Opera
graham.rickson
The plot of this rarely performed Gilbert and Sullivan spoof melodrama is gloriously amusing. The male heirs of the Murgatroyd family suffer under a witch’s curse which forces them to commit a crime each day, or suffer an agonising death. Sir Ruthven Murgatroyd has fled the ancestral home and now lives under a pseudonym, meaning that his younger brother Despard has had to assume both the baronetcy and the duty to commit the daily crime. Unlike his older brother's dastardly penchant for stealing babies and robbing banks, he finds it hard to progress beyond forging cheques and fiddling expenses Read more ...
David Nice
Is Donizetti's fustian operatic mash-up of Sir Walter Scott worth staging seriously? On CD, stupenda Sutherland and divina Callas continue to give us goosebumps with their darting, florid stabs at poor mad Lucia. If the difficult-to-achieve match of bel canto and dramatic intensity rests only with the lead tenor, as it did last night, what's left? Well, this revival of David Alden's 2008 production still looks stunning, well in line with ENO's high visual style so far this season. The expressionist mania bursting out of those sets and costumes, though, can't often be supported by a Read more ...
igor.toronyilalic
Two very different lessons on love this week. From the Aphrodite-like Joyce DiDonato at the Wigmore Hall, there emerged a correct, wise, honest way to achieve an enamoured state; from the familiarly fickle cast of Così fan tutte - an almost unwatchably faulty bunch of emotional primitives in Jonathan Miller's production for the Royal Opera - very much the wrong way.Miller is absolutely right to press home the point about the unattractiveness of Così fan tutte's group of solipsists. A mirror is the star of the show as a result. No one can escape it. Fiordiligi (Sally Matthews) falls for Read more ...
Ismene Brown
The BBC launched today its own popular opera talent hunt (details below), while ITV's Popstar to Operastar has suffered heavy critical attack and disappointing public ratings. The BBC's Commissioning Editor for Music and Events, Jan Younghusband, added a private comment to our review of the ITV show here, pointing out: "My big struggle is how we bring this great entertainment [opera] to TV in a meaningful way without wrecking it."The BBC's Passion for Opera plans in brief:Dame Kiri Te Kanawa, Rolando Villazón and Danielle de Niese present specially commissioned films for BBC Read more ...
Ismene Brown
Glyndebourne Opera's headline news this summer is its first-ever production of Britten's Billy Budd, to be directed by Donmar Warehouse director Michael Grandage in his own first venture into opera. A new Don Giovanni with Gerald Finley and a revival of the historic 1975 David Hockney Rake's Progress accompany listings of previous Festival productions of Macbeth, Cosi fan tutte and Hänsel und Gretel. Billy Budd (Britten) 23, 26, 29 May, 2, 5, 8, 11, 16, 19, 22, 27 JuneGlyndebourne’s first staging of the all-male opera of 1951, directed by Donmar Warehouse’s Michael Grandage in his opera Read more ...
David Nice
Two hundred costumes, over 60 solo roles and the world premiere of a great operatic composer's first thoughts: it's a task which would daunt the best-resourced opera company in the world. The fact that Prokofiev's initial, 11-scene meditation on Tolstoy's War and Peace was launched last night by students with slow-burn but ultimately total confidence, an orchestral collaboration with established professionals and a fusion of production with design at the very highest level could only send us out in to the streets of Glasgow echoing the Russian soldiers' final cries of "Ura!"The most Read more ...
igor.toronyilalic
Not everyone was playing for the same team in last night's revival production of The Rake's Progress. On the one side were the conductor, choir and soloists, all focused in their service and submission to unravelling this quietly brilliant piece of neoclassicism by Stravinsky - mostly pretty effectively. On the other side were the sets and direction of Carl Fillon and Robert Lepage, which included blow-up caravans, fold-out dolls' houses and a mattress-cum-Hoover sucking in lovers. Attention-seeking stuff . An initial interested "ooh" become a more circumspect "oh?"; bored eyes gave Read more ...
edward.seckerson
Gilbert & Sullivan's audacious parody of Victorian melodrama, Ruddigore, is as spirited a piece of topsy-turvy confection as the celebrated Savoyards ever produced. It arrives at Opera North in a brand-new production directed by Jo Davies and conducted by John Wilson, whose loving restorations of MGM musicals proved such a sensation at last year's BBC Proms season. Edward Seckerson went behind the scenes to meet them both and his exclusive podcast whets the appetite for an evening of cunning disguises, dastardly deeds, and an abundance of cracking good tunes.Click here to listen to The Read more ...
igor.toronyilalic
In 2005, having completed the first act of his opera Phaedra and killed off his lead Hippolyte, Hans Werner Henze contracted a mystery illness. No one understood it or saw a way out of it. He stopped eating, then speaking. His eyes began to fail him. He fell into a coma. The musical world began to fly out to his Italian village outside Rome to pay their last respects and prepare for his funeral. Then, two inert months into the grief and the start of the obsequies, Henze "just stood up", and went back to work on the second act of Phaedra, in which Hippolyte returns from the dead.
Needless to Read more ...
Adam Sweeting
Naturally it would be impossible to reach an objective verdict on what is the worst programme ever shown on television, but it is at least safe to say that Popstar To Operastar is determined not to get left behind in the race to the bottom. This could also be said of some of its contestants, whose unfamiliarity with the concept of "singing" seemed surprising in people who perform music for a living, albeit of the non-operatic kind.Not that the concept is necessarily a bad one. The notion of recruiting a bunch of pop singers and bussing them over to the operatic sphere could have been a device Read more ...
james.woodall
Antonio Pappano (b. 1959) enjoys the best of two opulent worlds. At the Royal Opera House in London (now his home city), he's well stuck in to his seventh season as music director, basking in popularity and plaudits previous incumbents could only have dreamt of. In Rome, he's director of the Orchestra of the Accademia Nazionale di Santa Cecilia, a post he took up in 2005. The orchestra, over 100 years old - the Accademia itself goes back to the 1580s - is based at an extraordinary Renzo Piano-designed structure, called the Auditorium Parco della Musica, a couple of kilometres north of the Read more ...
graham.rickson
This is a revival of the 1993 production originally directed by Phyllida Lloyd (of Mamma Mia! fame). Directed on this occasion by Peter Relton, it still works brilliantly. Lloyd has updated the setting to 1950s Paris with her young bohemians wearing polo necks, jeans and berets. A gleaming motorbike is one of the objects adorning their living space, its condition degenerating along with the health of Mìmi until it is replaced by a pedal cycle in the final act.As the curtain flies up and the orchestra launches into those upward dotted figures, the artist Marcello is splattering red paint onto Read more ...