theartsdesk Q&A: Psychoanalyst Adam Phillips | reviews, news & interviews
theartsdesk Q&A: Psychoanalyst Adam Phillips
theartsdesk Q&A: Psychoanalyst Adam Phillips
The leading psychoanalyst talks fashion, therapy and about becoming an art curator
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/7a1f84e37f4e5fce0f7ca56b70c7e49a.jpg?itok=mCv-6lSb)
Born in 1954, Adam Phillips is a leading psychoanalyst, literary critic and author. For 17 years he worked as a child psychotherapist in the NHS before moving into private practice to work with adults. As well as being a self-confessed "sceptical" psychoanalyst, he is also known as something of "the literati's analyst of choice". His many, often playfully titled books have included The Art of Kissing, Tickling and Being Bored: Psychoanalytic Essays on the Unexamined Life (1993); On Flirtation: Psychoanalytic Essays on the Uncommitted Life (1995); and On Kindness (with Barbara Taylor, 2009). In 2006 he edited the New Penguin edition of the Sigmund Freud Reader. In collaboration with Artangel, and partner and fashion curator Judith Clark, he has co-curated The Concise Dictionary of Dress, an evocative art installation that "redescribes dress in terms of anxiety, wish and desire". He lives with Clark in Notting Hill, London.
Born in 1954, Adam Phillips is a leading psychoanalyst, literary critic and author. For 17 years he worked as a child psychotherapist in the NHS before moving into private practice to work with adults. As well as being a self-confessed "sceptical" psychoanalyst, he is also known as something of "the literati's analyst of choice". His many, often playfully titled books have included The Art of Kissing, Tickling and Being Bored: Psychoanalytic Essays on the Unexamined Life (1993); On Flirtation: Psychoanalytic Essays on the Uncommitted Life (1995); and On Kindness (with Barbara Taylor, 2009). In 2006 he edited the New Penguin edition of the Sigmund Freud Reader. In collaboration with Artangel, and partner and fashion curator Judith Clark, he has co-curated The Concise Dictionary of Dress, an evocative art installation that "redescribes dress in terms of anxiety, wish and desire". He lives with Clark in Notting Hill, London.
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Visual arts
![](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Screenshot%202024-10-30%20at%2017-39-09%20theartsdesk.com%20%28%40the_arts_desk%29%20%E2%80%A2%20Instagram%20photos%20and%20videos.png?itok=W02US5i5)
!['Untitled (No Comment)' 2020 by Barbara Kruger](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Kruger%20cat%202_0.jpg?itok=yeMkISnK)
![AARON #1 Drawing, 1979 by Harold Cohen. Tate, Purchased 2015](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Electric%20Dreams%20Harold%20Cohen%2C%20AARON%20%231%20Drawing%2C%201979.%20Tate.%20Purchased%202015.%20%C2%A9%20Harold%20Cohen.%20Photo%20courtesy%20of%20Harold%20Cohen%20Trust.jpg?itok=wxIVqYGb)
![Laurie Anderson serenades the rockets taking off into the stratosphere](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Ark%20%20clouds%20%28CREDIT%20DUNCAN%20ELLIOT%29.jpg?itok=IceB0-fQ)
![Corpo Coletivo (collective body) 1974 by Lygia Clark. Paço Imperial, Rio de Janeiro, 1986.](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Lygia%20Clark%20%20Corpo%20Coletivo%20%28colective%20body%29%201974.jpg?itok=FHh-bQyz)
![Ahh...Youth!, 1991 by Mike Kelley](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Mike%20Kelley%2C%20Ahh...Youth%21%201991.jpg?itok=MwzWjYgA)
![Waterloo Bridge, Overcast, 1903 by Claude Monet, oil on canvas](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Claude%20Monet%20%281840-1926%29%2C%20Waterloo%20Bridge%2C%20Overcast%2C%201903%2C%20oil%20on%20canvas%2C%20Ordrupgaard%2C%20Denmark.%20Photo%20Anders%20Sune%20Berg%20.jpg?itok=ntnY_MUy)
![Common History: Conference, 1999 by Michael Craig-Martin. Acrylic on aluminium, 274.3 x 508 cm.](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Craig-Martin%20office.jpg?itok=tFfDg8dK)
![Olive trees with the Alpilles in the Background, 1889 by Vincent Van Gogh](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Van%20Gogh%20olive%20trees.jpg?itok=XHImVKMa)
!['Thatcher Unmasked', 1986 by Peter Kennard](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Peter%20Kennard_Thatcher%20Unmasked_1986.jpg?itok=5l9AxAqi)
!['Ineligible for Death', 2024 by Dominique White, Max Mara Art Prize for Women 2022-24](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Dominique%20White_ineligible%20for%20death_2024.jpg?itok=Or8wdFI-)
Add comment