Aware I was going to see a stand-up comedian at the Brighton Festival but not knowing much about Daniel Kitson, the opening of his new show, After The Beginning, Before The End, bemused. On he wandered, shaven bald of head, geeky, bearded, wearing specs and a librarian-style brown jacket. He sat in a nondescript red chair at a small table with a cup of tea and pressed buttons on an electronic gizmo which began to burble sweet abstract electro bleeps. Then he went into a monologue which ceased an hour and 40 minutes later.

Eddie Izzard is lining up his targets. He’s taking issue with dictatorial authority figures, with God, royals and priests, right-wingers and high-profile liars. These days, he doesn’t merely natter about the colour of his nail varnish, though that’s still in the mix. In his new solo show, Force Majeure - trumpeted as the most extensive comedy tour ever, taking him from Cardiff to Kathmandu - his transvestism is mentioned, but only en passant.

No theme, no message, no set, no title. Northern Irish comedian Jimeoin is a beguilingly old-fashioned kind of standup. “Just jokes,” he told us at the beginning of his new show, and he was true to his word. His gift lies in mining the quirks of everyday life for points of universal recognition, whether it’s the devilish business of refilling the ice tray, changing bin bags, bringing in the shopping, or why you’ll never see a busy man eating an ice cream.

The new South Bank Show has glided into its second season with a seemingly effortless profile of multi-hyphenate Tim Minchin. In case we’ve forgotten what exactly we admire him for these days – so varied has been his decade-long career been, through satire, rock, musical comedy, stage performance, to co-creator of the RSC transfer-spectacular Matilda that's now storming Broadway – then this was a good reminder.

Paul F Tompkins has been lauded by Rolling Stone magazine and the Huffington Post, both for his observational stand-up and his podcasts. But for someone praised for a very modern form of entertainment, he strikes a rather old-fashioned figure when he comes on stage. Three-piece suit, shiny tie, watch fob in his waistcoat pocket, big hair - it's like he's channelling the late, great Dave Allen.

It’s a truism of the impersonator’s art that those who can do other voices have none of their own. On Parkinson, Peter Sellers couldn’t even come down the staircase as himself. When at the end of the show Mike Yarwood said, “And this is me!” a nation switched off. The idea behind The Mimic, starring the remarkable Terry Mynott, is that it accepts the truism as truth. This is a comedy about a man who can pose convincingly as Ronnie Corbett stuck in a postbox but has no life to call his own.

Will Franken is an odd-bod. The American - Missouri-born, now a San Francisco resident - is a character comic and impressionist, but not in the way we understand a Rory Bremner or an Alistair McGowan. He “does” famous people, for sure, but these are fleeting impersonations in a wonderfully free-flowing affair that weaves swiftly between stories and builds an hour of increasingly absurdist humour.

There must be something about doing a medical degree. A steady stream of medics - including Jonathan Miller, Graham Chapman, Graeme Garden and Paul Sinha - have hung up their stethoscopes to plough a furrow in comedy (Phil Hammond, meanwhile, manages to combine the two careers). It was definitely medicine's loss and comedy's gain when Harry Hill made his career detour and, as he gleefully tells us in Sausage Time, five years at medical school provided him with the wherewithal to deliver an educated (and very funny) fart gag.

There are oodles of comedy DVDs released for the Christmas market - here's a selection of the best.

Dara Ó Bríain
Craic Dealer

Susan Calman's star has risen of late - the Glaswegian lawyer turned stand-up has been an Edinburgh Fringe favourite for some while now, but in the past two years she has become an established Radio 4 presence through the likes of The News Quiz, and has been seen acting on television on shows such as Sharon Horgan's comedy drama Dead Boss.