mon 29/09/2025

New Music Reviews

Music Reissues Weekly: All Turned On! Motown Instrumentals 1960-1972

Kieron Tyler

Motown and its related labels have been heavily collected and meticulously scrutinised since the early Sixties. There ought to be nothing left to say. Yet here this is, a smart, 24-track collection of Motown instros which includes five previously unreleased tracks.

Read more...

The Weather Station, Scala review - communion achieved against the odds

Kieron Tyler

Acknowledging the contrast between personal and public situations, The Weather Station’s Tamara Lindeman says “I have a lot of songs about not being heard, yet I’m holding this microphone.” An individual’s voice can be ignored, but if it’s given a context which enables reaching out – it may be heard.

Read more...

Dream Wife, St Lukes and the Winged Ox, Glasgow review - an exhilarating reminder of live music's power

Jonathan Geddes

Rakel Mjöll has a nice line in understatement. “We released this album in July 2020”, she said at one point, referring to her band’s sophomore record “So When You Gonna...” before adding, dryly, “which wasn’t the best time”. Finally, nearly two years later, Dream Wife have managed to get out on the road and actually tour those songs, and, thankfully, this was an evening worth the wait.

Read more...

Album: Maridalen - Bortenfor

Kieron Tyler

At first, Bortenfor comes across as an all-instrumental extended mood piece. A breathy saxophone and trumpet mesh over a gently see-sawing double bass. Clusters of piano notes occasionally intersperse themselves into the undulating textures. A pedal steel evokes shimmering water.

Read more...

Wardruna, Symphony Hall, Birmingham review - Norwegian neo-pagans stage a triumphant return to the live arena

Guy Oddy

It’s been 14 months since the release of Wardruna’s most recent album – Kvitravn. However, repeated waves of Covid have since prevented them from going a-viking and bringing their new show to live audiences around the UK.

Read more...

The Coral, Barrowland, Glasgow review - pop experimentalists prove overly smooth

Jonathan Geddes

Even blessed with youthful confidence, when the Coral first stepped out on the Barrowland stage 21 years ago to support the late, great Joe Strummer it’s hard to imagine they could have foreseen that they’d be able to return to the same stage over two decades later. 

Read more...

Music Reissues Weekly: Theatre Of Hate - Omens

Kieron Tyler

During the first week of February 1982, Theatre Of Hate got as close to the mainstream as they’d ever get. They opened that week’s edition of Top of the Pops with a run through of “Do You Believe in the Westworld?” which was then at 40 in the Top 40 – the highest position they’d reach in the single’s chart.

Read more...

White Lies, SWG3, Glasgow review - indie veterans get their groove on

Jonathan Geddes

White Lies began their set as many bands would end it, with a familiar hit ringing out and an explosion of confetti over the crowd. Such a tactic made you wonder if the three-piece would peak too soon here, mirroring the band’s commercial fortunes over a now lengthy career. First came a chart-topping album, then a series of mostly well regarded follow-ups that have slipped down the charts each time. Thankfully, and at times, surprisingly, the opposite was true.

Read more...

L'Impératrice, O2 Shepherds Bush review - delayed gratification

Alfred Quantrill

Born in the bedroom of keyboard player Charles de Boisseguin, bathed in a sleek, quintessentially French tradition of electro-pop, L’Impératrice materialised on the darkened stage at the O2 Shepherds Bush, with glowing hearts beating in unison on their chests.

Read more...

Music Reissues Weekly: Broadcast - Maida Vale Sessions, Microtronics, Mother Is The Milky Way

Kieron Tyler

In 2000, Broadcast’s first album The Noise Made By People entered the UK’s mainstream Top 100 and claimed the top spot on the dance charts. Three years later, their second album Haha Sound was in the Top Ten of America’s dance/electronic charts. It also went Top Five on the UK’s dance charts.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Black Rabbit, Netflix review - grime and punishment in New Y...

They say no good deed goes unpunished, so when New York restaurateur Jake...

The Hack, ITV review - plodding anatomy of twin UK scandals

The latest instalment of the ITV drama department’s attempts at trial by television is another anatomy of a scandal, but with little of...

Punch, Apollo Theatre review - powerful play about the stren...

For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the...

Cinderella/La Cenerentola, English National Opera review - t...

When you go to the prince’s ball, would you prefer a night of sobriety or excess? Julia Burbach’s new production of Rossini’s Cinderella...

Music Reissues Weekly: The Peanut Butter Conspiracy - The Mo...

“It's a Happening Thing,” January 1967’s debut single from...

Goldscheider, Brother Tree Sound, Kings Place review - music...

Last night’s concert at Kings Place was a programme of...

The Billionaire Inside Your Head, Hampstead Theatre review -...

What would it be like to be driven by OCD urges into idolising Elon Musk and aspiring to be one of his tribe of tech bros? In his debut...

theartsdesk Q&A: composer Donghoon Shin on his new conce...

Donghoon Shin has a taste for the esoteric – a love of labyrinths, literary puzzles, and contradictory aspects of the self. One of his favourite...