Are You Having a Laugh?, BBC One | reviews, news & interviews
Are You Having a Laugh?, BBC One
Are You Having a Laugh?, BBC One
Former MP questions whether comics have it in for Christianity
How do we know Jesus Christ was a Jew? He was still living with his mum at 33 and she thought he was God Almighty. Are you offended? I sincerely hope not and profuse apologies if you are, but that was the first religious joke I remember from my Catholic childhood, and which managed to take a swipe at two religions for the price of one.
I also remember - and on my occasional forays into church still do - hearing priests crack jokes about God and the Pope from the pulpit. Maybe it's a Catholic thing, because I have never heard a left-footer make the complaint that Ann Widdecombe - former Conservative MP and a convert to Catholicism after the Church of England allowed women into the ministry - explored. To whit, that comics have got it in for Christianity, a juicy subject for Holy Week.
An array of comics including Marcus Brigstocke and Steve Punt were brave enough to be interviewed by a woman for whom the word "formidable" was invented and who has a spirited interviewing style. Such is Widdecombe's impressive pulling power, a former Archbishop of Canterbury, no less, appeared (George Carey, pictured below), as did the priest on whom the excellent Rev. is based, TV pundit Mark Lawson and Monty Python's Terry Jones, who talked about The Life of Brian, which has what Punt called the “jaw-droppingly offensive” crucifixion scene.
 The comics, as you might expect, stood their ground, saying they had a right to say whatever they wanted; jokes about Christianity are “fair game, making up for 500 years of people telling them how to think or feel.” There were some choice moments. Carey took a relaxed approach to what Widdecombe thought was sacrilegious humour - “The mature Christian response is to have a sense of humour” - while Brigstocke, like many comics an avowed atheist, appeared genuinely taken aback that she felt a personal sense of bereavement every time she thought about Christ dying on the cross.
The comics, as you might expect, stood their ground, saying they had a right to say whatever they wanted; jokes about Christianity are “fair game, making up for 500 years of people telling them how to think or feel.” There were some choice moments. Carey took a relaxed approach to what Widdecombe thought was sacrilegious humour - “The mature Christian response is to have a sense of humour” - while Brigstocke, like many comics an avowed atheist, appeared genuinely taken aback that she felt a personal sense of bereavement every time she thought about Christ dying on the cross.
By the end of the programme, a remarkable thing had happened: Widdecombe had the notion that maybe she was being too sensitive - and if comics are telling jokes about Christians, at least it means religion is still part of our culture. As Punt pointed out, in order to understand the jokes in The Life of Brian you have to have some knowledge of the Bible.
A really interesting question was only briefly explored; why, if comics are so fearless in their guying of Christianity, don't they mock Mohammed? The answer is screamingly obvious – because they really don't want to risk a fatwa being issued against them by Muslim zealots. Frankie Boyle and Jimmy Carr don't appear quite so cutting-edge now, do they? I suspect Bill Hicks (referenced in the programme) would have taken on that fight without a second thought.
Widdecombe intelligently explored many avenues on this topic – perhaps too many, as the number of talking heads nearly hit double figures and nobody was given enough time to elaborate a point. In this she was poorly served by director/producer Emily Davis, who was for ever cutting away to clips of stand-up comics such as Ricky Gervais or Dara Ó Bríain, or to shots of Widdecombe walking in and out of churches. She also loved using tricksy camera angles. But the programme ended on a fantastic God joke by Tim Vine, as told by Brigstocke. Widdecombe found it very funny. Job done.
rating
Explore topics
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more TV
 theartsdesk Q&A: director Stefano Sollima on the relevance of true crime story 'The Monster of Florence'
  
  
    
      The director of hit TV series 'Gomorrah' examines another dark dimension of Italian culture
  
  
    
      theartsdesk Q&A: director Stefano Sollima on the relevance of true crime story 'The Monster of Florence'
  
  
    
      The director of hit TV series 'Gomorrah' examines another dark dimension of Italian culture
  
     The Monster of Florence, Netflix review - dramatisation of notorious Italian serial killer mystery
  
  
    
      Director Stefano Sollima's four-parter makes gruelling viewing
  
  
    
      The Monster of Florence, Netflix review - dramatisation of notorious Italian serial killer mystery
  
  
    
      Director Stefano Sollima's four-parter makes gruelling viewing
  
     The Diplomat, Season 3, Netflix review - Ambassador Kate Wyler becomes America's Second Lady
  
  
    
      Soapy transatlantic political drama keeps the Special Relationship alive
  
  
    
      The Diplomat, Season 3, Netflix review - Ambassador Kate Wyler becomes America's Second Lady
  
  
    
      Soapy transatlantic political drama keeps the Special Relationship alive
  
     The Perfect Neighbor, Netflix review - Florida found-footage documentary is a harrowing watch
  
  
    
      Sundance winner chronicles a death that should have been prevented
  
  
    
      The Perfect Neighbor, Netflix review - Florida found-footage documentary is a harrowing watch
  
  
    
      Sundance winner chronicles a death that should have been prevented
  
     Murder Before Evensong, Acorn TV review - death comes to the picturesque village of Champton
  
  
    
      The Rev Richard Coles's sleuthing cleric hits the screen
  
  
    
      Murder Before Evensong, Acorn TV review - death comes to the picturesque village of Champton
  
  
    
      The Rev Richard Coles's sleuthing cleric hits the screen
  
     Black Rabbit, Netflix review - grime and punishment in New York City
  
  
    
      Jude Law and Jason Bateman tread the thin line between love and hate
  
  
    
      Black Rabbit, Netflix review - grime and punishment in New York City
  
  
    
      Jude Law and Jason Bateman tread the thin line between love and hate
  
     The Hack, ITV review - plodding anatomy of twin UK scandals
  
  
    
      Jack Thorne's skill can't disguise the bagginess of his double-headed material
  
  
    
      The Hack, ITV review - plodding anatomy of twin UK scandals
  
  
    
      Jack Thorne's skill can't disguise the bagginess of his double-headed material
  
     Slow Horses, Series 5, Apple TV+ review - terror, trauma and impeccable comic timing
  
  
    
      Jackson Lamb's band of MI5 misfits continues to fascinate and amuse
  
  
    
      Slow Horses, Series 5, Apple TV+ review - terror, trauma and impeccable comic timing
  
  
    
      Jackson Lamb's band of MI5 misfits continues to fascinate and amuse
  
     Coldwater, ITV1 review - horror and black comedy in the Highlands
  
  
    
      Superb cast lights up David Ireland's cunning thriller
  
  
    
      Coldwater, ITV1 review - horror and black comedy in the Highlands
  
  
    
      Superb cast lights up David Ireland's cunning thriller
  
     Blu-ray: The Sweeney - Series One
  
  
    
      Influential and entertaining 1970s police drama, handsomely restored
  
  
    
      Blu-ray: The Sweeney - Series One
  
  
    
      Influential and entertaining 1970s police drama, handsomely restored
  
     I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed
  
  
    
      Sheridan Smith's raw performance dominates ITV's new docudrama about injustice
  
  
    
      I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed
  
  
    
      Sheridan Smith's raw performance dominates ITV's new docudrama about injustice 
  
     The Paper, Sky Max review - a spinoff of the US Office worth waiting 20 years for
  
  
    
      Perfectly judged recycling of the original's key elements, with a star turn at its heart
  
  
    
      The Paper, Sky Max review - a spinoff of the US Office worth waiting 20 years for
  
  
    
      Perfectly judged recycling of the original's key elements, with a star turn at its heart
  
    
Comments
ann, why the double
Spirited interviewer she may
Does she really expect to
I think the reviewer above