Once upon a time, there was an assumption that the DJs and remixers who emerged in the late 1980s would kill off touring bands like Depeche Mode. As it turns out, nothing could be further from the truth and 34 years since they first got together, Basildon’s finest are not only still providing remixers with plenty of raw material for their craft, but they are reproducing their recreations in the live arena.

Dory Langdon: My Heart is a Hunter

The best thing about Warpaint is their rhythm section. The all-female LA quartet have received critical plaudits for both their albums, wisely releasing their latest eponymous collection in the dead zone of January, maximizing media attention (why don’t more bands do this? It was the making of the Scissor Sisters back in 2004). The foursome are determinedly un-showbiz, letting their music do the talking and dealing in tasty power-femme sound-bites.

Featuring two of the most celebrated bands in traditional Irish music, this mouth-watering double bill as part of the ninth Temple Bar TradFest drew a capacity crowd to St Patrick's Cathedral, Dublin. With incredibly tight tune playing, pinpoint phrasing and a powerhouse backing section, Frankie Gavin & De Dannan kicked things off in dramatic fashion. By the time fiddle player Gavin launched into “The Wild Irishman”, his impressive bow work was sending clouds of rosin flying off in all directions.

The musical concept behind this constellation of international stars at Ronnie Scott’s last night was simple. Take a sextet of some of the world’s finest improvising jazz musicians, give them either a funky groove, gentle swing or a bass-fired post-bop beat, and ample space to improvise. Sit back and enjoy the sonic fireworks.

In a world where everyone is expected to be a “brand”, Gilles Peterson sets some very interesting precedents. Probably best known as a radio DJ – currently on BBC 6 Music, plus his globally syndicated Worldwide show – he also remains as in demand to play in clubs as at any time in his 25-year career, he runs the Brownswood label, and has his own Worldwide Festival, currently with winter and summer editions in different locations in France plus four years running in Singapore and one in Shanghai. And somehow his individual personality remains at the heart of all of this.

Small Faces: Here Comes the Nice - The Immediate Years

Musically, lyrically, dramatically, on every count this debut album from The Gloaming is exceptional. Four-fifths of the group - Clare fiddle player Martin Hayes, Chicago guitarist Dennis Cahill, the Cúil Aodha sean nós singer Iarla Ó Lionaird and Dublin-born hardanger player Caoimhín Ó Raghallaigh - are all well-known figures within traditional Irish music. It's The Gloaming's fifth member, New York-based pianist (and album producer) Thomas Bartlett, whose harmonic, rhythmic and textural effects serve to paint this music on a wider, more expansive canvas.

Jackson C. Frank: Jackson C. Frank

Gwilym Simcock, pianist, composer, and jazz-classical crossover specialist, is releasing two albums this year, and at Kings Place last night, the audience had a taste of both. An evening billed as the launch of Instrumation, Simcock’s new album of original suites, became a kind of Simcock tasting menu. He played half of Instrumation, which was officially launched, and sections from his second album of 2014, Reverie at Schloss Elmau.