Veronica Lee's Top 10 Films of 2022 | reviews, news & interviews
Veronica Lee's Top 10 Films of 2022
Veronica Lee's Top 10 Films of 2022
Transforming expectations in a less than stellar year for cinema
Sunday, 18 December 2022
'Matilda the Musical': Emma Thompson and Alisha WeirNetflix
In what feels like a less than stellar year for cinema, some films stand out. In some instances it was because I stepped a little outside my normal fare of blockbusters or star-driven vehicles and saw some films I might have thought a little too arthouse for my tastes. I'm very glad I did because otherwise I might not have seen a couple on this list.
I chose as number one a film version of a stage musical that I loved; I'm often not a fan of transformations (in either direction) as I think they can be lazy or reductive. But not Matthew Warchus's Matilda the Musical, a joyous reincarnation of Roald Dahl's story given verve by Tim Minchin's songs and Emma Thompson having a whale of a time.
3. Living
5. Aftersun
7. The Woman King
8. Boiling Point
more Film
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There's darkness on the edge of town in Rose Glass's sweaty, violent New Queer gem
Nezouh review - seeking magic in a war
A movie that looks on the dreamier side of Syrian strife
Blu-ray: The Dreamers
Bertolucci revisits May '68 via intoxicated, transgressive sex, lit up by the debuting Eva Green
theartsdesk Q&A: Marco Bellocchio - the last maestro
Italian cinema's vigorous grand old man discusses Kidnapped, conversion, anarchy and faith in cinema
I.S.S. review - sci-fi with a sting in the tail
The imperilled space station isn't the worst place to be
That They May Face The Rising Sun review - lyrical adaptation of John McGahern's novel
Pat Collins extracts the magic of country life in the west of Ireland in his third feature film
Stephen review - a breathtakingly good first feature by a multi-media artist
Melanie Manchot's debut is strikingly intelligent and compelling
DVD/Blu-Ray: Priscilla
The disc extras smartly contextualise Sofia Coppola's eighth feature
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
All You Need Is Death review - a future folk horror classic
Irish folkies seek a cursed ancient song in Paul Duane's impressive fiction debut
If Only I Could Hibernate review - kids in grinding poverty in Ulaanbaatar
Mongolian director Zoljargal Purevdash's compelling debut
The Book of Clarence review - larky jaunt through biblical epic territory
LaKeith Stanfield is impressively watchable as the Messiah's near-neighbour
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