Some people learned how to make sourdough bread during the pandemic lockdown, while others discovered the joy of Zoom quizzes. Dara Ó Briain, on the other hand, wrote this brilliant show, So... Where Were We?, his most personal yet.

It has been a long time since Harry Hill went on tour – 2013 – so one can assume that many of the youngsters in the multi-generational audience hadn't seen him perform live before, but were there because they know him from his deliriously funny television work, much of it available online. I hope they weren't disappointed – but I suspect, judging by the lack of laughter around me, that at least some were.

A dead pigeon. A dead squirrel. A dead fox. Lots of maggots – very much alive. I might be describing your worst nightmare (throw in a rat or two and it would be very close to mine) but this array of wildlife forms an important part in Kim Noble's latest show, Lullaby for Scavengers. I warn you, it takes a strong stomach to sit through it – and I have to confess I had to shield my eyes at several points. The show comes with a content warning for a reason.

It's a pleasure to see Rob Rouse back doing standup, as these days he's as well known for his acting – he plays the idiot savant Bottom in BBC's Upstart Crow, the theatre version of which is opening shortly in the West End after its 2020 premiere run was truncated by Covid.

The Dave Edinburgh Awards went abroad this year – Australian Sam Campbell won for best show at the Fringe, while American Lara Ricote won best newcomer.

Joseph Parsons, The Mash House ★★★

Jake Lambert, Pleasance Courtyard ★★★★

Jake Lambert warms up the audience by describing how much he enjoyed lockdown (despite a relationship break-up), and he suspects that football players enjoyed playing for a season without spectators too – “Whose job wouldn't be improved by removing thousands of people calling you a wanker?”

Hal Cruttenden, Pleasance Courtyard ★★★★

Randy Feltface, Assembly George Square ★★★★

Ania Magliano, Pleasance Courtyard ★★★★

Ania Magliano is debuting at the Fringe with Absolutely No Worries If Not, an hour that explores her sexual awakening. She has only recently realised she's bisexual, which means she still likes straight culture. “I think All Bar One is a great space,” she say drily.