Amos Gill Gilded Balloon ★★★★

Krystal Evans, Monkey Barrel @The Hive ★★★★

Ania Magliano, Pleasance Courtyard ★★★

When Ania Magliano made her Fringe debut last year, her show was rightly garlanded with four- and five-star reviews. She sounded like an original voice on the comedy scene and this year her show, I Can’t Believe You’ve Done This, sold out its entire run before the festival opened.

Ed Byrne Assembly Rooms ★★★★★

Ed Byrne has frequently referenced his loved ones in previous shows but this new hour is one he would never wanted to have written, as it was prompted by the death of his younger brother, Paul, last year. Its title, Tragedy Plus Time, is taken from an aphorism attributed to Mark Twain about the definition of humour.

It's takes a confident comic performing only her second show in English – her second language – to joke near the top of the hour: “I didn't know I wasn't as funny in English.” Urooj Ashfaq also told us she would get upset if the audience didn't like her – but she shouldn't worry. Her confidence proved to be justified.

At first, it’s hard to believe that the true story of Colonel Blood’s audacious attempt to steal The Crown Jewels from the Tower of London in 1671 has not provided the basis for a play before. After two hours of Simon Nye’s pedestrian telling of the tale as a comedy, you have your answer.

Josh Pugh made quite an impression at last year's Edinburgh Fringe, where he was deservedly nominated for best show in the Edinburgh Comedy Awards with Sausage, Egg, Josh Pugh, Chips and Beans. In this special YouTube version, recorded at Birmingham Town Hall, he reprises that performance.

Amy Schumer opens Emergency Contact,  her latest Netflix Special, by asking a young woman in the front row how old she is. When the answer comes back as “27”, the New York comic has found the perfect segue into material about being 42 and feeling her age.

And that’s it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as you hop on a ride to a land of magic.

John Kearns' comedy is what you might call niche; absurdist, surrealist, poetic – they all apply, underlined by his onstage uniform, or “mask”, of tonsure wig and oversize false teeth.