fire.” So W H Auden invokes heavenly Cecilia, patron saint of music, and it seems she did just that with Benjamin Britten, who set Auden’s text for unaccompanied choir and happened to be born on the saint’s day 100 years ago.On the day itself, this Hymn to St Cecilia was the one piece that cried out to be heard, so last night I headed up to Islington to hear The Sixteen – in this case The Twenty-Two plus harp and piano - in the atmospheric surroundings of the spooky Union Chapel, commandeered as part of the Barbican Read more ...
Peter Culshaw
For someone who has built a reputation for limpid, introspective piano playing, last night was a new adventure both for Brad Mehldau and his (mainly) supportive audience. He has covered fellow introvert Nick Drake’s songs, and he is a master of thoughtful, expressive piano. So when we hear he's doing a show that references drum ’n’ bass and 1970s funk in a duo with a drummer with synths and Fender Rhodes, a certain apprehension is in order. It could have been like all those opera singers who suddenly discover jazz and usually make a complete hash of it.In fact, the first few numbers were Read more ...
Lisa-Marie Ferla
Of all the ways in which the BBC has chosen to mark the 50th anniversary of one of its most celebrated exports, surely this (other than the obvious) was the most anticipated: a feature-length retelling of the origin story of Doctor Who, written and executive produced by some of the same names behind the show’s current run. And, from the way in which Mark Gatiss told the story, what it took to get the show on air was as dramatic and full of unlikely events as those fictional stories - which is why the nit-pickers would do well to remember the opening disclaimer that you cannot rewrite history Read more ...
Simon Munk
Today sees the first of the truly "next generation" consoles launch – the Microsoft Xbox One. It promises to revolutionise gaming. But in fact, it could well be the last gasp of a dying form of interactive idiocy.The Xbox One is perhaps the most intriguing of the new console launches – it does something totally different in controlling your entire TV. Aiming to be a one-box multimedia solution, the Xbox One will control your TV viewing, using the built-in Kinect motion-sensing and voice control (this service doesn't come to Europe until 2014!). So plug in the new console and you can play Read more ...
Adam Sweeting
It's great to see Robert De Niro front and centre in a full-sized role again, even if we might wish it hadn't been this one. Likewise Michelle Pfeiffer, stepping up to play the hard-boiled wife of De Niro's mobster-in-hiding Giovanno Manzoni. Twenty-five years later, she's remarried to the Mob and giving it serious bada-bing.With its twin (and legendary) leads in fine fettle, The Family might have been a shoo-in for the industry's various gong-circuses, but the fact is that it's only some hard peddling from Bobby and Michelle that keeps the thing airborne. It's directed and co-written by Luc Read more ...
aleks.sierz
Is there a danger that a show can be oversold? Sarah Ruhl’s In the Next Room sounds innocuous enough — until you read its subtitle: The Vibrator Play. Marketed as the most provocative drama of the year, its theme is female sexuality in the Victorian era, and yes, it’s all about the discovery of the joys of orgasm. Now premiering in London, after a Broadway production that garnered Tony nominations, does this production, which is directed by Laurence Boswell, live up to the hype?Set in a wealthy spa town just outside New York at the end of the 19th century, the story dwells in the home of one Read more ...
Matthew Wright
With the bell of his Dizzy Gillespie-style “bent” trumpet pointing skywards like a rocket launcher, Scott dominated the stage at Ronnie Scott’s last night, every bit the iconic jazz trumpeter. Instead of the clearly-articulated, pure-toned pulse of a Louis or a Dizzy, Scott’s trumpet voice is smudgy, occasionally even grimy, with chromatic bursts of notes, played so fast you can’t always hear the join.Yet at the right time, he has a tone as straightforwardly piercing as any of the twenties greats. Both as a player and composer, he straddles tradition and modernity, believing he can “stretch” Read more ...
Angie Errigo
The Hunger Games franchise is blessed with Jennifer Lawrence as its heroically defiant protagonist Katniss Everdeen. No matter how much darker, more drastic and deranged developments get in the world of these Games, Lawrence is a touching, authentic and watchable focus for our sympathetic attention.This second instalment — in what will be four films from the phenomenally popular Suzanne Collins book trilogy — finds Katniss, haunted by the ordeal of her inspirational victory in the 74th Hunger Games, back in dystopian, post-Apocalyptic Panem’s miserable mining community District 12 with her Read more ...
Mark Valencia
The alpha (Schubert) and omega (Mahler) of Austrian romanticism made for a musically satisfying pairing as the London Symphony Orchestra resumed normal service after its recent Gergiev-Berlioz marathon. Buoyed by the contrasting delights of a sprightly symphony and a weighty song-cycle, the spring was back in the musicians' collective step as they played as one for their principal guest conductor, Daniel Harding.Less satisfying were the evening’s vocal contributions, albeit for different reasons. The male soloist may be the junior partner in Das Lied von der Erde, but he has to sing over some Read more ...
Emma Dibdin
“The most potent special effect in movies is the human face changing its mind.” So stated film critic David Thomson, and the principle has never been more irrefutably proven than by Blue Is the Warmest Colour and its leading lady Adèle Exarchopoulos. The electric, emotionally raw story of 15-year-old schoolgirl Adèle’s sexual awakening unfolds in a series of languid close-ups and unbroken takes, and her face is centre-stage throughout, captivating both in its moments of beauty and ugliness, continually on the brink of change.Director Abdellatif Kechiche, whose treatment of his cast and Read more ...
Matthew Wright
What does a stuffed penguin have in common with the religious concept of transcendence? Even less than you might think, it emerged last night, during one of the London Jazz Festival’s less well matched programmes, featuring one trio named after each item. Gogo Penguin, an amiable and talented group, were outgunned by the intellectually and spiritually sensational vision of New York drummer Jaimeo Brown’s improvised setting of sampled spirituals from Gee’s Bend, Alabama, the Manchester band’s light-heartedness in danger of seeming simply lightweight. Gogo Penguin has risen quickly Read more ...