New music
Jonathan Geddes
There was a point in this pop revival jaunt where you could feel members of the crowd wince. Not for the performance, but because Nicola Roberts introduced a song by mentioning it was from “the Chemistry album, which came out 19 years ago”. You could almost feel some in the crowd recoil, as if expecting to crumble to dust at that confirmation of the passing of time.Reunion gigs can often carry that nostalgic air, and it was more pronounced than most at this show, part of the girl group’s first tour in 11 years. The sad passing of Sarah Harding due to breast cancer, here remembered through big Read more ...
Kieron Tyler
“I feel ashamed because I couldn’t become the man that you always hoped I’d become.” The line is repeated during “Father,” The Art of the Lie’s third track. After this, there’s “Mother and Son,” “Daddy” and the allusive “The Child Catcher”. Parent-child relations, from either perspective, are key to John Grant’s sixth solo album. Specifically, how these have rippled through his life to form his present-day self.The US-born though now Iceland national’s follow-up to 2021’s Boy from Michigan is not just about interpreting growing up in a context which would not accept him as gay. The scope is Read more ...
mark.kidel
At 81, John Cale, an immensely prolific, wide-ranging and innovative musician, continues to take risks, making music that may not always be instantly appealing, but always true to an artist’s authentic path. Hot on the heels of Mercy (2023), in which he collaborated with a number of off-centre cutting-edge talents, he has produced another album full of surprises and yet immediately recognisable as his own work.He has written music and lyrics and plays most of the instruments, as well as co-producing the album with long-term collaborator Nida Scott. The guitarist Dustin Boyer contributes Read more ...
Kieron Tyler
“Moving Away from the Pulsebeat” is the final track – barring the locked-groove return of the two-note guitar refrain from “Boredom” – of Buzzcocks’ March 1978 debut album, Another Music In A Different Kitchen. At five minutes 40 seconds it didn’t cleave to the short, sharp punk template. Also, it was largely instrumental. And it had a drum solo.Buzzcocks had emerged with punk yet weren’t going along with it or, rather, what it had been reflexedly characterised as. Their label, United Artists, had faith in “Moving Away from the Pulsebeat” and pressed it onto a one-sided promotional-only 12- Read more ...
Ellie Roberts
Inspired by the desire to remain present in the modern world, Sea Girls’ latest album, Midnight Butterflies, is a collection of uplifting tracks to enjoy effortlessly this summer. Most of its songs could easily slide into any indie pop driving playlist and would be undoubtedly fun to sing along to live.This is the band’s third album and the first under their new independent record label Alt Records, it solidifies their fun guitar pop vibe, but it doesn’t do much to progress their sound. The already released title track feels familiar from the first listen, with an easy-going melody and simple Read more ...
Thomas H. Green
Charli XCX has been making scrambled eggs of pop for a decade. She’s written songs for/with artists including, but far from limited to, Lady Gaga, Iggy Azalea, Giorgio Moroder, Selina Gomez, BTS, David Guetta, Ty Dolla $ign, Blondie, Gwen Stefani, Raye, BTS, Camila Cabello, Benga, Caroline Polachek, Haim, and James Blunt. And then there’s her own albums. Six of them, including this one. But she’s not yet a full star. At least that’s what she reckons. And that’s what her enjoyably abrasive new album is about.The aforementioned abrasiveness is sonic. XCX’s lyrics are thoughtful, a navigation of Read more ...
Liz Thomson
Heavy Soul, the ninth studio album by British blues-rock singer-guitarist Joanne Shaw Taylor, is her first in two years, its 10 songs already released as singles. Produced by Kevin Shirley, whose credits include Aerosmith, Iron Maiden and Joe Bonamassa, whose indie label she joined a couple of years back with The Blues Album, its musical line-up features the fine talents of Doug Lancio, Anton Fig, Allison Presswood, Jimmy Wallace, and Rob McNelly.Recorded in Nashville, the album features both JST originals and covers, including a faithful and fabulous version of “All the Way from America”, Read more ...
Thomas H. Green
Towards the end of the encore, Deap Vally bring on their friend Solon Bixler. Frontwoman Lindsey Troy hands him her guitar. Despite this being their farewell tour, these two songs, she tells us, are new. The duo, now briefly a trio, go ballistic, a punk rock explosion ensues. Drummer Julie Edwards attacks her kit like Animal from The Muppets, Troy stomps like a glam rock loon before rolling about the floor, and Bixler scissor-kicks his way to stand aloft the bass drum.They’re burning with the right stuff. They have been all night.If life was fair, which we all know it isn’t, this month I’d be Read more ...
Tim Cumming
At 91, Willie Nelson is about to tour the US with The Outlaws, AKA Minnesota youngster Bob Dylan, 83, the even younger Robert Plant, 75, with Alison Krauss, a mere 52, and 72-year old John Mellencamp (plus a trio of 21st century artists in Celisse, Southern Avenue and Britney Spencer). Willie’s setlist contains songs that are older than some of those artistes, but you can bet a silver dollar that one or two from his excellent new album, The Border, will stray out onto the stage with him and his fabled guitar, Trigger.There’s a wonderful and affecting song here about dreaming of being Read more ...
Kieron Tyler
“We hope if you like it, you'll buy it,” says Paul McCartney. It’s 4 April 1963 and The Beatles are on stage and about to perform their third single “From Me to You.” It’s out in a week.To his left, John Lennon instantly responds to the entreaty. “And if you don't like it,” he retorts. “Don't buy it.”This atypical approach to promotion was witnessed by the audience gathered in the Roxburgh Hall of Stowe School, a Buckinghamshire all-boys institution hosting a late afternoon concert nominated as “probably The Beatles most unusual live gig” by the foremost Beatles scholar Mark Lewisohn Read more ...
Kieron Tyler
While some tracks on Marina Allen’s third album are country accented and a pedal steel is used a few times, it’s impossible to categorise Eight Pointed Star as Americana. Its sixth track, “Easy”, has the closeted atmosphere of The Velvet Underground’s third album. Next up, the driving “Love Comes Back” has a dash of former Go-Between Robert Forster about it.However, the nods towards a previously uncharted rootsiness do confirm a change in emphasis for the US singer-songwriter. Eight Pointed Star lacks the jazziness of Allen’s last album, 2022’s Centrifics. The very precise arrangements from Read more ...
joe.muggs
There’s a whole generation of singers who’ve risen to considerable fame on the back of the return of home-grown commercial dance music to the charts since the early 2010s. Various Jesses and Ellas, Nathans and Calums have flooded daytime radio with decent enough, often TV talent show-winning, more or less generic vocals.They all seem perfectly nice, but it can be hard to pick them apart, and – as highlighted by Raye’s recent label wranglings, and the You Know My Voice podcast from Kelli-Leigh – there does seem to be a fast-track route to solo success afforded to certain categories of artist Read more ...