Opera
David Nice
Let's suppose that off-centre genius among opera directors Richard Jones had been asked to bring his imagination to bear on Sir Colin Davis's latest Verdi-in-concert. I imagine he might have weighed up leading men, chorus and the conductor's unexpected blend of manicure with flash alongside swathes of masterful beauty, and decided to follow up his 1940s Windsor Falstaff at Glyndebourne with a 1970s Otello set in Surbiton.As things rather stiffly stood on the concert platform racial issues, Love thy Neighbour-style or otherwise, could be left Read more ...
graham.rickson
The violin figure which opens Jonathan Dove’s delightful Swanhunter evokes Stravinsky’s L’Histoire du Soldat. The allusion is surely deliberate. Like L’Histoire, and in contrast to Pinocchio, Dove’s large-scale Opera North commission of two years ago, Swanhunter is a 70-minute, chamber-sized work designed for performance in small venues.Like Pinocchio, Swanhunter is designed as an opera for children. Opera North has an excellent education department performing outreach work across the region, and they have been supporting activities and workshops in the towns where the production will tour to Read more ...
David Nice
A vain, capricious girl sends her lunk of a suitor on a quest for the best ruby slippers in the world, while said lunk's mother, the village witch, cosies up to the Devil. It's a whimsical Christmas Eve tale, exuberantly narrated by Nikolay Gogol in his Ukrainian-based Evenings on a Farm near Dikanka; but you wouldn't think there would be much room for pathos and sentiment. Trust Tchaikovsky to favour the heartfelt and the melancholy in his very characteristic early opera Vakula the Smith, revised at the height of his powers as what the Royal Opera - appealing, perhaps, to dangerous renascent Read more ...
Ismene Brown
A delicious new treat is promised at The Royal Opera House for Christmas: a comic opera by Tchaikovsky that brings the wit and fun of a Russian magical folk tale to the stage in a staging of rare opulence. A story of turbulent love, magical rides through the sky with the Devil, and an impossible task - to get a peasant girl a pair of Catherine the Great's slippers - The Tsarina's Slippers has ballets and Cossack dancing as well as a host of singing characters.Director Francesca Zambello, costume designer Tatiana Noginova and choreographer Alastair Marriott here reveal their preparations, and Read more ...
Ismene Brown
A new production by The Royal Opera of Tchaikovsky's The Tsarina's Slippers opens on Friday at Covent Garden, directed by Francesca Zambello, designed by Mikhail Mokrov and Tatiana Noginova, and with an all-Russian cast of principals conducted by Alexandr Polianichko. Read Ismene Brown's interviews with the creative team elsewhere, and enjoy this feast of design models, costume sketches and production photographs.Click on a picture to enter full view and the slideshow.Sets by Mikhail Mokrov[bg|/OPERA/ismene_brown/tsarinas_slippers/sets]Costume designs by Tatiana NoginovaCharacters: Vakula, a Read more ...
Adam Sweeting
The famously tempestuous Romanian soprano is, we learn, living a separate life from her husband Roberto Alagna. If Opera's Most Romantic Couple is no more, will Brand Angela be terminally damaged? Surely a showcase performance in the South Bank's International Voices season would be just the thing to rally the faithful and reaffirm Ms Gheorghiu's spectacular star quality, but I must admit that by the time we reached the interval, I was beset with gnawing doubt.The performance had begun with a bright canter through Leonard Bernstein's Candide overture, with the Philharmonia Orchestra Read more ...
theartsdesk
English National Opera's new production of Bartók's Duke Bluebeard's Castle is photographed here by Johan Persson. Directed by Daniel Kramer, designed by Giles Cadle and lit by Peter Mumford, it updates Charles Perrault's 1697 fairytale to a horrific modern reality. Clive Bayley and Michaela Martens sing Duke Bluebeard and Judith. See Ismene Brown's review.Click on an image to open full view of the portfolio.Josef Fritzl's houseBluebeard photographs feature Clive Bayley as Bluebeard, Michaela Martens as Judith, and actorsGustave Doré's 1862 engraving for Charles Perrault's Les Contes de Read more ...
igor.toronyilalic
So many 19th-century opera plots park themselves on fertile historical ground, amid all the colour, character and juice you could ever want, and then spend three hours picking at some anaemic daisies at the edges. It was a worry last night as I watched Donizetti’s Maria di Rohan in concert at the Royal Festival Hall. By sidestepping the heavyweight power players of Louis XIII’s reign, the eminently operatic figures of Cardinal Richelieu (endlessly alluded to) and Marie de Medici, weren’t we also sidestepping the juice? Thankfully, not. But we did have to wait until the second half for Read more ...
Ismene Brown
There are horrors in the world so vile that few of us want to think about them. None more so than such cases as Josef Fritzl - or Jaycee Lee Dugard, or Arcedio Alvarez, or Raymond Gouardo, or Wolfgang Priklopil, or Marc Dutroux... but you get the picture. Cases where men abduct girls and turn them into sex slaves and father multiple children by them, often incestuously, hiding them in garages, basements, behind walls, sometimes for decades undiscovered, sometimes murdering them. Mostly you read that it happened, you shudder, and try not to think more about it. Impossible if you go to ENO’s Read more ...
theartsdesk
This month's round-up of the latest classical CDs takes in a major new Schubert recording by Mark Padmore and Paul Lewis, a pair of Shostakovich symphonies brought to fresh life in Liverpool under a young Russian conductor from the composer's home-town, a Mahler symphony recorded by the German orchestra that premiered it, a Kipling-inspired satire on artistic epigones by the half-forgotten Charles Koechlin, rare Rossini arias from Joyce DiDonato, a 60th-anniversary box-set from the Bavarian Radio Symphony Orchestra and more.CD of the Month
Schubert: Winterreise, Mark Padmore/Paul Lewis ( Read more ...
edward.seckerson
With its powerfully emotive stagings of Bach's St John Passion and Verdi's Requiem English National Opera has built something of a reputation for bringing sacred masterworks to the secular stage. Award-winning director Deborah Warner, conductor and Handel specialist Lawrence Cummings, and ENO's indefatigable chorus master Martin Merry tell Edward Seckerson about the challenges of making a credible stage spectacle of Handel's Messiah, which opens on Friday 27 November. "It's about us all," says Warner, when asked how inclusive this most popular of all sacred oratorios can be. And she promises Read more ...
edward.seckerson
theartsdesk's podcasts with broadcaster Edward Seckerson continue with a look at the English National Opera's new production of two 20th-century masterpieces: Bartok's Duke Bluebeard's Castle and Stravinsky's The Rite of Spring. Daniel Kramer takes on the mysterious Bluebeard, while Michael Keegan-Dolan and his Olivier Award-nominated dance company, Fabulous Beast, tackle the uncontrollable forces of Stravinsky's infamous Rite.Listen to the podcast here. The double bill opens at the ENO on 6 November. Book here
Check out what's on in the ENO season