mon 30/09/2024

New Music Reviews

Herbie Hancock, Barbican EFG London Jazz Festival review – the musical chameleon is still searching at 79

Sebastian Scotney

When it comes to the true jazz legends capable of filling concert halls with faithful fans, whom jazz festival programmers can put on as headliners, the choice is dwindling.

Read more...

CD: Beck - Hyperspace

Owen Richards

Beck stands on the front cover of his new album Hyperspace with a vintage Toyota and Japanese text resplendent above. It’s the perfect scene setter for an album you could easily imagine soundtracking a midnight drive through Tokyo. Or if the lyrics are anything to go by, an intergalactic voyage.

Read more...

Reissue CDs Weekly: The Clash - London Calling

Kieron Tyler

In a first for this column, what’s cropping up is a cassette reissue. The Clash’s third album is so familiar, going into what it is or was in any depth is redundant but it’s worth considering what’s going on here.

Read more...

Jazz Voice, Royal Festival Hall - engulfing beauty and hidden gems

peter Quinn

Jazz Voice unfailingly supplies a gigantic sugar-rush of auditory pleasure, and this year’s edition was no exception. Arranged, scored and conducted by the brilliant Guy Barker, the evening’s opener saw rising US vocalist Judi Jackson and the EFG London Jazz Festival Orchestra transform Nirvana’s brooding “Come As You Are” into a swaggering, Vegas-style workout.

Read more...

Craig David, BBC Radio 2 review - what's your flava?

Katherine Waters

My friend, let’s call her Kit, is having a rubbish time. Kat (that’s me) is too. If life’s got a flavour, it’s a shade darker than 99% cocoa. Kit and Kat are bitter. But if life is akin to boxed chocolates (or even foil-wrapped), there’s an entire world of tastes out there. What better than to add some sweetness, stir in some sugar? That’s where Craig comes in. Oh, Craig!

Read more...

theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and more

Thomas H Green

Without further ado, slightly delayed by the sheer volume of releases at this year time of year, here is the latest edition of theartsdesk on Vinyl. You will not find a more extensive monthly report on the goodies newly available on plastic anywhere on the internet. Every conceivable genre is theartsdesk on Vinyl’s game so dive in and get involved!

Read more...

Vampire Weekend, O2 Academy, Birmingham review – clean-cut Americans fail to ignite

Guy Oddy

By the time Vampire Weekend reached Birmingham on their latest UK jaunt, they had unfortunately managed to mislay their support band, the colourful Songhoy Blues. This was a great shame, as the Malians would surely have added a bit of colour to the early part of an evening that would most certainly have benefitted from a bit of light and shade.

Read more...

Reissue CDs Weekly: Yesterday Has Gone - The Songs of Teddy Randazzo

Kieron Tyler

“It's Gonna Take a Miracle” just missed out on a mainstream US Top 40 placing after The Royalettes issued it as a single in June 1965. But the song had staying power.

Read more...

Ólafur Arnalds presents OPIA, Southbank Centre review - many strange delights

Chris Harvey

Ólafur Arnalds is almost secretly huge. Millions adore the melancholy beauty of the Icelandic composer’s music, yet his name still brings blank stares from some.

Read more...

CD: Luke Combs – What You See Is What You Get

Ellie Porter

With US number one singles and Grammys coming out of his ears, a record-breaking streak at the top for debut album This One’s For You and collaborations with country big-timers aplenty, Luke Combs is riding high.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Andsnes. London Philharmonic Choir and Orchestra, Gardner, R...

If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary year - and...

Music Reissues Weekly: Why Don’t You Smile Now - Lou Reed at...

The Velvet Underground first played before an audience on 11 December 1965. A year earlier, their two founder members Lou Reed and John Cale were...

The Teacher review - tense West Bank drama

It’s hard not to review the Israeli occupation of Palestine when writing about The Teacher. The political context of this first feature...

Suor Angelica, English National Opera review - isolated one-...

Puccini elevated the operatic tearjerker to tragic status in three masterpieces: La bohème, Madama Butterfly and...

Joe Rogan, Netflix Special review - US podcaster leaves the...

Before Joe Rogan gained fame for his podcast The Joe Rogan Experience, he has been, variously, a comic,  presenter of goofball...

The Magic Flute, Opera North review - a fresh vision of Moza...

In an autumn season of three revivals, Opera North begin by inviting James Brining, artistic director of Leeds Playhouse, to oversee his own...

Album: Lady Gaga - Harlequin

Lady Gaga has made clear this is not her official new artist album. It’s a side project, inspired by Harley Quinn, the nom-de-chaos of the Arkham...

Hough, Philharmonia, Rouvali, RFH review - where the wild th...

This autumn, the Philharmonia’s “Nordic Soundscapes” season promises music suffused with the epic vistas, and weather, of high latitudes, along...

The Outrun review - Saoirse Ronan is astonishing as an alcoh...

In 2016, Amy Liptrot made a fine publishing debut with a memoir about her alcoholism, The Outrun. Now she has co-written a...