Don Giovanni, Opera Up Close, Soho Theatre | reviews, news & interviews
Don Giovanni, Opera Up Close, Soho Theatre
Don Giovanni, Opera Up Close, Soho Theatre
City-boy updating of Mozart's daterape classic mostly works, but lacks goosebumps
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/3cc4d222172b64d59313a0605c41c4f9.jpg?itok=IUytZtHs)
When you go to a trendy London performance "space" to watch an opera about rape and murder you should probably expect a few shocks. Or, if this ain’t your first Don Giovanni, you should expect not to be surprised by whatever provocations the director may have in store – which is much the same. What you probably don’t expect is for the overture to be played electronically and/or sound like it’s been remixed by Thom Yorke. But in Robin Norton-Hale’s "new version", that’s what you get – and plenty more besides. And you know what? It really works. It does. Mostly.
When you go to a trendy London performance "space" to watch an opera about rape and murder you should probably expect a few shocks. Or, if this ain’t your first Don Giovanni, you should expect not to be surprised by whatever provocations the director may have in store – which is much the same. What you probably don’t expect is for the overture to be played electronically and/or sound like it’s been remixed by Thom Yorke. But in Robin Norton-Hale’s "new version", that’s what you get – and plenty more besides. And you know what? It really works. It does. Mostly.
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