CD: Viola Beach - Viola Beach

Young band's posthumous release is a fitting epitaph

share this article

Warrington four-piece Viola Beach, who died in a car accident in February

It was somewhere around the third posthumous Jeff Buckley compilation that I realised that my love for an artist, and my completist nature, would never quite compensate for the general ickiness I felt about the nonconsensual release of their works in progress. It may not be the fairest of comparisons to draw – this collection of nine Viola Beach songs, released just five months after the deaths of the four bandmates and their manager in a car crash in Sweden, comes with the backing of their families and on the back of this weekend’s charity festival in their home town of Warrington. But there are some tracks here that, nestled between the band’s two singles and a vibrant, dynamic BBC session track, sound like pencil sketches. And that makes me far sadder than jangly indie rock has any right to.

Look, I’m not saying Viola Beach were ever going to change the world – “Boys That Sing”, the song of theirs that Coldplay covered on the main stage at Glastonbury last month, rhymes “rhino” and “wino” in its first two lines, for god’s sake (and yes, as unflattering as those descriptions sound, Kris Leonard was singing about a young lady he was rather taken with when he did so). I don’t expect the band would have been on my radar at this stage. Perhaps they never would have been. But with their premature deaths, Viola Beach became symbolic of the thousands of young bands across the country, living out of the back of a van and playing to half-empty rooms for the love of it, and for those moments when you catch somebody in the crowd dancing along, or mouthing the words.

The deft, danceable rhythms that punctuate “Swings and Waterslides” and “Cherry Vimto”, combined with Leonard’s Northern accent, make comparisons Spectrals or early Arctic Monkeys irresistible; and there’s a clear knack for a cheeky chorus on the likes of “Go Outside” and “Really Wanna Call” that’s the soundtrack to easy flirting and drinking cider in the park with your pals on a summer afternoon. But more than anything else, these songs make me want to switch off the laptop, head to my nearest small venue and fall in love all over again - and there’s probably no better legacy.

@lastyearsgirl_

Below: Coldplay perform Viola Beach's "Boys That Sing"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
I’m not saying Viola Beach were ever going to change the world

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album
Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job
The youthful grandaddies of K-pop are as cyborg-slick as ever