Christian & Tanja Tetzlaff, Leif Ove Andsnes, Wigmore Hall | reviews, news & interviews
Christian & Tanja Tetzlaff, Leif Ove Andsnes, Wigmore Hall
Christian & Tanja Tetzlaff, Leif Ove Andsnes, Wigmore Hall
Rapt chamber music from three people united in Schumann's great trio
Tuesday, 11 May 2010
Christian Tetzlaff: 'with his light clean tone he sounded not like a celebrated soloist but a melder, a listener and a joiner-in'
Chamber music is a highly motivational experience - here is a group of instruments of quite different qualities parading, fighting, ganging up, inviting each other’s new ideas, dialoguing, and all this variety heightening the build-up to the moment when all instruments proclaim unanimity in a grand finish, or (even better) huddle up in mutual creative conspiracy and conjure a mysterious little spell that makes the outsider long to be part of it. All of which was present last night in both the performance and the music of Robert Schumann’s third Piano Trio, played by the Tetzlaff siblings, Christian on violin and Tanja on cello, with Leif Ove Andsnes at the Wigmore Hall.
Chamber music is a highly motivational experience - here is a group of instruments of quite different qualities parading, fighting, ganging up, inviting each other’s new ideas, dialoguing, and all this variety heightening the build-up to the moment when all instruments proclaim unanimity in a grand finish, or (even better) huddle up in mutual creative conspiracy and conjure a mysterious little spell that makes the outsider long to be part of it. All of which was present last night in both the performance and the music of Robert Schumann’s third Piano Trio, played by the Tetzlaff siblings, Christian on violin and Tanja on cello, with Leif Ove Andsnes at the Wigmore Hall.
The three debate gravely, then suddenly join in whipping up a fierce, edgy engagement with each other as equal in rights
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Liepe, National Youth Orchestra of Ireland, NCH, Dublin review - a spirited shot at Shostakovich
All energy devoted to a symphonic epic, played with total commitment
Davis, National Symphony Orchestra, Maloney, National Concert Hall, Dublin review - operetta in excelsis
World-class soprano provides the wow factor in fascinating mostly-Viennese programme
Best of 2024: Classical music concerts
Young and old in excelsis, and competition finales turned into winning programmes
Spence, Perez, Richardson, Wigmore Hall review - a Shakespearean journey in song
A festive cabaret - and a tenor masterclass
Best of 2024: Classical CDs
Our pick of the year's best classical releases
First Person: cellist Matthew Barley on composing and recording his 'Light Stories'
Conceived a year ago, a short but intense musical journey
The English Concert, Bicket, Wigmore Hall review - a Baroque banquet for Christmas
Charpentier's charm, as well as Bach's bounty, adorn the festive table
Classical CDs: Woden, waltzes and watchmaking
Big box sets, a great British symphony and a pair of solo cello discs
Messiah, Wild Arts, Chichester Cathedral review - a dynamic battle between revelatory light and Stygian gloom
This supple inventive interpretation of the 'Messiah' thrillingly delivers the story
Messiah, Academy of Ancient Music, Cummings, Barbican review - once more, with real feeling
The seasonal standby returns with heart, zest and grace
Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger
Young quintet dazzle with their technical accomplishment and easy charm
Classical CDs: Christmas 2024
The year's best seasonal releases
Add comment