New music
Peter Culshaw
The latest edition of Peter Culshaw’s occasional global radio shows focuses totally on Ukraine, looking at music, art, culture and resistance.Culshaw has reported over the years on the Odessa Film and Jazz festivals for theartsdesk, and written for the Odessa Review, Songlines and the Guardian on Ukrainian music and film. He argues that Ukraine was becoming too attractive, democratic, hip and culturally and technologically innovative – and that such a flowering had to be stamped out by Russia before it spread. We also discuss whether World War 3 has actually started.His co-pilot for the whole Read more ...
Jonathan Geddes
Prior to alt-j’s encore getting underway their video wall switched to the Ukrainian flag. “Fuck Putin!” bellowed keyboardist Gus Unger-Hamilton, to hearty roars of approval, in what was both a brief reminder of the outside world beyond the increasingly humid Barrowland and also a look at the band themselves and their own emotions, which otherwise remained distant during this show.That distance was quite literal, particularly early on. The trio were on a raised platform on the stage, meaning they truly towered over the audience, while a large portion of the gig was spent with them in shadow, Read more ...
joe.muggs
This album starts with an unfortunate sound. Its title track begins with the kind of drum loop that rock bands from U2 on down adopted in the early 1990s having heard Massive Attack and Happy Mondays and deciding that they were going to get on the groovy train. It’s unfortunate because as with all those Nineties bands, it remains completely beholden to a very Eighties Big Rock production style with over-egged notions of “fidelity”. Every element is neat, tidy, separated, sparkling – completely missing the point of what dance and hip hop producers were doing by hacking the possibilities of Read more ...
Kieron Tyler
Over January, February and early March 1975, British music fans could buy tickets for what was titled The Naughty Rhythms Tour. Three bands were billed, with the running order changing each evening. The tour was the idea of Andrew Jakeman, who worked for one of the bands, and Chris Fenwick, the manager of another: on their own, each band couldn’t fill larger venues. Together, more tickets would be sold and fans would be picked up.Jakeman was working for Chilli Willi and the Red Hot Peppers, one of the three bands. Fenwick managed another: Dr. Feelgood. The third outfit on the tour was Kokomo Read more ...
Thomas H. Green
Around a decade ago, Scottish singer Emeli Sandé appeared during a golden time for original female songwriters. On well-wrought, richly-inhabited songs such as “My Kind of Love” she quickly established herself as a characterful performer able to write grown-up songs with emotional heft, in the same league as the mighty Adele. She sold millions, and maintained course, balancing elegant, thoughtful, soul-pop with more interesting fare, such as 2016’s “Garden” with Jay Electronica. Her fourth studio album, however, while rife with contemporary electronic tics, wanders steadily into the middle-of Read more ...
howard.male
The album title ‘Where’s the One?’ is the question that often cropped up during the album’s creation. That’s to say, ‘the One’ is the opening beat of each bar that the western rock musicians often had trouble locating in the rich, complex brew of distorted thumb pianos, duelling guitars and intricately overlaid percussion generated by the Congolese musicians. And in some instances, the mystery was never solved. But clearly this problem became a mere technicality when the band of 10 rock musicians (including Deerhoof, Wildbirds & Peacedrums and Juana Molina) joined 10 Congolese musicians ( Read more ...
Tom Carr
When the pandemic closed in, Canadian experimental indie rock troupe Arcade Fire were on the cusp of heading into the studio to record their new album. COVID had other plans. But rather than pause, the husband and wife duo of Win and Regine Butler continued to work on more songs together. As they admit, this has ended up being the longest time they’ve spent writing for an album.The result, WE, is a concise, 40 minute LP that explores the experience of living through a pandemic: the first side is emotive and dark, tinged with isolation and fear; the latter half brighter and celebratory, Read more ...
Guy Oddy
Most artists tend to view the live arena as an opportunity to commune with fans old and new, with audience reaction being an integral part of the whole experience. Not so much Jason Pierce’s Spiritualized.The nine-piece band trooped onto the stage at Birmingham’s Symphony Hall in two distinct groups. First to come were eight anonymous individuals, dressed in black, including two guitarists, a bassist, drummer, keyboard player and three backing singers. As they took their places, Jason Pierce, bandleader and the only constant member since Spiritualized’s inception, ambled on and took his seat Read more ...
Liz Thomson
Not quite 50 and already Kate Rusby has notched up 30 years on the professional stage, an anniversary marked by a new album featuring newly recorded favourite songs from across her career on which “the Barnsley Nightingale” is joined by an array of special guests.Among them are compatriots Richard Hawley and KT Tunstall and, from across the Atlantic, Beth Nielsen Chapman, Sarah Jarosz and the gloriously talented Darlingside. For those buying the physical album there’s also the Royal Northern Sinfonia on a “full version” of “Secret Keeper”.The celebration opens in appropriately upbeat style Read more ...
Kathryn Reilly
When Soft Cell first caught the imagination of the nation it was a time of hope, opportunity and change. One of the first bands to bring technology to the top of the charts, they seemed to herald a new age after the grey years of the Seventies. They felt it too and they were also wrong. What colossal idiots we were, National Treasure Marc Almond confirms. Right from the start on this lockdown album – the first offering in nearly 20 years – in "Happy Happy" he lambasts how easily we swallowed the lies and followed the money. "Bruises on my Illusions" reiterates the point. Perhaps Read more ...
Kieron Tyler
First on were The Supremes with “Baby Love.” Next, The Miracles performed “You Really Got a Hold on me.” After this, Stevie Wonder’s “I Call it Pretty Music But the Old People Call it the Blues,” The Temptations’ “The Way You do the Things You do” and Martha & The Vandellas’ “Heatwave.”The opening section of the Ready Steady Go! episode broadcast on 28 April 1965 was hot – really hot. The show was titled The Sound of Motown and its guest host was Dusty Springfield. She sang a song solo, and one with Martha Reeves.Those involved with the show knew Springfield was a high-profile ambassador Read more ...
Jonathan Geddes
Careful consideration is needed when leaving your seat at a Divine Comedy gig. “He’s off for a drink,” observed Neil Hannon of the audience member ambling away during a rendition of “Gin Soaked Boy”, before adding, accurately, “this song’s excellent.” Indeed it was, and a fitting closer to the first half of this leisurely, career-spanning set dedicated, mostly, to the hits.That theme is somewhat ironic given Hannon never seemed particularly comfortable as a pop star, particularly during the height of Britpop, but here, suited and wearing shades, he seemed at ease. There was a relaxed vibe Read more ...