CD: Solange - True

The younger Ms Knowles proves to be as much of a pop powerhouse as big sis

share this article

Red alert: Solange and Dev Hynes combine modern production trickery with 1980s pop grooves on 'True'

Writing about True without naming the elephant in the room was always going to be a challenge, even if the younger Ms Knowles’ next move had built on the more experimental sounds of her earlier work or “Stillness is the Move”, her 2009 collaboration with Dirty Projectors. But then “Losing You” dropped in October, and it just so happened to feature one of the greatest female R&B vocals since, well...

The song is a gripping opener to this seven-track mini-album, Solange’s first release on Grizzly Bear’s Terrible imprint. Fusing choppy, tribal beats with an understated vocal performance, the quiet desperation of “Losing You” conveys the song’s powerful sense of loss far more effectively than all the big-ballad histrionics in the world ever could. Far more impressive is that is manages to do so while remaining catchy as sin.

That nothing else on True quite matches the single in immediacy is in no means a criticism. Whether it’s the freedom of an indie label or - more likely - the result of finding the perfect collaborator in the shape of co-writer and producer Dev Hynes, the record goes on to play joyfully with the most modern of production trickeries at the same time as drawing heavily from 1980s pop grooves. With its syncopated rhythm and synthetic hand claps, “Some Things Never Seem to Fucking Work” could almost have been stolen from Kylie’s early catalogue - if you ignore the kind of knowing lyrics Stock, Aiken and Waterman would never have allowed near a record sleeve.

It might not be a perfect collection - “Don’t Let Me Down” feels like filler and, despite the perfect rhythmic segue between the last two tracks, “Bad Girls” probably goes on about a minute too long - but there are times it comes close. The glitchy, menacing “Locked in Closets” practically begs to be played on vinyl, while “Lovers in the Parking Lot” gives Solange a proper chance to exercise her considerable vocal chops, and even duet with herself thanks to a neat bit of electronic trickery. Solange is currently working with Hynes on a full-length release, and on this evidence, it’s bound to excite more than that Destiny’s Child reunion.

Watch the video for "Losing You"


Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The glitchy, menacing 'Locked in Closets' practically begs to be played on vinyl

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together