literature
Jon Fosse: Morning and Evening review - after thoughtsTuesday, 19 November 2024
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive single thought, uttered always in a characteristically... Read more... |
Olga Tokarczuk: The Empusium review - paranoid proseTuesday, 22 October 2024
In his first of a series of meditations on the sickness that was consuming him, John Donne reflected upon the special kind of paranoia that attends the ill individual. Each person is, by virtue of "being a little world", supremely conscious of a... Read more... |
Edinburgh Fringe 2024 reviews: The Sound Inside / So YoungTuesday, 13 August 2024
The Sound Inside, Traverse Theatre ★★★★★ Adam Rapp’s unapologetically intricate, bookish two-hander arrives for its UK premiere at the Traverse Theatre following a successful run in New York, including no fewer than six Tony nominations. It’s not a... Read more... |
Ellen McWilliams: Resting Places - On Wounds, War and the Irish Revolution review - finding art in the inarticulableFriday, 19 July 2024
How do you give voice to a history that is intimate to your own in one sense, whilst being the story of others whom you never knew? This is a question that Ellen McWilliams, in her highly moving and humorous memoir, takes not only seriously but as... Read more... |
Heather McCalden: The Observable Universe review - reflections from a damaged lifeTuesday, 16 April 2024
Artist and writer, Heather McCalden, has produced her first book-length work. The Observable Universe examines, variously, her familial history, the death of her parents to AIDS, and the subsequent loss of her maternal grandmother, Nivia, who raised... Read more... |
Andrew O'Hagan: Caledonian Road review - London's Dickensian returnTuesday, 02 April 2024
Andrew O’Hagan’s new novel, Caledonian Road, feels very much intended to be an epic, or at the very least has designs on being a seminal work, documenting the modern (European) human condition. Character and storyline-rich, dense, and morally... Read more... |
David Harsent: Skin review - our strange surfacesSaturday, 17 February 2024
David Harsent has won a lot of prizes. From the Eric Gregory to the T. S. Eliot, he has carved out a literary career positively glittering with awards and nominations, and keeps the kind of trophy cabinet that would turn many of his contemporaries... Read more... |
Best of 2023: BooksSunday, 31 December 2023
From wandering Rachmaninoff to Ulysses tribute, or a poet’s boyhood in Dundee to sleeplessness and arboreal inner lives, our reviewers share their literary picks from 2023.Prototype Press continues to publish much of the most interesting British... Read more... |
Angela Leighton: Something, I Forget review - the art of letting goMonday, 18 December 2023
Half way through Something, I Forget, in a poem entitled “Returns”, and subtitled “Invasion of Ukraine, February 2022”, Angela Leighton writes, “Today’s my birthday. Many happy returns. / Elsewhere there’s shot, mortar shells, grenades.”The... Read more... |
Mathias Énard: The Annual Banquet of the Gravediggers' Guild review - a man of infinite deathSaturday, 09 December 2023
"Death, as a general statement, is so easy of utterance, of belief", wrote Amy Levy, "it is only when we come face to face with it that we find the great mystery so cruelly hard to realise; for death, like love, is ever old and ever new". In Mathias... Read more... |
Anne Michaels: Held review - one story across timeFriday, 24 November 2023
Near the end of My Name is Lucy Barton, Elizabeth Strout’s prize-winning 2016 novel, a creative writing teacher tells Lucy, ‘you will only have one story […] you’ll write your one story many ways. Don’t ever worry about story.’ The advice might... Read more... |
Ishion Hutchinson: School of Instructions review - learning against estrangementMonday, 20 November 2023
School of Instructions, a book-length poem composed of six sections, is a virtuosic dance between memory and forgetting, distant tragedy and personal grief. At times, Hutchinson’s language perhaps forgets itself in its own excess. His lines are... Read more... |
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