Brighton Photo Biennial gets an above-Parr treatment | reviews, news & interviews
Brighton Photo Biennial gets an above-Parr treatment
Brighton Photo Biennial gets an above-Parr treatment
Brighton Photo Biennial launched
Thursday, 15 July 2010
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/b4ac33f6fe81d54ed9a9247555ae868c.jpg?itok=HWKj9v6v)
American GI home from 120-day stay in Afghanistan, 2004Suzanne Opton
The fourth Brighton Photography Festival (BPB) has been launched amid dramatic economic hardships, but my money is on it being a roaring success. It will put Brighton on the map as somewhere other than a gay clubbers’ delight and a hen-party hub. The reason for my confidence? The guest curator, Martin Parr. He's a Zelig-like character who spends his life dropping into every photo festival around the world and is the best-known UK photographer on the international stage today, his reputation made through his controversial high-colour documentary photographs and the touring exhibition Parrsworld, which is fed by his collector’s bug.
The fourth Brighton Photography Festival (BPB) has been launched amid dramatic economic hardships, but my money is on it being a roaring success. It will put Brighton on the map as somewhere other than a gay clubbers’ delight and a hen-party hub. The reason for my confidence? The guest curator, Martin Parr. He's a Zelig-like character who spends his life dropping into every photo festival around the world and is the best-known UK photographer on the international stage today, his reputation made through his controversial high-colour documentary photographs and the touring exhibition Parrsworld, which is fed by his collector’s bug.
This is the world’s first ever entirely un-framed exhibition - it makes sense
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Visual arts
![](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Screenshot%202024-10-30%20at%2017-39-09%20theartsdesk.com%20%28%40the_arts_desk%29%20%E2%80%A2%20Instagram%20photos%20and%20videos.png?itok=W02US5i5)
!['Untitled (No Comment)' 2020 by Barbara Kruger](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Kruger%20cat%202_0.jpg?itok=yeMkISnK)
![AARON #1 Drawing, 1979 by Harold Cohen. Tate, Purchased 2015](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Electric%20Dreams%20Harold%20Cohen%2C%20AARON%20%231%20Drawing%2C%201979.%20Tate.%20Purchased%202015.%20%C2%A9%20Harold%20Cohen.%20Photo%20courtesy%20of%20Harold%20Cohen%20Trust.jpg?itok=wxIVqYGb)
![Laurie Anderson serenades the rockets taking off into the stratosphere](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Ark%20%20clouds%20%28CREDIT%20DUNCAN%20ELLIOT%29.jpg?itok=IceB0-fQ)
![Corpo Coletivo (collective body) 1974 by Lygia Clark. Paço Imperial, Rio de Janeiro, 1986.](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Lygia%20Clark%20%20Corpo%20Coletivo%20%28colective%20body%29%201974.jpg?itok=FHh-bQyz)
![Ahh...Youth!, 1991 by Mike Kelley](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Mike%20Kelley%2C%20Ahh...Youth%21%201991.jpg?itok=MwzWjYgA)
![Waterloo Bridge, Overcast, 1903 by Claude Monet, oil on canvas](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Claude%20Monet%20%281840-1926%29%2C%20Waterloo%20Bridge%2C%20Overcast%2C%201903%2C%20oil%20on%20canvas%2C%20Ordrupgaard%2C%20Denmark.%20Photo%20Anders%20Sune%20Berg%20.jpg?itok=ntnY_MUy)
![Common History: Conference, 1999 by Michael Craig-Martin. Acrylic on aluminium, 274.3 x 508 cm.](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Craig-Martin%20office.jpg?itok=tFfDg8dK)
![Olive trees with the Alpilles in the Background, 1889 by Vincent Van Gogh](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Van%20Gogh%20olive%20trees.jpg?itok=XHImVKMa)
!['Thatcher Unmasked', 1986 by Peter Kennard](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Peter%20Kennard_Thatcher%20Unmasked_1986.jpg?itok=5l9AxAqi)
!['Ineligible for Death', 2024 by Dominique White, Max Mara Art Prize for Women 2022-24](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Dominique%20White_ineligible%20for%20death_2024.jpg?itok=Or8wdFI-)
Add comment