wed 26/03/2025

Mozart

Die Zauberflöte, Royal Academy of Music review - first-rate youth makes for a moving experience

Tamino in the operating theatre hallucinating serpents? Sarastro’s acolytes wheeling lit-up plasma packs? From the central part of the Overture onwards – just when we thought we'd escape directorial intervention in Olivia Clarke’s racy conducting -...

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Classical CDs: Shipping lines, sabre dances and sea lice

 Donizetti: Songs Vols. 3 & 4 Michael Spyres (tenor), Carlo Rizzi (piano) – Vol. 3, Marie-Nicole Lemieux (mezzo-soprano), Giulio Zappa (piano) – Vol. 4. (Opera Rara)“The songs Donizetti poured forth during his composing career have [..]...

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The Marriage of Figaro, Welsh National Opera review - no concessions and no holds barred

Drained as they are at present of crucial funds, WNO are managing to put on only two operas this spring, and spaced out to the point where it could hardly be called a season. For their new Peter Grimes we must wait till April. Meanwhile we can...

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The Marriage of Figaro, English National Opera review - long on laughs, short on kerb appeal

Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe Hill-Gibbins’ ingeniously simple Figaro for English National Opera. A white box and a row of doors supply the only set to speak of...

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Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review - beauty and style from a winning pianist

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in one work.The outstanding music making of the evening came from pianist Giorgi Gigashvili, winner of...

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First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertos

One former teacher of mine said of their recording of the Mozart horn concertos “I’m not really sure why I bothered”. Said recording is excellent, so they were probably just being excessively modest. Nevertheless, every new version of these pieces...

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First Person: Bob Riley on Manchester Camerata's championship of a Centre of Excellence for Music and Dementia

In May, it was announced that Greater Manchester was to become the UK’s first Centre of Excellence for Music and Dementia, hosted by Manchester Camerata.The Centre is an incredible opportunity and the result of the vision and energy of many people,...

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Le nozze di Figaro, The Mozartists, Page, Cadogan Hall review - cogency, intelligence and reverence

Ten years ago, Ian Page launched his and the Mozartists’ (then Classical Opera’s) remarkable endeavour to play music by WA Mozart 250 years after it was written, starting with a programme of material from 1765 by eight-year-old Mozart, and his...

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The Marrriage of Figaro, Opera Project, Tobacco Factory, Bristol review - small is beautiful indeed

The Marriage of Figaro is undoubtedly one of the greatest operas ever written. Mozart’s masterpiece is a display of musical perfection that never ceases to touch the heart and stimulate the musical mind.This gripping and enormously entertaining tale...

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The Magic Flute, Opera North review - a fresh vision of Mozart’s masterpiece

In an autumn season of three revivals, Opera North begin by inviting James Brining, artistic director of Leeds Playhouse, to oversee his own production from five years ago of Mozart and Emanual Schikaneder’s extraordinary musical play. It’s the...

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Bavouzet, Nemecz, McLachlan, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - finish line of a remarkable marathon

“Mozart, made in Manchester”, the project to perform and record an edition of the piano concertos plus all the opera overtures, seemed a distant destination and an unlikely marathon when Manchester Camerata embarked on it eight years ago.But with...

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Le nozze di Figaro, Komische Oper Berlin, Edinburgh International Festival 2024 review - great singing wasted

I’m all in favour of the EIF taking artistic risks, and of them bringing a high-prestige international production to Edinburgh. This Marriage of Figaro from Berlin’s Komische Oper is both of those things, because it is the first production by Kirill...

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