fri 29/03/2024

New Music Buzz

Birthdays On The Tube, 22-28 November

Peter Culshaw

An ongoing series celebrating musicians' birthdays.

23 November 1876: Manuel de Falla's El Amor Brujo filmed as part of Carlos Saura's classic film dance trilogy.

{youtube width="400"}Ftd8tIdiYq4{/youtube}  El Amor Brujo  Carlos Saura

Read more...

Birthdays on the Tube, 15-21 November

Peter Culshaw

A continuing series celebrating musicians' birthdays.

22 November 1965: Bjørk released her first self-titled album at the age of 11, at 14 she was in a punk band called Spit and Snot, and has since gone on to be one of the most successful and original musicians on the planet. Many of her classic videos have had their sound removed on YouTube, but "All is Full of Love" directed by Chris Cunningham  is up there still, and features the best lesbian robot love scene ever...

Read more...

Chap-Hop, Straight out of Surrey

Peter Culshaw

"Hip-hop has been a commercial proposition since the release of 'Rapper’s Delight' in 1979. That’s 30 years, a long time for any genre," writes Sasha Frere-Jones in this week's New Yorker. The genre, according to Frere-Jones, is on the way out. Not so for Chap-Hop, however, which has been going for about six days since the video below was put up on YouTube, featuring...

Read more...

Noughty Girls: Britney, Amy, Beyoncé, Kylie... and Kaija

Peter Culshaw

Last night I was thinking, as I often do, of Britney, Kylie, Beyoncé, and less of Shakira, mainly because her name doesn’t end in y or e. The reason that my thoughts turned to Britney et al (incidentally we are delighted to have britneyspearsfans @BritneySpears4u site following theartsdesk on Twitter) was a list published this Saturday in the Telegraph of the best 100 songs of the Noughties.

Read more...

Pages

latest in today

Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...